To begin with, Leonardo’s greatest show of genius was the success with which he imitated nature. Not only did he go above and beyond the technics of his time, but he challenged ethical notions in his pursuit to recreate God’s work. As he noted on his Notebooks “he wished to work miracles” (Leonardo: Selection from the Notebooks, 1). His dissections of human bodies, carried in the name of anatomical research, were more than frowned upon at the time, but gave a more thorough understanding of the complex mechanisms behind our seemingly effortless movements. Furthermore, he applied mathematical concepts in the composition of his pieces to provide them with an unprecedented sense of depth. With th...
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...human nature constitutes an important aspect defining the Renaissance movement. In that sense, I find his warfare designs inconsistent with the Renaissance’s concept of honoring human nature.
Having mentioned that, measured in Renaissance standards, Leonardo da Vinci was definitely a universal genius. In a way, Leonardo is the Vetruvian Man of the Renaissance movement, his individual work and approach to the creative and intellectual process constitutes the microcosm within the artistic and scientific flourish of the Renaissance macrocosm in the manner in which earthly ideas focused on enjoying and understanding this life rather than the next.
Priwer, Shana, and Cynthia Phillips. 101 things you didn't know about Da Vinci the secrets of the world's most eccentric and innovative genius revealed. Avon, MA: Adams Media, 2005. Print.
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