Langston Hughes and Alain Locke's Harlem Renaissance
There has been much debate over the Negro during the Harlem Renaissance. Two philosophers have created their own interpretations of the Negro during this Period. In Alain Locke’s essay, The New Negro, he distinguishes the difference of the “old” and “new” Negro, while in Langston Hughes essay, When the Negro Was in Vogue, looks at the circumstances of the “new” Negro from a more critical perspective.
During the Harlem Renaissance period, Alain Locke considers African Americans as transforming into someone “new.” He describes how African Americans migrated from the south to the north and were given new opportunities. The old Negro was being taken away from constantly being scrutinized by the public and whites. The Negros transformed into stronger intellectuals which was significant because before they weren’t allowed to do so. For example, “Similarly the mind of the Negro slipped from under the tyranny of social intimidation and to be shaking off the imitation and implied inferiority.” The “new” Negro strived for equal rights. Alain Locke describes other factors that pushed African Americans to move north to discover a “rebirth.” The “new” Negro went north to obtain the opportunity to move up from the bottom, to get away from the Ku Klux Klan, and to get away from the pressure of having to many poor crops. For instance, he says “The wash and rush of this human tide on the beach line of the northern city centers is to be explained primarily in terms of a new vision of opportunity, of social and economic freedom, of a spirit to seize, even in the face of an extortionate and heavy toll, a chance for the improvement of conditions.” By moving North the African Americans had a chance to live a better life and were set free of depending on the whites to take care of them in exchange for their labor. He also believes that the Negro began to experience something “new” by the way they began to understand and accept the Negro race. For example, Locke says, “With this renewed self- respect and self-dependence, the life of the negro community is bound to enter a new dynamic phase, the buoyancy from within compensating for whatever pressure there may be conditions from without.” The “new” then recognized the ability to become independent, which was a significant role of the “new” Negro because by gaining independence they then discover a life for themselves.
“Poetry, like jazz, is one of those dazzling diamonds of creative industry that help human beings make sense out of the comedies and tragedies that contextualize our lives” This was said by Aberjhani in the book Journey through the Power of the Rainbow: Quotation from a Life Made Out of Poetry. Poetry during the Harlem Renaissance was the way that African Americans made sense out of everything, good or bad, that “contextualized” their lives. The Harlem Renaissance, also known as the Black Renaissance or New Negro Movement, was a cultural movement among African Americans. It began roughly after the end of World War 1 in 1918. Blacks were considered second class citizens and were treated as such. Frustrated, African Americans moved North to escape Jim Crow laws and for more opportunities. This was known as the Great Migration. They migrated to East St. Louis, Illinois, Chicago 's south side, and Washington, D.C., but another place they migrated to and the main place they focused on in the renaissance is Harlem. The Harlem Renaissance created two goals. “The first was that black authors tried to point out the injustices of racism in American life. The second was to promote a more unified and positive culture among African Americans"(Charles Scribner 's Sons). The Harlem Renaissance is a period
Harlem soon became known as the “capital of black America” as the amount of blacks in this community was very substantial. Many of the inhabitants of this area were artists, entrepreneurs and black advocates with the urge to showcase their abilities and talents. The ...
The thing that I consider most interesting about this article is Alan Locke’s comparison of the old Negro vs. the new Negro. He pictures the old Negro as put together, they had life set up a certain way there was nothing new and exciting about it. In his description of the new Negro he uses words such as radical and new psychology. He mentioned
Occurring in the 1920’s and into the 1930’s, the Harlem Renaissance was an important movement for African-Americans all across America. This movement allowed the black culture to be heard and accepted by white citizens. The movement was expressed through art, music, and literature. These things were also the most known, and remembered things of the renaissance. Also this movement, because of some very strong, moving and inspiring people changed political views for African-Americans. Compared to before, The Harlem Renaissance had major effects on America during and after its time.
Locke begins his article by questioning the reader if the use of terms such as "Negro art" and "Negro literature"are legitimate or products of our racial prejudice. He then poses the first of two main questions, "Who is Negro?" Using a quote from Richard Wright, Locke begins a series of arguments to illustrate that there is no definitive body of "The Negro". First Locke denies that what some call the black experience in America even exists. He argues that if the real Negro experience in America is defined as living a life of hardship and struggle or living a life of poverty, then this could apply to anyone, regardless of their race. He refers to this experience as being, "...common denominator proletarian rather than racially distinctive" - meaning a working class experience rather than a "black" experience. Locke then goes on to talk about the complexity of the ...
“The New Negro” as described by Alain Locke is seeking social justice, however he is doing so in a way different from the various forms of resistance that preceded him. Locke describes a shift from radicalism in the fight for social justice to a need to build a relationship between races. The “New Negro” has come to the realization that assimilation into American culture is not a viable answer; therefore he has decided to build his own culture in collaboration with American culture. The construction of this culture became known as The New Negro Movement or The Harlem Renaissance. This was the attempt of the black community to birth for themselves a status quo in which they were no longer defined by their oppressors’ views. It was with in
The Harlem Renaissance, originally known as “the New Negro Movement”, was a cultural, social, and artistic movement during the 1920’s that took place in Harlem. This movement occurred after the World War I and drew in many African Americans who wanted to escape from the South to the North where they could freely express their artistic abilities. This movement was known as The Great Migration. During the 1920’s, many black writers, singers, musicians, artists, and poets gained success including Zora Neale Hurston, Langston Hughes, Marcus Garvey, and W.E.B. Du Bois. These creative black artists made an influence to society in the 1920’s and an impact on the Harlem Renaissance.
“Harlem” by Langston Hughes is a poem that talks about what happens when we postpones our dreams. The poem is made up of a series of similes and it ends with a metaphor. The objective of the poem is to get us to think about what happens to a dream that is put off, postponed; what happens when we create our very own shelve of dreams? The “dream” refers to a goal in life, not the dreams we have while sleeping, but our deepest desires. There are many ways to understand this poem; it varies from person to person. Some may see this poem as talking about just dreams in general. Others may see it as African-American’s dreams.
The New Negro Movement, widely known as The Harlem Renaissance, rolled into Harlem, New York – and touched the whole of America – like a gale-force wind. As every part of America reveled in the prosperity and gaiety of the decade, African Americans used the decade as a stepping stone for future generations. With the New Negro Movement came an abundance of black artistic, cultural, and intellectual stimulation. Literary achievers like Langston Hughes, Zora Neal Hurston, Claude McKay, and Countee Cullen rocked the world with their immense talent and strove to show that African Americans should be respected. Musicians, dancers, and singers like Duke Ellington, Cab Calloway, Josephine Baker and Bessie Smith preformed for whites and blacks alike in famed speakeasies like The Cotton Club. Intellectuals like Marcus Garvey, W.E.B. DuBois, and Alain Locke stood to empower and unify colored people of all ages. The Harlem Renaissance was not just a moment in time; it was a movement of empowerment for African Americans across the nation, and remains as such today.
The “Introduction” by Arnold Rampersad that is about The New Negro: Voices of the Harlem Renaissance that was written by Alan Locke focuses on the writer’s work in an admirable and critical ways. Even though most part of the Introduction focuses on how well the author takes on the significant of the important time of the significant movement of the African in Harlem, the Introduction also discusses about the lacking of some important work that needed to include in the book, which is claimed by other African American writes. As of all the critics that are stated in the Introduction, I believe that these happened because of the author’s lack of knowledge about the African Americans’ lives in the South, the limited opportunity of sharing his knowledge
In Harlem, New York the “New Negro” was born by various intellectuals, artists, musicians, and writers who celebrated cultural creativity and nobility throughout the African-American community. A span of ideas on what it meant to be African-American influenced many people to partake in art, music, and writing. During the 1920’s, the endless innovation made Harlem the “Mecca” for African-American civilization. Contributors and leaders recognized this as a resurrection of identity and spirituality which created, the “Harlem Renaissance.” Although the Harlem Renaissance shaped the African-American community substantially, there was still dispute. White Americans weren’t educated about African-American culture, segregation kept both races from coming together, and discrimination within the black community made light-skinned people suppose they were superior to dark-skinned people. When daylight transformed to nightlife, white people wanted to partake in the fun which usually brought along immense opportunities for writers and musicians.
The Harlem Renaissance was a time of racism, injustice, and importance. Somewhere in between the 1920s and 1930s an African American movement occurred in Harlem, New York City. The Harlem Renaissance exalted the unique culture of African-Americans and redefined African-American expression. It was the result of Blacks migrating in the North, mostly Chicago and New York. There were many significant figures, both male and female, that had taken part in the Harlem Renaissance. Ida B. Wells and Langston Hughes exemplify the like and work of this movement.
The image of African-American’s changed from rural, uneducated “peasants” to urban, sophisticated, cosmopolites. Literature and poetry are abounded. Jazz music and the clubs where it was performed at became social “hotspots”. Harlem is the epitome of the “New Negro”. However, things weren’t as sunny as they appeared.
The Great Migration was not only the movement of African Americans from rural-South to other urban areas of United States, but it also lead to the transformation of their thoughts. They arrived with their hopes and their dreams of a new and different life, seeking relief from labor exploitation and white violence. During the Great Migration, African Americans began to build a new place for themselves in public life, actively confronting economic, political and social challenges and creating a new black urban culture. The New Negro Renaissance is the most widely discussed period of African-American literary history not only because of ongoing scholarly debates over its origins, beginning, and end, but also because of its fundamental importance
From Slavery to Freedom: Africans in the Americas. (2007). The 'Secondary' of the 'Secondary' of the 'Secon Association for the Study of African American Life and History. Retrieved October 7, 2007 from Web site: http://www.asalh.org/. Harlem Renaissance (1997-2007).