The first evidential literary device used in this excerpt is magical realism. Esquivel incorporates imagination and reality in most of her scenes, to lessen the aggravated situation, and somehow turn it into a phenomenon of fantasy and pragmatism. The cake made “everyone flooded with a great wave of longing” (Esquivel, 39)  and in order to erase the memories and reminiscing of malignant moments, almost everyone vomited a “rotting river [of] several yards.” (40) The exaggeration of the amount of vomit that was produced and the result of Tita’s depression exhibits the technique of magical realism. The scenario displayed generates a land filled with nostalgia and remorse, just like what Tita felt when...
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... her country, and includes it in this excerpt, and her overall novel. Esquivel also wanted to depict the strict regulations and traditions of culture, and how it could affect the mindset of anyone, such as Tita. Esquivel gradually exposes the progress of sorrow, grief, and loss, and the outcome of love. Even though magical realism and many mythological stories are incorporated into the novel, it does have a realistic aspect behind it, where it ceases and captures the sadness of each character, and their loss. Everything is revealed, but gradually.
1. Esquivel, Laura. Like Water for Chocolate: A Novel in Monthly Installments, with Recipes, Romances, and Home Remedies. New York: Doubleday, 1992. Print.
2. Dennard, Mackenzie E. "Like Water for Chocolate at Food in the Arts." Search Box. Web. 07 Feb. 2012.
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