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Describe haunted house
Narrative about a haunted house
Narrative about a haunted house
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The house on Peregrine Lane was legend. It had been the focal point of countess legends and superstitions. Its stone turret dominated the end of the street, slicing the house in two identical pieces. The entire house was made of stone and covered in unusual purple ivy. To most of the town it a place to stay well away from, but for the Widow Fowler and her two tenants it was home. Alex and Mark ghosted around the side of the house. Mark walked pointedly towards an oblong rock that would have been non-descript to anyone else. But even as he drew near, a symbol started to burn into the lower left hand corner of the stone. . Casting a quick glance over his shoulder, Mark drew a small pendant and held it over the symbol. “Manifestus” The word seemed to echo and ripple through the air and time itself. There was a grinding and grating sound as the stone sunk into the wall and a door shaped space fabricated in front of them. Without a word the two figures slipped in and were enveloped in darkness. When he was young, Mark would run up and down these stone tunnels. There were countless turns and dead ends to keep him happy for hours. Now, he trailed his hand on the sweating walls and breathed in the scent of wet rock with sad nostalgia. So much had happened since then and some days he wished he was still that six year old kid, without a care in the world. A long groaning creak drew Mark from his reverie. Pale candlelight bathed their faces as they entered the East Wing. The East Wing was a series of rooms that had more spells protecting it than the Lamia Council room. It was used for many things, receiving dignitaries and other guests, providing shelter for those in need and concealing what needed hiding. It now held a s... ... middle of paper ... ... shoved one of them into Mark’s chest and strode toward an open chest that spilled over with assorted weapons. “Suit up, we’re leaving.” Alex instructed over his shoulder as he pulled heavy black combat boots over his feet. Mark stepped into his Aegis, tightening the familiar straps and checking the various pockets in his vest for the usual packets of herbs, bits of various stones and metals to use in trade and assorted maps of several worlds. Next came the two throwing knives which he slid into a sheath hidden in either sleeve. Then he slid his Cutlass into the weapon belt around his waist, along with a short sword and Saxe knife. Two more dagger were placed in both boots and two more swords in crossing sheaths across his back. When Mark looked back Alex was just putting the last weapon in his sheath. He looked back at Mark with grim determination. “Time to go.”
Witchcraft started in Salem, Massachusetts in 1692. Superstition started when women were accused of acting strangely. These superstitions turned into trials, and later lead to mounds of hanged people. Most of the people accused were innocent, but the harsh judge rulings left them with nothing to live for. The only options for the tried, no matter if guilty or not, were to claim guilty, living the rest of their life in prison, or to plead not guilty and hang. Due to both consequences being equally as punishable, many people isolated themselves from society. Unfortunately, some people caused the uprising of the salem witch trials more than others did. In the play The Crucible, by Arthur Miller, Abigail Williams single handedly attributed to the
Looking through the eyes of the current resident living in the hanted house, a ghostly couple rambles through what once was theirs looking for their “treasure”. Searching feverishly for the missing piece that would cure their restlesness, it seems as though they cannot grasp what they’ve lost. At the conclusion of the short story, the previous inhabitants find their desired treasure in the love between the living couple. This was the treasure the past couple had forgotten - true love. Wolf’s diction establishes the relationship between the couples and the house. Incorporating the word “beat” into her work while describing the house, Virginia coorelates the house to a heart, where love resides. Next, alliteration is used to romanticize the hunt for this hidden object. While the old couple attempts to remember where they left it, they reaize that it is “So fine, so rare, coolly sunk beneath the surface the beam I sought always burnt behind the glass” (Wolf 1). The S sound exemplifies the poetic nature of this story, something that is constanly used to portray the emotion of love.
The story starts out with a hysterical.woman who is overprotected by her loving husband, John. She is taken to a summer home to recover from a nervous condition. However, in this story, the house is not her own and she does not want to be in it. She declares it is “haunted” and “that there is something queer about it” (The Yellow Wall-Paper. 160). Although she acknowledges the beauty of the house and especially what surrounds it, she constantly goes back to her feeling that there is something strange about the house. It is not a symbol of security for the domestic activities, it seems like the facilitates her release, accommodating her, her writing and her thoughts, she is told to rest and sleep, she is not even allow to write. “ I must put this away, he hates to have me write a word”(162). This shows how controlling John is over her as a husband and doctor. She is absolutely forbidden to work until she is well again. Here John seems to be more of a father than a husband, a man of the house. John acts as the dominant person in the marriage; a sign of typical middle class, family arrangement.
Eleanor’s sense of wanting to be at home during her car ride came in the form of imagining new homes, homes with stone lions and oleanders and a cup of stars. Her fears prevent her from seeking out her own stone lions and oleanders and cup of stars. These same fears attract her to Hill House. It creates a Dramatic irony because the fears of Eleanor's inner child—fear of loneliness, hardship, love, guilt, and the world outside the home—outweigh her fear of ghosts and death.
“It was a large, beautiful room, rich and picturesque in the soft, dim light which the maid had turned low. She went and stood at an open window and looked out upon the deep tangle of the garden below. All the mystery and witchery of the night seemed to have gathered there amid the perfumes and the dusky and tortuous outlines of flowers and foliage. She was seeking herself and finding herself in just such sweet half-darkness which met her moods. But the voices were not soothing that came to her from the darkness and the sky above and the stars. They jeered and sounded mourning notes without promise, devoid even of hope. She turned back into the room and began to walk to and fro, down its whole length, without stopping, without resting. She carried in her hands a thin handkerchief, which she tore into ribbons, rolled into a ball, and flung from her. Once she stopped, and taking off her wedding ring, flung it upon the carpet. When she saw it lying there she stamped her heel upon it, striving to crush it. But her small boot heel did not make an indenture, not a mark upon the glittering circlet.
In the short story, “Neighbors” written by Raymond Carver, a number of symbols were projected through various objects; from the separation of houses to the cat locked away in the bathroom, this is all for the purpose of conveying meaning to an overall theme. The story first introduces us to Bill and Arlene Miller, a so-seemed normal suburban couple with neighbors Harriet and Jim Stone who live just across the hall from where they do. As the story progresses on, the Stones give Bill and Arlene two simple tasks: feed Kitty and water the plants; but little by little, the significance of the two tasks become negligible in the eyes of the Millers and the life of Harriet and Jim Stone becomes vital to the wholly-preoccupied Bill Miller. The more
While the two of us quickly got our sweatshirts on, my brother, my sister, and my mom started along without us. As soon as we were done changing, we jogged to catch up to them, with the vast crater of the Grand Canyon on our left, and forested desert on our right. The trail we were on was meant to show the layers of rock throughout the millenias. “6.5 Million Years - Limestone” “6.4 Million Years - Quartz” and so on and so forth. Time seem to slow down as we jogged, yet it felt more like seeing the world from a different perspective. Seeing history one step at a time, passing the rocks as if they were major points of significance in history. It felt as if I had been there jogging around the Grand Canyon for an Eternity, watching time fly by one million years at a time, slowly decreasing down to 0. The
She was dressed in apparel from the 1800s with rich, luxurious clothes, and neatly styled hair. She was not just a regular ghost. She looked like she came from money. With her head held high, she flaunted her presence like a peacock. She was in her late 20s to early thirties, with dark-like hair that gently swayed as she walked out of the wall, turned, and disappeared into the wall with her parasol open over her shoulder. Apparently, she did not turn to look at Anthony or his mother. She didn’t stop, stare, or pause for even a second. It was like she was just passing through. That was the first, and last, they’d ever seen her.
In the story “The Fall of the House of Usher”, Poe presents the history of the end of an illustrious family. As with many of Poe’s stories, setting and mood contribute greatly to the overall tale. Poe’s descriptions of the house itself as well as the inhabitants thereof invoke in the reader a feeling of gloom and terror. This can best be seen first by considering Poe’s description of the house and then comparing it to his description of its inhabitants, Roderick and Madeline Usher.
The descriptive language put to use in this literary work creates a sensation of dread as the protagonist is thrust into a goose bump-triggering journey through haunted halls. The narrator uses similes, metaphors, and symbolism to paint a mental picture of the treacherous haunting in which he endures. As he turns on the lights he is able to confirm that “in the ashes on the hearth, side by side with [his] own bare footprint, was another, so vast that in comparison [his] was but an
a dull grey colour as if it had lost the will to live and stopped
Jade stepped lightly on the attic ladder rungs. She tried to keep the loud creaking noises to a minimum. No one was home. it wouldn’t have mattered anyway. The attic was foggy from dust, and the fragrance of candles, old newspapers, and pine permeated the air. From the window a beam of light in the odd shape of an obelisk washed across the wooden floor and landed directly in the corner. Jade was drawn in that direction, not knowing why. She thought that the beam was pointing to something and forcing her to go investigate. She compliantly followed the orders of the beam. It was pointing directly to a spotted old blanket covering a piece of furniture. The blanket appeared to be hand knit. “All German girls know how to knit,” her grandma used to tell her. She lifted the blanket up by its tattered corners and removed it to expose an old rocking chair, charred on one side but still usable. She gently sat down in the rocking chair and positioned the shard of sunlight precisely between her feet and she began to rock. I wonder if this was the chai...
Arising, I stretched and felt by bones creak and pop, my muscles protesting. Yawning largely, I pushed the boulders out of the way and squinted my eyes against the harsh sunlight streaming into the cave. Stepping out of the cave I stumbled back in horror and shock, everything I had ever known was gone; the trees were white and barren of all of their leaves. The ground was void of all grass, nothing green was anywhere in sight. I cantered off towards the river, hoping that it wasn’t gone too. Luckily, it wasn’t, however, the river had odd green slime coating it,...
The girl, innocent and full of rage, dropped to her knees at her deceased brother’s headstone. The only way she’ll ever see him. Only one tear fell the whole night, though. She wasn’t as mad as she was blown away at the whole idea that, even though he was her older sibling, he’d always be preserved in time, like the granite above him, as a four-day-old infant. She considered this while shifting her vision to the huge slab of white stone near the left road.
The “Fall of the House of Usher” can be portrayed as a comprehensive account of the confusion and dissipation of a person’s personality. Beyond that, the story of the Fall of House of Usher is full of symbols. The first symbol is the House of Usher or the Mansion which manifests the deterioration or decline of the Usher family health and the disintegrating house reflects the actual fall of the Usher family. Roderick represents the mind or the intellect, whereas the portion of personality, the senses is represented by Madeline. Roderick wrote to an old classmate and friend and spoke of “acute bodily illness ---of mental disorder which oppressed him” (Poe 1). In addition to the fissure, the house is infested with fungi. “The belief, however, was connected with the gray stones of the home of his forefathers. The conditions of the sentience had been here, he imagined, fulfilled in the method of collocation of these stones --in the order of their arrangement, as well as in that of the many fungi which overspread them, and of the decayed trees which stood around --above