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New negro harlem renaissance
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Zora Neale Hurston, known as one of the most symbolic African American women during the Harlem Renaissance in the 1930’s. Hurston was known as a non fiction writer, anthropologist and folklorist. Hurston’s literature has served as a big eye opener during the Harlem Renaissance, celebrating black dialect and their traditions. Most of her published stories “depict relationships among black residents in her native southern Florida, was largely unconcerned with racial injustices” (Bomarito 89). Hurston was unique when it came to her racial point of views, promoting white racism instead of black racism. Even though her works had been forgotten by the time of her death, now her literature has left a bigger impact to future literature writers. Hurston’s life was full of an odd mixture between praise and censure, prosperity and poverty, pride and misfortune. This had led her to both positive and negative times in her trajectory.
Her given name is said to be Zora Neale Lee Hurston was born on January 2, 1891, even though there has been some mystery surrounding her real date of birth. Nevertheless, Hurston was born in Notasulga, Alabama to a baptist preacher named John Hurston, and to a seamstress named Lucy Potts. Hurston was the fifth child in the family. When Hurston was a toddler, her family relocated to Eatonville, Florida which was the first black town in the United States. After moving to Eatonville, Hurston’s father became mayor of the town for three consecutive terms. In 1904 when Hurston was only nine years old, her mother died “Which devastated Hurston” (Bomarito 89). Her father rapidly married a much younger woman, but Hurston did not get along with her. Hurston was sent to a boarding school in Jacksonville, Flor...
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... with a ten-year-old boy” (Telgen 301). Hurston was worried because she is both African American and a women who did not have much voice at the time. Hurston was later absolved from this charge because she was not found guilty, but this damaged her reputation as a writer. She started to not feel part of one of the most important writers during the Harlem Renaissance. Hurston became depressed and she dropped out of public view because of this permanent humiliation.
After Hurston was absolved from all charges, Hurston kept writing even though her popularity was not at its highest anymore.
Works Cited
Boyd, Valerie. "Zora Neale Hurston: The Howard University Years." JSTOR. JSTOR, Spring 2003. Web. 15 Mar. 2014. .
Hurston, Zora Neale., and Carla Kaplan. Zora Neale Hurston: A Life in Letters. New York: Anchor, 2003. Print.
Hurston, Zora Neale. "Sweat." Norton Anthology of Southern Literature. Ed. William L. Andrews. New York: Norton, 1998.
Zora Neale was an early 20th century American novelist, short story writer, folklorist, and anthropologist. In her best known novel Their eyes were watching God, Hurston integrated her own first-hand knowledge of African American oral culture into her characters dialogue and the novels descriptive passages. By combing folklore, folk language and traditional literary techniques; Hurston created a truly unique literary voice and viewpoint. Zora Neale Hurston's underlying theme of self-expression and search for one’s independence was truly revolutionary for its time. She explored marginal issues ahead of her time using the oral tradition to explore contentious debates. In this essay I will explore Hurston narrative in her depiction of biblical imagery, oppression of African women and her use of colloquial dialect.
Zora Neale Hurston grew up in Eatonville, Florida also known as “Negro Town” (Hurston, 1960, p.1). Not because of the town was full of blacks, but because the town charter, mayor, and council. Her home town was not the first Negro community, but the first to be incorporated. Around Zora becoming she experienced many hangings and riots. Not only did Zora experience t...
Hurston, Zora Neale. Their Eyes Were Watching God (1937). : Urbana, Ill.: U of Illinois P, 1937.
Zora Neale Hurston an early twentieth century Afro-American feminist author, was raised in a predominately black community which gave her an unique perspective on race relations, evident in her novel, Their Eyes Were Watching God. Hurston drew on her on experiences as a feminist Afro-American female to create a story about the magical transformation of Janie, from a young unconfident girl to a thriving woman. Janie experiences many things that make her a compelling character who takes readers along as her companion, on her voyage to discover the mysteries and rewards life has to offer.
Rosenblatt, Roger. “Roger Rosenblatt’s Their Eyes Were Watching God.” Rpt. in Modern Critical Views of Zora Neale Hurston. Ed. Harold Bloom. New York: Chelsea House, 1986. 29-33. Print.
Alice Walker’s love of Zora Neale Hurston is well known. She was the only one who went looking for Hurston’s grave. She describes her journey to get to the unmarked grave in her book, In Search of Our Mother’s Gardens. During that journey, Walker started to feel as if Hurston is family to her, an aunt. “By this time, I am, of course, completely into being Zora’s niece… Besides, as far as I’m concerned, she is my aunt – and that of all black people as well” (Ong). Walker’s book, The Color Purple, was influenced by Hurston and her works. Walker was greatly influenced by Hurston and her book The Color Purple has similarities to Hurston’s book Their Eyes Were Watching God.
What I feel is truly remarkable about this author is that despite all the scrutiny and anguish that she faces like most of her race at the time she does not take a negative attitude towards white people and she actually chooses to ignore the general racial segregation. Her charming wit and sense of humor despite all the hardship is what attracts the reader. Hurston does not let her social disadvantages stop her from trying to achieve her aspirations and dreams. She does not see being colored as a disadvantage, but accepts it as a challenge to excel and be unique.
Zora Neale Hurston was one of the many authors who gained recognition during the Harlem Renaissance. Hurston was raised in Eatonville, Florida and lived there during her younger days. She attended Morgan University, Howard U...
Champion, Laurie. "Socioeconomics in Selected Short Stories of Zora Neale Hurston." Gale Artemis Literary Sources (2001).
Zora Neale Hurston was a novelist, folklorist, and anthropologist. Zora plays an important role for the Harlem Renaissance. Zora Neale Hurston is considered one of the titans of twentieth-century African American literature. Despite that she would later fall into disgrace because of her firm views of civil rights, her lyrical writing which praise southern black culture has influenced generations of black American literary figures. Hurston’s work also had an impact on later black American authors such as Ralph Ellison, Alice Walker, and Toni Morrison.
Jones, Sharon. Rereading the Harlem Renaissance: Race, Class, and Gender in the Fiction of Jessie Fauset, Zora Neale Hurston, and Dorothy West. Westport, Connecticut: Greenwood Press, 2002.
Hinton, Kip Austin. "Zora Neale Hurston." Zora Neale Hurston Web Site. Kip Austin Hinton, ed. 07/16/2003. Available at www.1.am/zora
In conclusion, Hurston was a modernist writer who dealt with societal themes of racism, and social and racial identity. She steps away from the folk-oriented style of writing other African American authors, such as Langston Hughes, and she addresses modern topics and issues that relate to her people. She embraces pride in her color and who she is. She does not hate the label of “colored” that has been placed upon her. She embraces who she is and by example, she teaches others to love themselves and the color of their skin. She is very modern. She is everybody’s Zora.
Alice Walker and Zora Neale Hurston are similar to having the same concept about black women to have a voice. Both are political, controversial, and talented experiencing negative and positive reviews in their own communities. These two influential African-American female authors describe the southern hospitality roots. Hurston was an influential writer in the Harlem Renaissance, who died from mysterious death in the sixties. Walker who is an activist and author in the early seventies confronts sexually progression in the south through the Great Depression period (Howard 200). Their theories point out feminism of encountering survival through fiction stories. As a result, Walker embraced the values of Hurston’s work that allowed a larger