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Compare the characters in Little Red Riding Hoods
Little red and little red riding hood comparison
Compare the characters in Little Red Riding Hoods
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At first glance the characters Connie from “Where are you going? Where have you been?” and Little Red Riding Hood from the classic fairy tale “Little Red Riding Hood” may seem to have nothing in common. However, from the start one can compare how much they actually have in common. Though these two characters are very different they are the same in many ways. Their story, from beginning to end, is similar. It is easy to see how alike and different they are with the description of Connie and Little Red Riding Hood’s lives, the relationship with their wolves, and their tragic endings. At the start of each story the authors give you a bit of insight into Connie and Little Red Riding Hood’s lives. Connie is a fifteen year old girl with a whole lot of vanity. She lives with her family. Her father works out of town and does not seem to be involved in his daughters lives as much. Her older sister, who works at the school, is nothing but a plain Jane. Connie’s mother who did nothing nag at her, to Connie, her mother’s words were nothing but jealousy from the beauty she had once had. The only thing Connie seems to enjoy is going out with her best friend to the mall, at times even sneaking to a drive in restaurant across the road. Connie has to sides of herself, a version her family sees and a version everyone else sees. Gillis states, “Connie herself lives in two worlds, ever dressing appropriately”(67). In Little Red Riding Hood’s case she is described as the most beautiful girl imaginable who has a gift of charming the village people. (Grimms’ 19)(Perrault 371) In Grimms’ version of the story it is said “Everyone who set eyes on her adored her. The person who loved her most of all was her grandmother” (19). On the orders of her mother Lit... ... middle of paper ... ...lis, Christina Marsden. "'Where Are You Going, Where Have You Been?': Seduction, Space, And A Fictional Mode." Studies In Short Fiction 18.1 (1981): 65. Literary Reference Center. Web. 24 Feb. 2014. Oates, Joyce C. "Where Are You Going? Where Have You Been?" Compact Literature. By Laurie G. Kirszner and Stephen R. Mandell. 8th ed. Boston: Wadsworth, 2013. 505-16. Print. Tatar, Maria. "Jacob and Wilhelm Grimm, ‘Little Red Riding Hood’" The Annotated Classic Fairy Tales. New York: W. W. Norton &, 2002. 17-27 371-373. Print. Tierce, Mike, and John Michael Crafton. "Connie's Tambourine Man: A New Reading Of Arnold Friend." Studies In Short Fiction 22.2 (1985): 219. Academic Search Complete. Web. 19 Feb. 2014. Ugur, Neslihan Guler. "Self-destructive forces in Oates' women." Studies in Literature and Language 4.3 (2012): 35+. Literature Resource Center. Web. 24 Feb. 2014.
Oates, Joyce C. "Where Are You Going, Where Have You Been"" N.p., n.d. Web. 20 Apr. 2014.
Joyce Carol Oates' "Where Are You Going, Where Have You Been?" is about a young girl's struggle to escape reality while defying authority and portraying herself as a beauty queen; ultimately, she is forced back to reality when confronted by a man who symbolizes her demise. The young girl, Connie, is hell- bent on not becoming like her mother or sister. She feels she is above them because she is prettier. She wants to live in a "dream world" where she listens to music all day and lives with Prince Charming. She does not encounter Prince Charming but is visited by someone, Arnold Friend, who embodies the soul of something evil. Arnold Friend symbolizes "Death" in that he is going to take Connie away from the world she once knew. Even if she is not dead, she will never be the same person again, and will be dead in spirit. With the incorporation of irony, Oates illustrates how Connie's self-infatuation, her sole reason for living, is the reason she is faced with such a terrible situation possibly ending her life.
In “Where Are You Going, Where Have You Been?”, Oates wants to show a more intellectual and symbolic meaning in this short story. Oates has many symbolic archetypes throughout the short story along with an allegory. Oates uses these elements in her story by the selection of detail and word choice used. Oates does this because she wants to teach her audience a moral lesson.
Oates, Joyce Carol. “Where Are You Going, Where Have You Been”. Backpack Literature. An Introduction to Fiction, Poetry, Drama, and Writing. Ed. X.J. Kennedy & Dana Gioia. 4th ed. New Jersey: Pearson, 2006. (323-336). Print.
Joyce Carol Oates is known for stories that have an everlasting effect on readers. Oates writing style was explained best herself, “I would like to create the physiological and emotional equivalent of an experience, so completely and in such exhaustive detail, that anyone who reads it sympathetically will have experienced that event in his mind” (Joslin 372). Oates’ short story Where are You going, Where have you been? perfectly fits the description of her work by placing the protagonist of the story Connie in a very uncomfortable situation with the antagonist Arnold Friend. The story focuses the aforementioned Connie and Arnold, Connie is 15 year old girl who loves the spotlight and all the attention that comes with it. Her beauty and vibrant
..."Joyce Carol Oates's "Where Are You Going, Where Have You Been?" As Pure Realism." Studies In Short Fiction 26.4 (1989): 505-510. Academic Search Complete. Web. 7 Mar. 2014.
Weldon-Lasiter, Cynthia. Review of Little Red Riding Hood: A Newfangled Fairy Tale. Book Links. 11:4 (Feb/Mar, 2002):11. . ProQuest Direct. Penn. Coll. Kib., Williamsport. 22 August 2004. <http://www.proquest.umi.com/pdqweb>.
“Where are you going, Where Have You Been” is one of the most popular story written by Joyce Carol Oates, one of the greatest author in America. The story is about a
Gillis, Christina “Where Are You Going, Where Have You Been?”: Seduction, Space, and A Fictional Mode.” Studies in Short Fiction. Vol. 18 Issue 1, (Winter 1981): 65 Academic Search Complete. Web. 2 November 2013.
She argues with her mother and she thinks she is jealous of her. The start of the plot is not very dramatic, rather it is more like an introduction. We get a good description of the story’s protagonist, Connie, at the beginning of the story and throughout. She is familiar, the typical American teenager, who dreams, fantasizes and has difficulty differentiating the real world from fairytales. Kozikowsky compares the story to the popular Disney tale “Cinderella” (1999).
Gillis, Christina Marsden. "'Where Are You Going, Where Have You Been?': Seduction, Space, And A Fictional Mode." Studies In Short Fiction 18.1 (1981): 65. Academic Search Complete. Web. 9 May 2014.
Reader Response Essay - Joyce Carol Oates's Where Are You Going, Where Have You Been?
This modern fairy tale contains diverse characters but none of them is as important as the grandmother. Through her narration, the reader gets all the information needed to understand the story. Indeed, by telling her own story she provides the reader the familial context in which the story is set with her granddaughter and her daughter but even more important, she provides details on her own life which should teach and therefore protect her grand-daughter from men, and then save her to endure or experience her past griefs. This unnamed grand-mother is telling her life under a fairy tale form which exemplify two major properties of fairy tale, as mentioned by Marina Warner in “The Old Wives' Tale”: “Fairy tales exchange knowledge [through the moral] between an older [most of the time feminine] voice of experience and a younger audience”. As suggested in the text, fairy tales are a way to teach insights of life through simple stories directed to, most of the time, younger generations. Most of the time because fairy tales work on different levels of moral which are directed to categories of people, for instance in “Little Red Riding Hood” the moral ...
understand. In this adaptation of Little Red Riding Hood, I tell the story of Little Red, a red
The stories ?Little Red Riding Hood,? by Charles Perrault, and ?Little Red Cap,? by the Brothers Grimm, are similar and different. Moreover, both stories differ from the American version. The stories have a similar moral at the end, each with a slight twist. This story, in each of its translations, is representative of a girl?s loss of innocence, her move from childhood or adolescence into adulthood. The way women are treated within each story is different. Little Red in the French version was eaten; whereas in the German version, she is rescued by the woodsman, and this further emphasizes the cultural differences.