Shakespeare begins his argument with the three weird sisters. The witches have been described to have supernatural capabilities, and their involvement with the rest of the characters enhances the feminine perspective to the audience. One way that the witches exclude themselves from the normal views of women is through the attire they display. They are described to be “so withered and so wild in their attire” (1.3.40) that they no longer “look …like th’ inhabitants o’ th’ earth” (1.3.41) when they are approached by Macbeth a...
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...omen with her exploits in the play. In essence, the play provides an atmosphere of supremacy toward women. This idea is transpired through the witchcraft of the three weird sisters, the metaphors that relate women to power, and Lady Macbeth’s extensive involvement in the outcome of the play. Ultimately, this relates back to one of the most (if not the most) popular biblical stories. Women, such as the witches, the sailor’s wife, and Lady Macbeth all can be recognized as representation of Eve in the first book of Genesis. One way or another, they manage to bring the downfall of a man. To be clear, if women were non-existent in the play, it can be argued that Macbeth’s negative attributes would have never outweighed his respectable ones. But with women having access to the scales, Macbeth slowing tips toward the side that constructs him into the desperado of the play.
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