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sylvia plath mirror and metaphors compariaon
the mirror by sylvia plath essay
sylvia plath mirror and metaphors compariaon
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Mirrors show us who we really are, whether we want to believe it or not. Makeup may help cover the exterior flaws, but when we look in that mirror we all know what we really look like. Mirrors let us see how we are changing and the way we perceive ourselves. Women, more often than men, have self-esteem issues because of what they see in the mirror. They find every little thing they believe is wrong on their face. A huge cause of their insecurities is because of the pedestal's women are put on by men. Accepting who you are and what you look like is the only way you are going to truly be happy. In the poem "Mirror," the author, Sylvia Plath brings into perspective the true importance of mirrors. She brings the past, present and future all into effect in the two short stanzas in this poem. Plath uses symbolism, personification, and metaphors to convey her theme that mirrors reflect who we are and how others see us.
Plath uses symbolism on numerous occasions in this poem. Symbolism is a representation of something through symbols or hidden meanings of objects or qualities. She begins the poem using symbolism when she says, "I am silver and exact" (1) which is a symbol for a mirror. She carries this symbol throughout the poem because the poem is based mostly around a mirror. Another example of how Sylvia Plath uses symbolism is when she brings into play, the words, "swallow (2), unmisted (3), tear (14), and lake (10)" to describe water. Water reflects images just as a mirror can do. Water on the other hand does distort an image. This goes back to how women try purposely to find anything and everything they feel are blemishes. Men have damaged the self-confidence of women by expecting the perfect woman, but we can only give them ...
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...y the poem describes the woman in the poem. They may also think that because of how men have such high expectations for women and they feel that they can never do anything to reach that expectation of man. Others may think that the mirror is actually the woman herself because she may have insecurities about themselves. This is said because of the fact that some women wear a massive amount of makeup. They might do this because they are uncomfortable with the way their skin looks. They may wear baggy clothes because they think they are overweight and need to hide their "love handles." Finally, they possibly never put themselves out there because they fear rejection the most. Nevertheless, Sylvia Plath does a remarkable job with how she shows the past present and future perspectives of a woman. Plath does this by using several metaphors, symbolism, and personification.
"Ariel" is the title poem from Sylvia Plath's controversial collection of poetry written during the last few months of her life in 1963. The traditional gender roles of 1960s America promoted a double-standard and wrongly imposed upon women the idea of a "Happy Housewife Heroine" who cherished "the receptivity and passivity implicit in (her) nature" and was "devoted to (her) own beauty and (her) ability to bear and nurture children" (Friedan, 59). Plath comments on the devastating effects of social convention on individuality, but she realizes that both sexes are affected by society's oppression of its members. She contemplates this theme throughout Ariel, especially in the "The Applicant," a critique of the emptiness of the stereotypical roles of men and women at the time.
In the second stanza, Piercy describes the girl as healthy, intelligent, and strong (7-8). Yet these positive equalities alone, could not keep people from criticizing her, so the girl feels inferior. “She went to and fro apologizing,” which demonstrates her collapse of confidence with the people she is surrounded with, who kept putting her down (10). She gives in to the hurtful things people say about her: “Everyone [kept] seeing a fat nose on thick legs” (11). The girl thus lets people push her in the direction of society’s standard of beauty, instead of affirming her own unique beauty.
Society has always judged its inhabitants for its outwards appearance; not taking in to consideration how a person has a deeper part to them. When just taking the superficial into consideration, we find ourselves looking at the blemishes and not the beauty. Judgment is thrown on those whom get old, although they cannot halt times effects. Judging those that were born with defects mental or physical that are portrayed in their visible areas. All these individualities are read into more than they should be. A mirror, on the other hand, shows what is standing in front of it and nothing else. Sylvia Plath’s poem Mirror does expresses the defects within society that judges those for their presence, it will lie to make a person’s thoughts of their appearance get altered, and that a mirror is clear looking at one with what can be compared with a gods eye; perfect, but even though the mirror sees one as unadulterated time still passes.
...he language of war. One of her last poems shows how this vision both restricted and unconstrained her expression (Magill 2225). Some of Plath’s poems, though the personal voice may be dying out, are still very personal (Magill 2226). Plath’s symbolism comes from an arrangement of misfortune. The purpose of Plath’s poems is to show a deeper pattern (Hughes 5). Plath’s narrative, The Bell Jar, remained important to most readers (“The Importance…” 2). Plath believes relationships are necessary, but destructive (Smith 6).
Sylvia Plath was American short-story writer, poet and novelist that was born on October 27, 1932 in Boston, Massachusetts and died on February 11, 1963. Sylvia Plath is best known for, her books of poems, “The Colossus and Other Poems Collection” and the “Ariel Collection” of Poems.Plath’s poetry was known for its rhyme, alliteration and disturbing and violent imagery. Plath’s poetry is considered part of the Confessional movement, which became very popular in the United States during the 1950s through the 1960s. It is considered a type of poetry about “of the personal”. Confessional poems are more associated with the subject matter of sexuality, mental illness and suicide.
Both poems, “Mirror” and “Piano” have subjects that are reflecting and longing for their past to return. This longing and reflecting is considered the theme of the poems. In “Piano”, D.H. Lawrence writes of the man yearning for his past. Despite all of his yearning, he eventually realizes that it will not return. The speaker says, “…I weep like a child for the past” (12). This describes the speaker’s longing for his past to return, despite knowing that this is not possible. Similarly, in “Mirror”, Sylvia Plath the poet reflects her theme of longing for the past by using the woman viewing her aging reflection in the lake waters. The mirror views the woman and says, “In me she has drowned a young girl, and in me an old woman” (17). The mirror is showing that the woman’s past of being a young girl has diminished, and what remains is the old woman she now is. Both poems share a common theme of the re...
The Applicant by Sylvia Plath reveals the characteristics that are longed by men through personification and other poetic devices. The poem suggests that women need to be visibly pleasing and all around perfect in order to please and benefit men. Women have always been objectified in society, and this poem portrays that by substituting the word “woman” for “it”. As if a women does not even get to have a respectable label and instead is placed among objects. Bit by bit, parts of the poem represents evidence for this theory.
13th March, 2014 In the poem “Mirrors”, by Sylvia Plath, the speaker accentuates the importance of looks as an aging woman brawls with her inner and outward appearance. Employing an instance of self-refection, the speaker shifts to a lake and describes the discrepancies between inevitable old age and zealous youth. By means of sight and personification, shifts and metaphors, the orator initiates the change in appearance which relies on an individual’s decision to embrace and reject it. The author applies sight and personification to accentuate the mirror’s role.
looked at it so long I think it is part of my heartâ?¦Faces and darkness
Overall, the imagery that Plath creates is framed by her diction and is used to convey her emotions toward all relationships and probably even her own marriage to Ted Hughes, who had rude, disorderly habits. Even the structure of the poem is strict in appearance as each stanza ends with a period and consists of exactly six lines. In addition, the persona of the poem is very detached and realistic, so much that it is hard to distinguish between her and Plath, herself. However, Plath insinuates that the woman actually wants love deep down, but finds the complexity and unpredictability of love to be frightening. As a result, she settles for solitude as a defense against her underlying fear.
Sylvia Plath’s life was full of disappointment, gloominess and resentment. Her relationship status with her parents was hostile and spiteful, especially with her father. Growing up during World War II did not help the mood of the nation either, which was dark and dreary. At age 8 Plath’s father of German ancestry died of diabetes and even though their relationship was never established nor secure, his death took a toll on her. “For Sylvia, who had been his favorite, it was an emotional holocaust and an experience from which she never fully recovered” (Kehoe 90). Since she was so young she never got to work out her unsettled feelings with him. Even at age eight, she hid when he was around because she was fearful of him. When she was in his presence his strict and authoritarian figure had left an overpowering barrier between their relationship. Sadly enough by age eight Plath instead of making memories with her dad playing in the yard she resented him and wanted nothing to do with him (Kehoe). These deep-seated feelings played a major role in Plath’s poetry writings. Along with his “hilterian figure,” her father’s attitude towards women was egotistical and dismissive, uncondemning. This behavior infuriated Plath; she was enraged about the double standard behavior towards women. Plath felt controlled in male-dominated world (Lant). “Because Plath associates power so exclusively with men, her conviction that femininity is suffocating and inhibiting comes as no surprise” (Lant 631). This idea of a male-dominated world also influenced Plath’s writing. Unfortunately, Plath married a man just like her father Ted Hughes. “Hughes abandonment apparently stirred in her the memories and feelings she had struggled with when her ...
In poems of Sylvia Plath, entitled "Lady Lazarus" and "Daddy" some elements are similar, including used hostile imagery, gloomy atmosphere as well as recurring theme of suicide, but the poems differ in respect of the speaker’s point of view and attitude towards addressed person or unfavorable surroundings. These elements are employed by Plath in order to intensify the impact on her audience and convey all extreme emotions. Another issue that is considered to be worthy of thinking over is the question why the poet refers to Holocaust and the suffering of the Jews in Nazi concentration camps.
Sylvia Plath uses a diverse array of stylistic devices in "Lady Lazarus," among them allusion,
Judging a woman by her appearance became a social norm in the late 19th and early 20th centuries. Since women were not allowed to hold high or reputable positions, they often relied on their husbands to pay and bring in most of the bills and money. Such conditions often left a young woman scrambling to find a husband, or better said it was in her best interest to find a husband. Modern literature originated in the late 19th and early 20th centuries. At the time, true women were thought to exhibit the following traits: piety, purity, submissiveness, and domesticity (Welter). Not only did women criticize each other, but the media did as well. Women were also responsible for upholding their physical beauty. A woman could’ve had all the traits that made her a true woman, but if she lacked physical beauty, she was shamed by society. The majority of modern American texts began to shift from the standards of women being weak and submissive but they still regarded physical beauty as a trait that all women had to maintain and obsess about.
The poetry of Sylvia Plath can be interpreted psychoanalytically. Sigmund Freud believed that the majority of all art was a controlled expression of the unconscious. However, this does not mean that the creation of art is effortless; on the contrary it requires a high degree of sophistication. Works of art like dreams have both a manifest content (what is on the surface) and latent content (the true meaning). Both dreams and art use symbolism and metaphor and thus need to be interpreted to understand the latent content. It is important to maintain that analyzing Plaths poetry is not the same as analyzing Plath; her works stand by themselves and create their own fictional world. In the poems Lady Lazarus, Daddy and Electra on Azalea Path the psychoanalytic motifs of sadomasochism, regression and oral fixation, reperesnet the desire to return to the incestuous love object.