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Essence of African American literature
Significant African American literature
Significant African American literature
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Lena Younger, also referred to as Mama portrays the traditional, holy, black woman during the period of the civil rights movement. As the eldest character, Mama has been around for a larger portion of history, including slavery, which helps her to understand the plight of the African American population and how much progress has been made. As the matriarch of the family, she is regarded with reverence and the head of household, even though she feels obligated to remain in traditional female roles as homemaker for her family. By the end of the play, she grants Walter the permission to take over as the head of the household, “like you supposed to be” (Hansberry 1827). This enforces her traditional views, wanting to stand behind men rather than beside them. Like Mama, Ruth is a generation younger, yet still clings to more traditional ideals for the majority of her lifestyle. She works as a domestic housekeeper, which was one of the only jobs available for African American women at this time. As part of the more traditional generation, she is still a subordinate to her husband who overrules any decision she makes. For example, Travis asks his mother for 50 cents which his mother refuses "'cause we don't have it" (Hansberry 1775). Overhearing the exchange between Ruth and Travis, Walter intercedes on her parenting decision and gives him a whole dollar to prove that Ruth does not have the final say in any aspect of their relationship. This is the reason that she does not inform her husband immediately after she learns of her pregnancy; Ruth is considering the option of abortion, which is a very new-age subject to talk about at this time. She knows that if Walter learns about the pregnancy, he will go against any decision she makes inste... ... middle of paper ... ...ded Six-Bits,” by Zora Neale Hurston, Raisin in the Sun, by Lorraine Hansberry, and the poetry of Lucille Clifton. Conservative roles and traditions, such as belonging to one’s husband became less prominent throughout time and were replaced by ideas such as loving one’s own body, not needed marriage to be complete, and talking about taboo topics such as abortion. African American literature has clearly shown the changing of women’s traditions and their importance in society. Works Cited Clifton, Lucille. “homage to my hips.” “wishes for my sons.” “move.” Gates. 2033-2035. Print. Gates Jr, Henry Louis, and Nellie McKay. The Norton Anthology of African American Literature. 2nd edition. New York, NY: Norton & Company, 2004. Print. Hansberry, Lorraine. A Raisin in the Sun. Gates. 1771-1830. Print. Hurston, Zora Neale. “The Gilded Six-Bits.” Gates. 1033-1047. Print.
The author was born in Washington D.C. on May 1, 1901. Later, he received a bachelor’s degree from Williams College where he studied traditional literature and explored music like Jazz and the Blues; then had gotten his masters at Harvard. The author is a professor of African American English at Harvard University. The author’s writing
Schultz, Elizabeth. "African and Afro-American Roots in Contemporary Afro-American Literature: The Difficult Search for Family Origins." Studies in American Fiction 8.2 (1980): 126-145.
Hines, Ellen, and Hines, William, and Stanley, Harrold. The African American Odyssey. Fifth Edition. New Jersey: Prentice Hall, 2008. Print.
In Deborah E. McDowell’s essay Black Female Sexuality in Passing she writes about the sexual repression of women seen in Nella Larsen‘s writings during the Harlem Renaissance, where black women had difficulty expressing their sexuality. In her essay, she writes about topics affecting the sexuality of women such as, religion, marriage, and male dominated societies. In Toni Morrison’s short story, “Recitatif” there are examples of women who struggle to express their sexuality. The people in society judge women based off their appearance, and society holds back women from expressing themselves due to society wanting them to dress/act a certain way.
1. Walter - His dreams of owning a licquor store conflict religiously with Mama's value system. The conflict between Mama and Walter is amplified by the fact that it is Mama's apartment in which the family lives and Walter is unable/unwilling to make decisions because Mama is so domineering. Ironically, it is the one decision that she eventually lets Walter make which nearly destroys the family.
There are two ways to approach searching the manuscripts collection. You can use the site specific google search on the Manuscripts Department website, or you can search the library catalog and limit the results to the Manuscripts Department. I chose to use the search engine on the Manuscripts Department webpage because it includes brief snippets from the results that allowed you to quickly look at some description and rule out the results that are totally irrelevant to your search without having to open each one individually. As you look at search results, you will notice that the results have names like papers and collections. This is because archival and manuscript materials are organized by provenance rather than subject. What this means is that materials are grouped together the way they were received. All of an organization’s, individual’s, or family’s papers will be grouped together and as much as possible they will be kept in the original order that the creator stored them in. This means that most collections have materials related to a wide range of subjects and gathering all the material on a particular topic or person requires looking at multiple collections.
James, Johson Weldon. Comp. Henry Louis. Gates and Nellie Y. McKay. The Norton Anthology of African American Literature. New York: W.W. Norton &, 2004. 832. Print.
African American literature has evolved a tremendous amount over the centuries. The core themes have continued to grow with the African Americans and their fight for equality. A core theme throughout the works of African Americans has been freedom, and I believe this theme has evolved from wanting freedom, to getting freedom (yet still being segregated), to fighting for their freedom, to finally acting free and coming into their own. This progression would also be used to describe the evolution of the theme of equality as well. The African Americans wanted their equality, they fought for it, and soon began to write of themselves as true equals. These themes of freedom and equality, whether it be of African Americans in general, or even African
Leonard, K. D. (2009). African American women poets and the power of the word. The Cambridge Companion to African American Women's Literature, 168-187.
3. Dictionary of Literary Biography, Volume 51: Afro-American Writers from the Harlem Renaissance to 1940. A Bruccoli Clark Layman Book. Edited by Trudier Harris, University of North Carolina at Chapel Hill. The Gale Group, 1987. pp. 133-145.
Toni Morrison. The Oxford Companion to African American Literature. Eds. William L. Andrews, Frances Smith, and Trudier Harris. New York: Oxford UP, 1997.
In 1942, Margaret Walker won the Yale Series of Younger Poets Award for her poem For My People. This accomplishment heralded the beginning of Margaret Walker’s literary career which spanned from the brink of the Harlem Renaissance of the 1930s to the cusp of the Black Arts Movement of the 1960s (Gates and McKay 1619). Through her fiction and poetry, Walker became a prominent voice in the African-American community. Her writing, especially her signature novel, Jubilee, exposes her readers to the plight of her race by accounting the struggles of African Americans from the pre-Civil War period to the present and ultimately keeps this awareness relevant to contemporary American society.
Coleman, James W. Faithful Vision: Treatments of the Sacred, Spiritual, and Supernatural in Twentieth-century African American Fiction. Baton Rouge: Louisiana State UP, 2006. Print.
Margolies, Edward. “History as Blues: Ralph Ellison’s Invisible Man.” Native Sons: A Critical Study of Twentieth-Century Negro American Authors. J.B. Lippincott Company, 1968. 127-148. Rpt. in Contemporary Literary Criticism. Ed. Daniel G. Marowski and Roger Matuz. Vol. 54. Detroit: Gale, 1989. 115-119. Print.
Black Fiction: New Studies in the Afro-American Novel since 1945. Ed. A. Robert Lee, a.s.c. London: Vision Press, 1980. 54-73.