Langston Hughes was one of the most influential poets during the Harlem Renaissance. With the use of blues and Jazz Hughes managed to convey a range of different themes all revolving around the Negro. “[Langston Hughes] The first poet to transform the idioms of blues and jazz into poetic verse” (Johnson and Farrell 55). This use of blues in written work was called the blues aesthetics. Hughes’s “Bound No’th Blues” is a perfect example of the Blues Aesthetics. “The blues reflects the trials and tribulations of the Negro in America on a secular level” (Waldron 140). “Bound No’th Blues” reflects the journey of a southern African American who m...
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...l icons of the Harlem renaissance because of his poetry and musical talent.
Alice Walker, Don Miller. “Langston Huges American Poet.” March, 1 1974
Davis, Author P. "The Harlem of Langston Hughes' Poetry." Phylon (1940-1956) 4th ser. 13.4 (1952): 276-283. Clark Atlanta University. . www.jstor.org. (1940-1956)
Johnson, Patricia A., and Walter C. Farrell. "How Langston Hughes Used the Blues." Melus Oppression and Ethnic Literature 6.1 55-63. The Society for the Study of the Multi-Ethnic Literature of the United States (MELUS). www.jstor.org. (1971):
Trotter, Joe W. "The Great Migration." OAH Magazine of History World War I 17.1 31-33. Organization of American Historians. . www.jstor.org (2002).
Waldron, Edward E. "The Blues Poetry of Langston Hughes." Negro American Literature Forum 5.4 140-49. St. Louis University. www.jstor.org. (1971):
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