Literary Analysis Of Philip Evergood 's Dance Marathon ( C. ) And Reginald Marsh 's Chatham Square

Literary Analysis Of Philip Evergood 's Dance Marathon ( C. ) And Reginald Marsh 's Chatham Square

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The artistic stylization used by early 20th century artists endeavors a distinctive approach in the depiction of the Great Depression in both methodology and aesthetic portrayal. Philip Evergood’s Dance Marathon (c. 1931) and Reginald Marsh’s Chatham Square (c. 1931), which both are exhibited at the Blanton Museum of Art, are artistic representations of the American culture during the “Dirty Thirties”. Although both paintings were created during the same time period and ultimately share the thematic downheartedness of the decade, Evergood and Marsh cultivate their own independent approach in constructing their individual artworks. Marsh focuses his piece on the basis of composition, detail, saturations and highlights to construe a melancholic motif. On the other hand, Evergood emphasizes on hues, intensities, and design to construct a chaotic and almost comedic hyperbole. By analyzing both paintings, it proves to show how the differences in artistic approach still demonstrate an analogous theme of depression.
Reginald Marsh incorporates many key characteristics into his painting that serve to embody an overarching dreariness in the atmosphere. The painting depicts a small crowd of middle-aged men, cloaked in dark bronze coats, soliciting and wandering their gaze among the shadowy floors and the other inhabitants of the New York street. One of Marshall’s key elements in the painting is his utilization of color and painting technique. The painting emcompasses unpolished brushstrokes that serve to produce a haze-like quality to its people and the environment. Many of the subjects throughout the painting have a sketch-like quality that are animated by the saturation of oils. A variety of dark, rich brown palettes coat the backs of ...


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...c implementation. Evergood incorporates ridiculing attire such as the dunce cap on the upper left dancer, men in fashion heels, and as well as detailed roundness on the many of the figures’ buttocks. Ultimately, Evergood constructs an artistic clutter through the implementation of color and stylization. The painting utilizes a point perspective and as well a circular flooring to bring attention all the way around. The mesh of contrasting colors and semi-abstract bodies collide with one another to create the sense of desperation and pity that Evergood attempts to convey. It establishes an overarching motif of depression.
To conclude, Reginald Marsh and Philip Evergood take on different approaches to illustrate and depict the American culture during the Great Depression. Through their own artistic methodology, each particular artwork conveys a common thematic purpose.

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