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King Lear as an Shakespearean tragedy
King Lear as an Shakespearean tragedy
King Lear as an Shakespearean tragedy
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Recommended: King Lear as an Shakespearean tragedy
Upon walking into the Special Collections section of the library, I saw a few small, relatively old looking books. I wondered which of these clearly old, but relatively unimpressive books was the one I was looking for. Upon inquiring about The Chronicles of England, Scotland and Ireland, I was pleased to see that it was so large and grand looking. I was not sure whether to begin with the first or second volume of the massive book in order to more easily find the passage about King Lear, but I figured the beginning was probably a very good place to start.
Upon opening the book, I was struck by the smell of the 400 year old pages. I was expecting the typical “old book smell,” however the smell I was anticipating usually goes along with books that are a century or less old, rather than four centuries. The smell I encountered was much stronger. Perhaps 300 years ago it smelled as I thought it would and it had simply grown exponentially more pungent. I was most surprised at how sturdy the pages were. They were not only much thicker than I’d anticipated, but they were in extraordinary condition. I’m sure a large, bound book like this would have been a relatively expensive luxury in 1587, despite the printing press’ use. It’s in such good condition that I can imagine it being bought as a status symbol. I can see it being part of one huge library collection, meant to fill shelves and impress rather than be read, which would explain the book’s remarkable condition.
The two large books seemed to be divided into volumes within each physical book. I could not find a table of contents, and each volume began with page one. I spent most of my times perusing through the second volume entitled “History of England” which came after the volume cal...
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... any children at all in Shakespeare’s version of the play. Rather than killing herself later as a result of imprisonment by the new dukes of Albanie and Cornwall, Shakespeare omits several years and her two nephews, and Cordelia still meets the same end, but at the hands of her own generation. Shakespeare’s King Lear takes the story told by Holinshed and adapts it to his needs to create a more thoroughly tragic story.
My visit to Special Collections was a valuable insight into the immense size and importance of a book such as Holinshed’s Chronicles of England, Ireland and Scotland and how it may have affected Shakespeare’s play. The old book was extremely interesting and the history that it recounts serves as an inspiration for the further investigation of the legend of King Lear’s history and the story’s changes over time which I plan examine in my research paper.
The Norton Anthology World Literature Volume 2: 1650 to the Present. Ed. Martin Puchner. Shorter 3rd ed. New York: Norton, 2013. Print
Crook, Susan, Pirkko Koppinen, Jennifer Neville, Jane Page, and Hilary Thorn. Judith. OERG: The Old English Reading Group (June 2003). Web. 22 Apr. 2014.
Within the poem there is another article that I read which is called, “I Stumbled When I Saw”: Interpreting Gloucester 's Blindness in King Lear”. Which talks about, Gloucester 's blindness is the same as Lear’s madness, both of the characters representing the destruction of themselves and their human existence. Both are major issues to the way the play works and its tragic clash with the characters themselves in the play as well. Shakespeare understands how human emotions work when they come out when Gloucester is blinded by Cornwall and what is the powerful meaning behind what is being done in the play. Another key element in the poem is, when Cordelia and Lear are imprisoned locked up together. Before, Cordelia is about to be killed, Lear kills the guard who is trying to hang him and next he kills the guard who strangles Cordelia to death. In an instance it is shown that Lear shows compassion and more faith and shows that he is a father more than a king in that instance when his daughter is killed right in front of his eyes. His daughter is the only thing that he cares about, even when they were jailed together, she was all that he thought about, “No, no,
Shakespeare, William. "King Lear." The Norton Shakespeare. Ed. Stephen Greenblatt, Ed. Walter Cohen, Ed. Jean E. Howard and Ed. Katharine Eisaman Maus. 2. New York, London: Oxford University Press, 2008. 591-759. Print.2011.
Harbage, Alfred. " King Lear: An Introduction." Shakespeare: The Tragedies: A Collection of Critical Essays.
In Shakespeare's “King Lear”, the tragic hero is brought down, like all tragic heroes, by one fatal flaw; in this case it is pride, as well as foolishness. It is the King's arrogant demand for absolute love and, what's more, protestations of such from the daughter who truly loves him the most, that sets the stage for his downfall. Cordelia, can be seen as Lear’s one true love, and her love and loyalty go not only beyond that of her sisters but beyond words, thus enraging the proud King Lear whose response is: "Let pride, which she calls plainness, marry her". Here, Lear's pride is emphasized as he indulges in the common trend of despising in others what one is most embarrassed of oneself.
Shakespeare uses subplots to dramatize the action of the play and give spark on the contrast for the themes in King Lear. Sub plots usually improve the effect of dramatic irony and suspense. The latter, which is used in King Lear, gives us the understanding of the emotions of the characters in the play. This follows the parallelism between Gloucester and King Lear.
William Shakespeare wrote many plays in his lifetime based on historic events that he had researched using a history books from various authors. One of these many plays are the Tragedy of Macbeth, which Shakespeare did his research from the Chronicles of England, Scotland, and Ireland by Raphael Holinshed. Shakespeare stayed true to the history retold by Holinshed in his play Macbeth, but unfortunately Holinshed’s Chronicles of England, Scotland, and Ireland contained false information. Since some of the information was false in Shakespeare’s research, his account of Macbeth’s characters, setting, and events also contain differences from the factual historic accounts.
It will be a fatal error to present Cordelia as a meek saint. She has more than a touch of her father in her. She is as proud as he is, and as obstinate, for all her sweetness and her youth. And, being young, she answers uncalculatingly with pride to his pride even as later she answers with pity to his misery. To miss this likeness between the two is to miss Shakespeare's first important dramatic effect; the mighty old man and the frail child, confronted, and each unyielding... If age owes some tolerance to youth, it may be thought too that youth owes to age and fatherhood something more--and less--than the truth...6
Masslich, George B. "A Book Within a Book" The English Journal (1921) 119-29. Rpt. in Nineteenth- Century Literature Criticisms. Ed. Laurie Harris. Detroit: Gale Research, 1982. 2: 107.
Bullough, Geoffrey. "King Lear". Narrative and Dramatic Sources of Shakespeare. London: Routledge and Kegan Paul, 1973.
Ray, Benjamin. "17th Century Documents & Books." 17th Century Documents & Books. University of Virginia, 2002. Web. 03 Apr. 2014.
Hunt, Leigh. "Pocket-books and Keepsakes". The Keepsake. Ed. William Harrison Ainsworth. London: Hurst, Chance & Co., & Robert Jennings, 1828.
Shakespeare, William, Barbara A. Mowat, and Paul Werstine. The Tragedy of King Lear. New York: Washington Square, 1993. Print.
Shakespeare, William, and Russell A. Fraser. King Lear. New York: New American Library, 1998. Print.