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Prior to the publication of any slave narrative, African Americans had been represented by early historians’ interpretations of their race, culture, and situation along with contemporary authors’ fictionalized depictions. Their persona was often “characterized as infantile, incompetent, and...incapable of achievement” (Hunter-Willis 11) while the actions of slaveholders were justified with the arguments that slavery would maintain a cheap labor force and a guarantee that their suffering did not differ to the toils of the rest of the “struggling world” (Hunter-Willis 12). The emergence of the slave narratives created a new voice that discredited all former allegations of inferiority and produced a new perception of resilience and ingenuity.
Frederick Douglass’s and Harriet Jacobs’s narratives both focused on self-made individuals who experienced upward mobility through their own efforts and hard work, therefore partaking in the positive redefining of African Americans. The writing methods of each differed in the style in which they presented their narratives where Douglass took on a sermonic style and Jacobs employed the “sentimental novel” (Alonzo 119) formula. While Douglass presented the sufferings of slaves in the fields, he attempted to describe the toils of women through his aunt’s afflictions but “failed...to accurately address and interpret” (Hunter-Willis 2) her experience as a slave. In this lack of representation of female slaves, Jacobs was bestowed with the opportunity to give voice to female slaves and to redefine their womanhood through her narrative. Jacobs’s “purpose and intended audience” (Wolfe 518) remained constant in arousing “the women of the North...of the condition of two millions of women at the South” (...
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... W.W. Norton &, 2004. 387-452. Print.
Hunter-Willis, Miya. Writing the Wrongs: A Comparison of Two Female Slave Narratives. Diss. Marshall University, 2008. Dissertations & Theses: Full Text, ProQuest. Web. 22 Sep. 2011.
Jacobs, Harriet A. Incidents in the Life of a Slave Girl: Written by Herself. Ed. Jennifer Fleischner. Boston: Bedford/St. Martin's, 2010. Print.
Peterson, Carla L. ""Forced to Some Experiment" :Novelization in the Writings of Harriet A. Jacobs, Harriet E. Wilson, and Frances Ellen Watkins Harper." "Doers of the Word": African-American Women Speakers and Writers in the North (1830-1880). New Brunswick, NJ: Rutgers UP, 1998. Print.
Wolfe, Andrea Powell. “Double-Voicedness in “Incidents in the Life of a Slave Girl”: “Loud Talking” to a Northern Black Readership.” ATQ 22.3 (2008): 517-525. World History Collection. EBSCO. Web. 24 Sep. 2011.
Men and women’s treatment has been different as long as the two have been around to notice the difference. Even in the realm of slavery, women and men were not treated the same, although both were treated in horrible ways. Harriet Jacobs and Fredrick Douglass’ story is very similar: both were born into slavery and later rose above the oppression to become molders of minds. In time of subjugation to African Americans, these two writers rose up and did great things, especially with their writing. Both Douglass and Jacobs’ experienced different types of slavery, it shaped their perspective on everything and it also shows the importance of their freedom.
Jacobs, Harriet, and Yellin, Jean. Incidents in the Life of a Slave Girl. Cambridge, Mass.: Harvard University Press
A recurring theme in, Incidents in the Life of a Slave Girl, is Harriet Jacobs's reflections on what slavery meant to her as well as all women in bondage. Continuously, Jacobs expresses her deep hatred of slavery, and all of its implications. She dreads such an institution so much that she sometimes regards death as a better alternative than a life in bondage. For Harriet, slavery was different than many African Americans. She did not spend her life harvesting cotton on a large plantation. She was not flogged and beaten regularly like many slaves. She was not actively kept from illiteracy. Actually, Harriet always was treated relatively well. She performed most of her work inside and was rarely ever punished, at the request of her licentious master. Furthermore, she was taught to read and sew, and to perform other tasks associated with a ?ladies? work. Outwardly, it appeared that Harriet had it pretty good, in light of what many slaves had succumbed to. However, Ironically Harriet believes these fortunes were actually her curse. The fact that she was well kept and light skinned as well as being attractive lead to her victimization as a sexual object. Consequently, Harriet became a prospective concubine for Dr. Norcom. She points out that life under slavery was as bad as any slave could hope for. Harriet talks about her life as slave by saying, ?You never knew what it is to be a slave; to be entirely unprotected by law or custom; to have the laws reduce you to the condition of chattel, entirely subject to the will of another.? (Jacobs p. 55).
Incidents in the Life of a Slave Girl opens with an introduction in which the author, Harriet Jacobs, states her reasons for writing an autobiography. Her story is painful, and she would rather have kept it private, but she feels that making it public may help the antislavery movement. A preface by abolitionist Lydia Maria Child makes a similar case for the book and states that the events it records are true.
Jacobs, Harriet A.. Incidents in the life of a slave girl. New York: Oxford University Press, 1988
insights into what the narratives can tell about slavery as well as what they omit,
Therefore, gender separated the two narratives, and gave each a distinct view toward slavery. Douglass showed “how a slave became a man” in a physical fight with an overseer and the journey to freedom. Jacobs’s gender determined a different course, and how women were affected. Douglass and Jacob’s lives might seem to have moved in different directions, but it is important not to miss the common will that their narratives proclaim of achieving freedom. They never lost their determination to gain not only freedom from enslavement, but also the respect for their individual humanity and the other slaves.
Jacobs, Harriet. Incidents In The Life Of A Slave Girl. 2nd Edition. Edited by Pine T. Joslyn. Mineola, New York: Dover Publications, INC., 2001.
Slave narratives were one of the first forms of African- American literature. The narratives were written with the intent to inform those who weren’t aware of the hardships of slavery about how badly slaves were being treated. The people who wrote these narratives experienced slavery first hand, and wanted to elicit the help of abolitionists to bring an end to it. Most slave narratives were not widely publicized and often got overlooked as the years went by; however, some were highly regarded and paved the way for many writers of African descent today.
Slavery in the middle of the 19th century was well known by every American in the country, but despite the acknowledgment of slavery the average citizen did not realize the severity of the lifestyle of the slave before slave narratives began to arise. In Incidents in the life of a slave girl, Harriet Jacobs uses an explicit tone to argue the general life of slave compared to a free person, as well as the hardships one endured on one’s path to freedom. Jacobs fought hard in order to expand the abolitionist movement with her narrative. She was able to draw in the readers by elements of slave culture that helped the slaves endure the hardships like religion and leisure and the middle class ideals of the women being “submissive, past, domestic,
Slavery is a term that can create a whirlwind of emotions for everyone. During the hardships faced by the African Americans, hundreds of accounts were documented. Harriet Jacobs, Charles Ball and Kate Drumgoold each shared their perspectives of being caught up in the world of slavery. There were reoccurring themes throughout the books as well as varying angles that each author either left out or never experienced. Taking two women’s views as well as a man’s, we can begin to delve deeper into what their everyday lives would have been like. Charles Ball’s Fifty Years in Chains and Harriet Jacobs Incidents in the Life of a Slave Girl were both published in the early 1860’s while Kate Drumgoold’s A Slave Girl’s Story came almost forty years later
Analyzing the narrative of Harriet Jacobs through the lens of The Souls of Black Folk by W.E.B. Du bois provides an insight into two periods of 19th century American history--the peak of slavery in the South and Reconstruction--and how the former influenced the attitudes present in the latter. The Reconstruction period features Negro men and women desperately trying to distance themselves from a past of brutal hardships that tainted their souls and livelihoods. W.E.B. Du bois addresses the black man 's hesitating, powerless, and self-deprecating nature and the narrative of Harriet Jacobs demonstrates that the institution of slavery was instrumental in fostering this attitude.
Jacobs, Harriet. Incidents in the Life of a Slave Girl. New York, NY: W. W. Norton &
Jacobs, Harriet A. Incidents in the Life of a Slave Girl, Written by Herself. 1861. Ed.
For this very reason Jacobs uses the pseudonym Linda Brent to narrate her first-person experience, which I intend to use interchangeably throughout the essay, since I am referencing the same person. All throughout the narrative, Jacobs explores the struggles and sexual abuse that female slaves faced on plantations as well as their efforts to practice motherhood and protect their children from the horrors of the slave trade. Jacobs’ literary efforts are addressed to white women in the North who do not fully comprehend the evils of slavery. She makes direct appeals to their humanity to expand their knowledge and influence their thoughts about slavery as an institution, holding strong to the credo that the pen is mightier than the sword and is colorful enough to make a difference and change the the stereotypes of the black and white