Alexander Pushkin can best be described as an idle aristocrat, a man whom excelled at being superfluous. As his creation, Pushkin best portrays his character in Eugene Onegin, by following his own example. Born to an ancient and noble Russian family, Pushkin plays his part expertly. “The sly baseness, fit to throttle, of entertaining the half-dead: one smoothes the pillows down in bed, and glumly serves the medicine bottle, and sighs, and asks oneself all through: ‘When will the devil come for you?’” (Pushkin, I.I) The cyncism in Onegin reflects the unsatified and morbid curiosity of those of the well educated, which in Russian culture is a natural reaction as the cynical realism of life. From early on Pushkin studies at the Lycee where he excels at French, drawing, fencing and Russian, following the model of the superfluous man, Pushkin is a talented...
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...ountrymen in this generation not just the noblemen, this idea of what sort of men they truly are, and if their actions, if any, had any merit upon society witnessed through the melodrama created by Turgenev, “I’m dying,” as Tchulkaturin says “and at the point of death I really think one may be excused a desire to find out what sort of a queer fish one really was after all.” (Turgenev) The existential angst, and the cynical nature of these men created the era of the superfluous into the age of revolution.
In conclusion, the nature of the superfluous man is found not only in literary as a trope but also as a cultural placement, as without its nature many events would not have happened. W ith the creation of the idel aristocrat the innet being of many would be unclassified and the great works of their times would not have held the flame to which they are now.
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