The two altarpieces share the same iconography of the plants painted. Leonardo Da Vinci was a botanist just as much as he was an engineer, or an artist. He paid close attention to details; for these paintings, rather than looking at ima...
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...ical way light and shade are distributed in separate areas, the loss of radiance in the light and the loss of the atmospheric veil” suggest that the Virgin was not painting by Da Vinci, but by Ambrogio de’ Predis.
The head of the angel may be the only part of the altarpiece where Da Vinci’s artistic hand is evident, although it was not solely him responsible for it. It has some of his “vivacity and sensitivity of handling, and the spotted light over the delicate curls in the angel’s hair is surely his invention.” Ambrogio de’ Predis’ hand is evident in the head of the angel as well, as there is a lack of crispness in the facial expression. In this altarpiece, the angel is no longer pointing to the infant St. John. This collaboration between the two artists is clearly identifiable and comparable to the first version in which Da Vinci was the single artist.
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