Chapter seven of the novel opens somewhat normal, with two young boys, Amir and Hassan, preparing for the annual kite running tournament. When the boys win the contest, an air of jubilance and carelessness comes over Amir and Hassan. Hosseini describes the moment as “alive”, “unabashed”, and “the single greatest moment of my twelve years of life.” At this point, the reader feels happy for Amir and Hassan. Soon after, though, the whole mood changes. Amir witnesses the rape of Hassan, and does nothing to help him out of it. All Amir could think about was the prized kite that they had just won, and bringing it back to Baba. The kite represents an object of both Amir's happiness and his guilt. For instance, the champion blue kite was the ticket to Baba's heart and a reminder of the delightful childhood that he once had. Be that as it may, Amir basically allows Hassan to be raped only because he wants to bring bak the trophy of a kite to Baba. After that point, Amir sees the kite as a memory of his betrayal to Hassan. Words used during the scene such as “cold”, “paralyzed”, “havoc”, and “nervous” develop the situation; Amir's inaction proved to be his flaw throughout the work. The dark, wintry alleyway was home to the memory that would change Amir's lif...
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... and Amir is quickly defeated by that of a lost hope and brokenness. Both attempts ended with a shattered promise, and an entity left in ruin. In the end, Hosseini implemented all scenes of violence to show readers what Afghanistan is now, what it truly is.
In its violence, The Kite Runner uses both mood and symbolism to help understand the meaning of the work. All scenarios that showcased violence were placed to show not only the change of Afghanistan, but the change of Amir as well. If the novel were written without these events, the novel's true meaning would be hard to decipher. In Khaled Hosseini's The Kite Runner, violent scenes are placed to further the meaning of the work.
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