Throughout Haroun and the Sea of Stories, Salman Rushdie provides a fundamental, yet intricate variety of literary usage. These instances of literary usage provide and framework of support for the text which is to follow and to further accentuate the smaller and unnoticeable details of the story in to vital parts which are necessary for better comprehension and understanding of the meaning of the upcoming events. Symbolism is the most commonly used and most imperative literary device used by Rushdie. 'With the land of Chup, on the dark side of Kahani?This looks like the doing of the leader of the Chupwalas, the Cult master of Bezaban.'(H.S.S. Pg 75) This statement from the text has a very symbolic meaning behind it, both in terms of the society featured in the book and of reality during the time, the book was written.
This statement is symbolic in the respect that it is a statement, which confirms the presence of the antagonist and the force that is being opposed. The story states that Haroun has traveled to a world in a seemingly other dimension, known as Kahani where there are a people known as the Guppees, from the land of Gup who are very talkative and have a great amount of passion toward speech and words. However, the Chupwalas in the land of Chup are a people who live completely in the darkness, and do not speak as often or at all. It is symbolized as a gloomy place where sadness dwells in the hearts of every citizen. The leader of the Chupwalas, is symbolized as the ?evil? character or antagonist in the book and he is the reason which the protagonist of the story, Haroun, and the Gup, who are symbolized as ?good?, must fight back the evil of the cult master. The presence of a dark side of Gup itself is symbolic by itse...
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...ard the other through misinformation or no information at all. This is also same within a single society. A person may put up mental barriers against other people or information on others, and they may judge others even though they have never met or even seen them before. In the book thus far, this metaphorical concept of a wall, has been the single reason for war between the Chup and the Gup. If they had not created this both mental and physical barrier between each other, cultural diffusion would have solved the problem of understanding whom each of the society?s are and how they function. It would have also given both societies a chance to gain a better understanding of the customs of the other side of Kahani, therefore creating more tolerance toward each other.
Rushdie, Salman. Haroun and the Sea of Stories. Delhi: Penguin, 1990. Second paperback edition 1996.
Ibn Munqidh, Usama. "From Memoirs." McNeill, William and Marilyn Robinson Waldman. The Islamic World. Chicago: The University of Chicago Press, 1973. 184-206.
Symbolism “acts as webbing between theme and story. Themes alone can sound preachy, and stories alone can sound shallow. Symbolism weaves the two together” (Hall). Symbolism uses the story to convey the theme. Darkness is used in the novel to show the secrecy and lies that the story has. The whole story involves secrecy among two women and a man. Without symbolism the story would just have a very dark house and two very mysterious and disturbed women. Instead there is a feel of secrecy right from the beginning. Symbolism gives the story excitement, while also providing the reader with a good read. The author can read the first few pages and determine the story is not a happy
Overall, Khaled Hosseini wrote a story, based on experiences from his own life and the history of Afghanistan from the turn of the 20th century until present day. He added the universal human theme of being good again, allowing this book and these characters to appeal to readers everywhere. He also crafted one of the most successful and popular novels in the Afghan American genre. Looking at the The Kite Runner from the outside in, or from the perspective of the author’s life and Afghanistan’s past, it is easy to see that Hosseini manages to open the eyes of the Western reader. A person on this side of the International Date Line is forced to reconsider their general perspective and beliefs about Muslims and Afghanistan after picking up The Kite Runner.
Symbolism is the use of a person, place, or thing to represent an idea or quality. In the story The Yellow Wallpaper is filled with symbolism the pattern of the wallpaper, the moonlight, and the house. The pattern of the yellow wallpaper can be seen as a cage. This can be why the narrator feels like she is trapped inside the wallpaper. The moonlight can symbolize the narrator because during the day she remains motionless due to her husband watching her and at night she creeps through the room and remains alert and awake. “At night in any kind of light, in twilight, candlelight, lamplight, and worst of all by...
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To many people stories are just a way to pass time, to escape from reality, that they do not serve any real purpose. However in Haroun and the Sea of Stories by Salman Rushdie If there are no stories then many of the characters lives would be changed drastically
Symbolism is commonly used by authors that make short stories. Guin is a prime example of how much symbolism is used in short stories such as “The Ones Who Walk Away from Omelas” and “Sur.” In both of these stories Guin uses symbolism to show hidden meanings and ideas. In “The Ones Who Walk Away from Omelas” there is a perfect Utopian city, yet in this perfect city there is a child locked in a broom closet and it is never let out. A few people leave the city when they find out about the child, but most people stay. Furthermore, in “Sur” there is a group of girls that travel to the South Pole and reach it before anyone else, yet they leave no sign or marker at the South Pole. Guin’s stories are very farfetched and use many symbols. Both “Sur” and “The Ones Who Walk Away from Omelas” have many symbols such as colors, characters, objects, and weather. The four types of symbols that Guin uses help the readers understand the themes in her short stories. Although her stories are farfetched, they need symbolism in them or the reader would not understand the theme; therefore the symbols make Guin’s stories much more enjoyable.
When discussing the controversial authors of Indian literature, one name should come to mind before any other. Salman Rushdie, who is best known for writing the book “Midnights Children.” The first two chapters of “Midnights Children” are known as “The Perforated Sheet”. In “The Perforated Sheet” Rushdie utilizes magic realism as a literary device to link significant events and their effects on the lives of Saleem’s family to a changing India. In fact, it is in the beginning of the story that the reader is first exposed to Rushdie’s use of magic realism when being introduced to Saleem. “On the stroke of midnight/clocks joined palms” and “the instant of India’s arrival at independence. I tumbled forth into the world”(1711). Rushdie’s description of the clocks “joining palms” and explanation of India’s newfound independence is meant to make the reader understand the significance of Saleem’s birth. The supernatural action of the clocks joining palms is meant to instill wonder, while independence accentuates the significance of the beginning of a new era. Rushdie also utilizes magic realism as an unnatural narrative several times within the story to show the cultural significance of events that take place in the story in an abnormal way.
Salman Rushdie’s novel Midnight’s Children employs strategies which engage in an exploration of History, Nationalism and Hybridity. This essay will examine three passages from the novel which demonstrate these issues. Furthermore, it will explore why each passage is a good demonstration of these issues, how these issues apply to India in the novel, and how the novel critiques these concepts.
In his short story, “The Prophet’s Hair,” Salman Rushdie make use of magic realism, symbolization and situational irony to comment on class, religion, and the fragility of human life. The story is brimming with ironic outcomes that add to the lighthearted and slightly fantastic tone. Rushdie’s use of the genre magic realism capitalizes on the absurdity of each situation but makes the events relevant to readers’ lives. In addition, the irony in the story serves as a way to further deepen Rushdie’s commentary on class and religion. Finally, his use of symbolization focuses on the concept of glass, and just how easily it can be broken.
James Joyce began his writing career in 1914 with a series of realistic stories published in a collection called The Dubliners. These short literary pieces are a glimpse into the ‘paralysis’ that those who lived in the turn of the century Ireland and its capital experienced at various points in life (Greenblatt, 2277). Two of the selections, “Araby” and “The Dead” are examples of Joyce’s ability to tell a story with precise details while remaining a detached third person narrator. “Araby” is centered on the main character experiencing an epiphany while “The Dead” is Joyce’s experiment with trying to remain objective. One might assume Joyce had trouble with objectivity when it concerned the setting of Ireland because Dublin would prove to be his only topic. According the editors of the Norton Anthology of Literature, “No writer has ever been more soaked in Dublin, its atmosphere, its history, its topography. He devised ways of expanding his account of the Irish capital, however, so that they became microcosms of human history, geography, and experience.” (Greenblatt, 2277) In both “Araby” and “The Dead” the climax reveals an epiphany of sorts that the main characters experience and each realize his actual position in life and its ultimate permanency.
Hamid’s fiction deals with varied issues: from infidelity to drug trade in the subcontinent and, in the light of contemporary developments, about Islamic identity in a globalised world. His first novel, Moth Smoke (2000) won a Betty Trask Award and was shortlisted for the PEN/Hemingway Award in 2000. His other novel, The Reluctant Fundamentalist (2007) was shortlisted for the Man Booker Prize, the Decibel Award and the South Bank Award for Literature. This book serves as a testament to his elegant style as he deftly captures the straining relationship between America and Pakistan.
"Araby" is a short complex story by Joyce that I believe is a reflection of his own life as a boy growing up in Dublin. Joyce uses the voice of a young boy as a narrator; however the narrator seems much more mature then the boy in the story. The story focuses on escape and fantasy; about darkness, despair, and enlightenment: and I believe it is a retrospective of Joyce's look back at life and the constant struggle between ideals and reality.