This essay is to tell the life story of Kevin Carter, the Famous Pulitzer Prize Photographer and his work. Kevin was born in 13 September 1960 and ended his life 27 July 1994 when he was at a young age when he was 33.
Even though Kevin was descended from English immigrants, Carters was not part of the Afrikaner mainstream who favor apartheid, actually he fight against it which made his life difficult. Kevin's parents Jimmy and Roma are Roman Catholics and accepted apartheid. Yet Kevin questioned it openly and wonder what they can do to change it since he was a teenager. After joining South African Defense Force, where supports apartheid after dropping out of college. He took the side of a black waiter once and then was called a Nigger Lover" and beaten badly by other soldiers . Kevin went absent without leave and became a DJ in Durban in 1980. Returned to SADF to finished his service and leaving the service to work in a camera supply shop, then soon to be a photographer. Kevin began his work as a sports photographer in 1983, but has never stopped fighting against apartheid. Afterward, he moved to the front lines of South African political strife, he aligned himself with some white photojournalists who wanted to expose the brutality of apartheid to record images of repression, anti-apartheid protest and fratricidal violence.
I choose to write about Kevin because he is a talented photographer and admire his spirit. He delegated his life to exposing the brutality of apartheid in South Africa, which was used to be the mission carried by South Africa's black photographers. In addition to that, Kevin also went to war areas in other regions where he thought the world was overlooking. Kevin and his friends risked their lives and sa...
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...rdt, his gesture and facial impression showed how horrifying he was. Unfortunately, there was nothing he can do to change the situation, his fears and hopeless were delivered to the audiences.
Kevin's style is to get close to the scene and then capture it, which immersing the viewers in the natural scene. He used natural lights wisely to make silhouette to simplify or to record details. In addition to catch action-packed shots, Kevin was also able to choose the right angles to emphasis on the objects he wanted. Kevin made limited adjustments to his photos and I really like that. Through his work, the viewers get to explore the true situation in all chaos and abhorrence. Those were not beautiful scenes, yet reflected the real problems in Africa and raised awareness globally because he was able to deliver the raw message and feelings embedded to his audiences
John Fielder is a nationally famous photographer. For the last 40 years his photos are taken of Colorado while he is hiking and skiing. When he first visited Colorado at the age of 14 he said he felt like something or someone guided him their and he belonged in Colorado for the rest of his life. He is well known for creating his best selling books ever; Colorado 1870-2000. His latest work is the work of great outdoors Colorado for its 20th anniversary. When he was 23 he decided to start doing photography. He was amazed by other famous photographers work and tried to take photos just like them, but it didn’t really turn out how he wanted. Nevertheless he did not give up. On his days off he would go on hikes and he would take photos. He practiced for 8 years and decided to quit his job and just focus on photography. He loves nature so therefore he loves to take photos or nature. He has published 33 books in the past 30 years. He uses photography with a large format 4 x 5 film camera, he also carries 7 lenses and 30 sheet film holders and about 400 sheets of color film. In the winter he usually country skies around the mountains of Colorado. He skies 5 to 9 miles a day to get to hut to hut. In the summer he goes on river trips and usually river rafts. Sometimes he rafts on class 5 rapids. He has two daughters who love to go on trips with him although they do not take photos themselves.
“The documentary tradition as a continually developing “record” that is made in so many ways, with different voices and vision, intents and concerns, and with each contributor, finally, needing to meet a personal text” (Coles 218). Coles writes “The Tradition: Fact and Fiction” and describes the process of documenting, and what it is to be a documentarian. He clearly explains through many examples and across disciplines that there is no “fact or fiction” but it is intertwined, all in the eye of the maker. The documentarian shows human actuality; they each design their own work to their own standards based on personal opinion, values, interest and whom they want the art to appeal to. Coles uses famous, well-known photographers such as Dorthea Lange and Walker Evans, who show the political angle in their documentations and the method of cropping in the process of making the photo capture exactly what the photographer wants the audience to view. In this paper I will use outside sources that support and expand on Coles ideas with focus on human actuality, the interiority of a photograph, and the emotional impact of cropping.
Jimmy Carter's one-term administration is associated with the occasions that overpowered it—expansion, vitality emergency, war in Afghanistan, and prisoners in Iran. After one term in office, voters unequivocally rejected Jimmy Carter's straightforward however melancholy standpoint for Ronald Reagan's telegenic positive thinking. In the previous two decades, in any case, there has been more extensive acknowledgment that Carter, in spite of an absence of experience, stood up to a few tremendous issues with unfaltering quality, valor, and optimism. Alongside his ancestor Gerald Ford, Carter must be given acknowledgment for restoring the equalization to the sacred framework after the abundances of the
Richards focus is that of the ignored; a people that otherwise have been forgotten. It’s his compassion to his subjects and his commitment to them that surpasses the act of making a pretty picture. Spending days with his subjects in the slums of Harlem or the hardly developed mountains of West Virginia he immerses himself into the frequently bitter life of his next award-winning photo. Often including word for word text of testimonials recorded by junkies and destitute farmers, Richards is able to provide an unbiased portrayal. All he has done is to select and make us look at the faces of the ignored, opinions and reactions are left to be made by the viewer.
The New Jersey Supreme Court, in a 4-to-3 decision, rejects an appeal for a new trial .
5 Light, Ken. Tremain, Kerry. Witness in our Time: Working Lives of Documentary Photographers. Washington and London: Smithsonian Institution Press, 2000.
The character’s demeanour changes the entire atmosphere of the movie due to experiencing serious trauma through bullying in childhood. The
Silver Rights is a true story from the front lines of the civil rights struggle--the story of the Carter family of Sunflower County, Mississippi. African-American sharecroppers and the parents of seven children, Mae Bertha and Matthew Carter accepted their school district's 1965 "Freedom of Choice" offer and enrolled their seven school-age children in the formerly all-white schools of Drew, Mississippi. The Carter family was the only family brave enough to send their seven children to be the first children to ever desegregate the previously all white schools. Through the Carter children and their experiences we learn that it is important to stand up for what you believe in, even if that means standing alone, because you never know what kind of difference you could be making in the world.
Laying down in your bed, you hear this consistent knocking. You try to sleep through it but it seems as if it will never quit. Curious, you roll out of bed away from the comfort of your wife’s warm body but cautiously move closer, step by step downstairs into the direction of the sound. Each step you take wondering whether or not your house is being robbed. You finally ease your way downstairs and quickly flip the light switch only to find your home empty and totally void of any damage or evidence of a theft of any kind; however, you still hear the sound. You notice it’s coming from your front door, but its 3 A.M. on a school night. The hairs on the back of your neck begin to rise and your heart beats faster, wondering who is violently knocking on your front door. You remember the incident at your store where a brick was thrown through the window and how you angered the community by canceling a game and blemishing a season with such a historical start. You pull the shade back on the front door, revealing not an angered parent, but Timo Cruz, once a player on your basketball team that you haven’t seen for weeks, covered in blood. You hastily unlatch the door and invite him in. At first sight, he begins muttering the events leading up to him now covered in his cousin’s blood. He tells how he scared off some bullies for the other players on the basketball team with the gun in his waistline, but only to witness his cousin slaughtered from across the street.
Back in the early 1900s, every African American faced racial discrimination in some kind of way and many did not realize how they were affected. Rubin Carter never gave up as he faced difficult problems relating to racial discrimination. His struggle with prejudice throughout his childhood, and career left a lasting impact on the need for civil rights due to being wrongfully convicted. Racial discrimination was a huge problem in the North during the 1930s and African Americans faced hard times because of this crisis. Clearly, Rubin Carter faced many harsh consequences during his childhood.
Sadly on October 1, 2004, Avedon died while on site for a photoshoot of cerebral hemorrhage in San Antonio, Texas. He will be remembered by his creation of controversy, invasive photos, and being able to bring up the humility and personality in a subject. He was a daring and bold individual who let the world see inside of his head. He let them see the crazy, the beautiful, and most importantly the truth in what he saw. He was an artist first, a friend to his subjects second, and a photographer third. He didn’t care what the world thought of him, he just wanted to make his mark. And, Richard Avedon certainly did.
Laying down in here, you hear this consistent knocking. You try to sleep through but it’s consistently knocking seeming as if it will never quit. Curious, you roll out of bed away from the comfort of your wife’s warm body, but you cautiously move closer step by step downstairs into the direction of the sound. Each step you take wondering whether or not your house is being robbed. You finally ease your way downstairs and quickly flipped the light switch only to find no one and your home to have no damage or evidence of a theft of any kind; however, you still hear the sound. You notice it’s coming from your front door, but it’s 3 A.M. on a school night. The hairs on the back of your neck begin to rise and your heart beats faster as you wonder who is knocking ever so violently on your front door. You remember the incident at your store where a brick was thrown through the window and how angry and frustrated the community looked for canceling a game placing a blemish on such a historical start of the season. You pull the shade back on the front door, revealing not a angered parent, but Timo Cruz, once a player on your basketball team that you haven’t seen for weeks, covered in blood. You hastily unlatch the door and invite him. At first sight, he begins muttering the events leading up to him now covered in his cousin’s blood. He tells how he scared off some bullies for the other players on the basketball team with the gun in his waistline, but only to witness his cousin slaughtered from across the street. You talk to him settling him down and offering a secure place to sleep for the night.
There has been many first ladies that have had a great impact on our country. One of those names were Rosalynn Carter. She was married to President Jimmy Carter and who was our nation’s 39th president. There are four things that shows Rosalynn’s life, here early life, marriage to Jimmy Carter, political life before the white house, her life in the White House, and her life after the white house.
... the first photographers to be able to take photos at night and he showed the public of the interiors of homes and factories in order to show vividly the living and working conditions of New York’s poor. He would then publicize the pictures in order to show the world what was going on in these parts of the country. Until the end of his life he continued to write and lecture about the conditions of America’s poor.
Photojournalism plays a critical role in the way we capture and understand the reality of a particular moment in time. As a way of documenting history, the ability to create meaning through images contributes to a transparent media through exacting the truth of a moment. By capturing the surreal world and presenting it in a narrative that is relatable to its audience, allows the image to create a fair and accurate representation of reality.