"All things truly wicked start from an innocence,” states Ernest Hemingway on his view of innocence. Innocence, what every youth possesses, is more accurately described as a state of unknowing but not ignorance- which connotation suggests a blissfully positive view of the world. Most youth are protected from the harsh realities of the adult world. Therefore they are able to maintain their state of innocence. While innocence normally wanes over time, sometimes innocence can be abruptly taken away. Some of the characters in Truman Capotes In Cold Blood lost their innocence due to the traumatic events they experienced in childhood and adulthood while some had none to begin with.
Innocence can be stolen but the desire to return to the innocent state cannot. A traumatic event changes the nature of a small town, yet leaves some residents with a fervent desire to return to normalcy. An isolated city such as Holcomb is thought to be safe from the corruption and crime of city life. In 1959, the town of Holcomb was devastated by the brutal killings of a beloved family, the Clutters. This event completely changed the attitudes of most of the town’s population, which one resident, Mryt Clare, stated had turned them into “snakes”. While the once blamelessness that had been evident in most of the towns folk had disappeared, Clare had hoped the town would stop “scaring each other to death”. Clare wanted the usual kindness and innocence that drew her to the town to be restored. The deaths of the Clutter family had taken away the towns trust in one another, but the deaths of the killers and re established some of the innocence they had lost. While no one can completely recover from a traumatic event, the town of Holcomb desired to return to a st...
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... become the victims. In the case there was never any innocence present in an individual, the choices they make will shape how corrupt they become. The town of Holcomb was traumatized by the unexpected murder of a respected family, which turned the community into distrusting gossipers. This event can take place in childhood, as it did for Perry Smith, who grew up with no protection from corruption by his parents and killed an entire family. Dick Hickock, impulsive and shallow, formulated a plan to rob and kill any witnesses present at the Clutter household. He was corrupt enough to go ahead with the plan and persuade Perry to kill the witnesses. Innocence must be protected to ensure that others may be kept innocent. The virtuous quality that most people have is connected to their innocence, but if their innocence is lost, their future may be condemned to sinfulness.
Throughout the Non-fiction novel In Cold Blood Truman Capote convinces the reader the idea of death penalty as a punishment, seeing it as hypocritical. This is achieved through Capote’s ability to succeed to the reader’s credibility and emotions.
shocked by the randomness and brutality of the act, in much the same way it was
In the novel In Cold Blood by Truman Capote, the author skillfully orders information and articulates his word choice in order to successfully tell the story. Capote chooses to include certain events before others to show the reader the development of the case caused a change in the overall feelings of characters such as Alvin Dewey. Alvin, the detective who desperately searched for the Clutter killers reads, “on the first page of the Kansas City Star, a headline he had long awaited: Die On Rope For Bloody Crime,” which portrays to the reader that he was relieved after months to know that they were sentenced to death. (337) By including the word choice “he had long awaited” the reader may assume that he is pleased by this outcome. (337) However,
Until Part 3 of the book, "Answer," Capote's method emphasizes the mysterious, evasive nature of the crimes and their effects on the townsfolk of Holcomb, Kansas. Because he does not allow the author to speak in his own, first-person voice, Dewey's role is critical in that he acts as the central intelligence guiding our integration of plot elements. His motives and desires allow readers to identify with the eventual capture and punishment of the suspects. The confession scene promises to release pent-up curiosity about the crimes, which up to this point have been presented as motiveless and inexplicable. Our anticipation takes its cue from Dewey's solemn vow when first encountering the murder scene: "However long it takes, it may be the rest of my life, I'm going to know what happened in that house: the why and the who.'' (Truman Capote, 80) Here, we as readers are compelled to sympathize with Dewey in his quest to discover what monster(s) would commit such a crime.
A required reading list should consist of books that present readers with new insights and knowledge while encouraging them to analyze the context of the book and identify major themes. Truman Capote 's In Cold Blood should be kept on high school required reading lists because it appropriately covers each of these criteria. The non-fiction novel introduces readers to a world of criminal psychology, raising questions about the cause and manner of American crime. Additionally, the book 's author is steeped in controversy regarding his faithfulness to the truth, providing an excellent opportunity for high school readers to research and discuss the role biases play in the writing of a novel. Meeting the final criterion, In Cold Blood contains
In Cold Blood, a novel written by Truman Capote and published in 1966, is, though written like fiction, a true account of the murder of the Clutter family of Holcomb, Kansas in 1959. This evocative story illuminates new insights into the minds of criminals, and how society tends to act as a whole, and achieves its purpose by utilizing many of the techniques presented in Thomas C. Foster’s How to Read Literature Like a Professor. In In Cold Blood, Capote uses symbols of escape and American values, and recurring themes of egotism and family to provide a new perspective on crime and illustrate an in-depth look at why people do the things they do.
When classifying someone as evil, one may only look at the act of the person but not their mental state. In the essence of this topic, the nonfiction novel by Truman Capote, In Cold Blood, references the idea of people being either pure evil or not. One of the murderers, Perry Smith, is an example of this idea, even though he murdered an entire family. By reading the story, we learn that Perry Smith is not inherently evil from specific points made within the novel. Truman Capote’s use of diction, tone and flashback help convey the idea of the character, Perry Edward Smith, as not inherently evil instead having evil tendencies.
In the book In Cold Blood the people of Holcomb and other friends of the Clutter family are deeply affected by the murders. The people in the town perceive the Clutters as the family “least likely” in the world to be killed. Rejecting the idea that the killers were strangers, many of them become suspicious of everyone and anxious about their own safety in the company of their neighbors. According to Truman Capote, the author, it is the first time the community of this part of Kansas have had to undergo the “unique experience of distrusting each other” (page 88).
Capote's structure in In Cold Blood is a subject that deserves discussion. The book is told from two alternating perspectives, that of the Clutter family who are the victims, and that of the two murderers, Dick Hickock and Perry Smith. The different perspectives allow the reader to relive both sides of the story; Capote presents them without bias. Capote masterfully utilizes the third person omniscient point of view to express the two perspectives. The non-chronological sequencing of some events emphasizes key scenes.
In Red Harvest, in both his description of both “Poisonville” and it’s inhabitants, Hammett uses contradicting language, and often iconic reoccurring imagery to express the deterioration of American morals with the growth of underground crime, judicial politics, and the emergence of the femme fatal. The characters in the novel, including the operative himself are willing to lie, cheat, and kill in cold blood for their own personal gain. Although infidelity, greed, and self-preservation are expected from characters involved with the murders and inner crime ring; the story becomes more complicated when characters like the operative, and chief of police begin to get their hands dirty. Bringing the age-old crime ad punishment theme to a higher tier where the reader is unable to make an impulsive decision on who is a “bad guy”, and who is a “good guy”.
Innocence is a time when a person has never done something, it is the first step of the theme of innocence to experience. The second step in the movement from innocence to experience, is experience. This step is what is achieved after a person or thing has done something they have never done before or learns something they have never know before. The theme of growth from innocence to experience occurs many times in the first part of To Kill a Mockingbird, by Harper Lee. This process is one of the central themes in the first eleven chapters of this book, because it shows how Scout and Jem change and mature.
In Truman Capote’s non-fiction novel In Cold Blood, the Clutter family’s murderers, Perry Smith and Dick Hickock, are exposed like never before. The novel allows the reader to experience an intimate understanding of the murderer’s pasts, thoughts, and feelings. It goes into great detail of Smith and Hickock’s pasts which helps to explain the path of life they were walking leading up to the murder’s, as well as the thought’s that were running through their minds after the killings.
In the nonfiction novel, “In Cold Blood” by Truman Capote, the author tells a story of the murderers and victims of a slaughter case in Holcomb, Kansas. Instead of writing a book on the murder case as a crime report, the author decides to write about the people. The people we learn about are the killers, Dick and Perry, and the murdered family, the Clutters. The author describes how each family was and makes the portrayals of Dick and Perry’s family different from the Clutters.The portrayal of the Clutters and of Dick and Perry’s families, was used to describe what the American Dream was for each character. In the beginning we learn about what type of family the Clutters were and how they represented the American Dream for the people of Holcomb.
Brian Conniff's article, "Psychological Accidents: In Cold Blood and Ritual Sacrifice," explains how Truman Capote's nonfiction novel demonstrates the psychological trauma that the murderers and the townspeople of Holcomb face after the murders of the Clutter family. Conniff begins his article by stating that in the last twenty-five years imprisonment and execution has reached an all-time high level of obsession among the American public. Since this type of violence has been so normalized it is rarely properly understood (1). With this in mind, prison literature has continually suggested that "the most fortified barriers are not the physical walls and fences between the prison, and the outside world; the most fortified barriers are the psychological walls between the preoccupations of everyday life . . .and the conscious realization that punishment is the most self-destructive kind of national addiction" (Conniff 1).
Innocence is usually associated with youth and ignorance. The loss of one’s innocence is associated with the evils of the world. However, the term “innocence” can be interpreted in a variety of ways. Similarly, the loss of one’s innocence can be interpreted in more than one way, and, depending on the interpretation, it may happen numerous times. The loss of innocence is culture specific and involves something that society holds sacrosanct. It is also bounded by different religious beliefs. Still, no matter which culture or religion is at hand, there is always more than one way to lose one’s innocence, and every member of that particular culture or religion experiences a loss of innocence at least once in their lives. In addition, the individual’s loss of innocence will impair him or her emotionally and/or physically.