As Baldi suggests, Wyatt’s poetry did not ‘linger’ over ‘glimpses’ of his lady’s beauty, as Petrarch’s poetry before him had done. Wyatt often tended toward using extended metaphors to describe the ‘mistress’ of the poem, most commonly likening them to animals. In ‘They flee from me’, Wyatt describes the women who used to visit him ...
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...ted miniatures, and the lack of the pictorial in his poetry. Illuminated miniatures were drawings that were used to frame poetry in the renaissance period and earlier, and Wyatt’s lack thereof demonstrates his simple style, but complex meaning. Even in his focus upon women, Wyatt does not merely describe the ‘glimpses’ of his lady’s beauty, but chooses to depict a mistress that is not always kind and delicate. Many of the women depicted in Wyatt’s poetry are not described, only their actions are record. Still, ‘Whoso list to hunt’ does not focus so much on the beautiful appearance of the deer, but upon the detail that she is ‘owned’ by another man, and this is the cause of the speaker’s pointless anguish. The ‘pointlessness’ of love is also asserted in ‘Farewell, Love’, in which the speaker rejects love and assails its ‘tangled boughs’ which had captured him in love.
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