Meritocracy In Lorraine Hansberry's A Raisin In The Sun

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Meritocracy, which transcends to upward mobility, can help achieve the Black American Dream only when money and support are present. Walter Younger is an example of meritocracy, a middle-aged man living with his mother and family and works hard as a chauffeur. He wants upward mobility, which is why he enters into the liquor store business with two of his business partners. After receiving his father’s insurance money from his mother, he invested everything towards the business. However, the downfall occurs when one of his partners, Bobo, showed up to his house without Willy Harris, his other partner, present. “When I got to the train station…Willy didn’t never showed up...When a cat take off with your money he don’t leave you no road maps” …show more content…

Lutie is another example of meritocracy, the mother of eight-year-old Bub living in an apartment in Harlem who works hard as a singer. She wants upward mobility, which is why she accepts Boot’s job offer when asked to join his band. The night after singing at Junto’s bar, the downfall occurs when Lutie realizes that she is not being paid for her singing service, as promised by Boots. “‘When will my salary start? And how much will it be?’ She couldn’t wait any longer for him…She looked at him anxiously, conscious of a growing sense of dismay…This was worse than being back where she started because she hadn’t been able to prevent the growth of a bright optimism that had pictured a shining future” (Petry 303-305). Money and support symbolize upward mobility. Lutie is grieved about the news of not getting paid yet because she sees the singing career as a way to transcend herself out of poverty. This is the turning point of the story where she acknowledges that being the only hardworking member in her family will not translate into upward mobility. She gets no support from anyone, compared to Walter, who is getting support from his …show more content…

Lutie is the only working adult in the family but makes the decision to leave her family behind, including her own son Bub. She decides to leave because she is tired of both the visible and the invisible walls set up against her each time she gets rejected. “She leaned further against the wall, seemed almost to sink into it, and started to cry…When she left the building, it was snowing hard. The wind blow the snow against her face…She thought confusedly of the best place for her to go. She decided that Chicago was not too far away and it was big” (Petry 390, 434). Lutie has given up on herself because she is not getting any money nor support from anyone. The visible wall in her apartment is the same analogy as the invisible wall set in front of her in public. Each time she seeks a singing opportunity with a promising salary, there is an invisible wall present because she is either not getting paid or must sleep with men in order to get paid. Wall is in contrast with a veil, a term used by W.E.B. Du Bois, in which anyone can see through the woven cloth. If a veil is a metaphor used throughout the story, instead of a wall, Lutie might have seen the danger she is getting herself into with men, who are only interested in sleeping with her and offering her sugar-coated singing deals, and escape as soon as possible. Towards the end of the story, as Lutie

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