Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
discuss the role of iago in othello
oppression of women in othello
oppression of women in othello
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: discuss the role of iago in othello
The Key to Tragedy: Jealousy and Manipulation William Shakespeare, also known as the English national poet, remains considered as “the greatest dramatist of all time.” He has written many plays that provide readers an outlook towards human conflict and emotion. Othello, one of Shakespeare’s famous plays, has various movie versions. Tim Blake Nelson’s 2001 updated modern version of Othello, “O”, integrates the important symbolism of the handkerchief as well as themes of jealousy and manipulation; yet, it devalues the important features of women discrimination and early modern English language. The handkerchief engages a very important part of both the play and the movie. It is used as a symbol of love and is converted to being used as a
Iago clarifies that he is unsure that his wife really did cheat on him with Othello, but he still decided to remain with the idea of ruining Othello’s life: “I hate the Moor,/ And it is thought abroad, that ‘twixt my sheets/ ‘Has dpne my office. I know not if’t be true,/ But I, for mere suspicion in that kind,/ Will do as if for surety” (Othello 1.3.370-74). An important scene in the play that seems to be very ironic is when Iago warns Othello of jealousy. Iago’s use of reverse psychology is very convincing to Othello, because one would not imagine the person warning them from jealousy to be jealous themselves. Iago is pretending to be a caring friend when he explains to Othello that jealousy is a monster, “O, beware, my lord, of jealousy;/ It is the green-eyed monster which doth/ mock The meat it feeds on” (Othello 3.3.165-67). Little did Othello know that Iago is the jealous
Iago’s manipulation list consists of Othello, Cassio, Roderigo, Desdemona and Emilia. He pretends to be the caring person that wants to help everyone with their problems, but he is trying to understand their problems in order to make them worse. First, Iago manipulates Roderigo by allowing him to fantasize that his love for Desdemona will soon come into reality. Roderigo’s wish is for Desdemona and Othello to separate, and Iago allows him to believe that it will happen. Soon after, Iago turns to Cassio and takes advantage of his light drinking by getting him drunk and allowing him to make a complete fool of himself. This incident creates a dilemma and it takes Cassio’s lieutenant position away from him. Iago then manipulates Othello by putting the idea of Casio and Desdemona having a sexual relationship which drives Othello off the edge. Desdemona’s intention to help Cassio is manipulated by Iago and is overlooked as flirting or interest. Iago’s wife, Emilia, is quickly manipulated by being the character that lends Iago the handkerchief to commit the
Jealousy, whatever it may be driven by, can produce many different actions in a person depending on their desires. Othello craftly examines a few examples of these with highly contrasting characters driven by vastly different things. The different manifestations of jealousy in said characters can be analysed through the characters of Roderigo, Othello, and Iago, while also proving how jealousy can sometimes be a front for more cynister feelings.
Another reason Iago has massive jealously is he has a suspicion that Othello slept with his wife. Iago says, "I hate the moor: and it is thought abroad, that 'twixt my sheets, he has done my office: I know not if't be true; but I, for mere suspicion in that kind, will do as if for surety." (1.3.12). Even though he is uncertain that Othello and Igao's wif...
This cognitive change allows adolescents to; think about what is possible, think about the abstract, think about the thinking process, think about things in a multidimensional fashion, and see things as relative. One manifestation of the adolescent’s increased facility with thinking about possibilities is the development of deductive reasoning (Steinberg, 2014). Deductive reasoning leads adolescents to hypothetically thinking, which enables adolescents to plan ahead and look at their future. Abstract thinking increases adolescents’ interest in thinking about interpersonal relationships, politics, philosophy, religion, and mortality (Steinberg, 2014). This type of thinking makes it possible for adolescents to have friendships, look at the fairness of things, and to be honest. Metacognition, or thinking about thinking, enables adolescents to make conscious decisions and sometimes it leads to adolescent egocentrism. Adolescent egocentrism is extreme periods of self-absorption and personal fable, which is the belief that everything is centered on you. The development of multidimensional thinking allows adolescents to look at things in a variety of ways. Unfortunately this type of thinking tends to complicate situations for adolescents. Finally seeing things in more relative terms “adolescents are more likely to
Iago controls and manipulates many characters in ‘Othello’ including Roderigo, Brabantio, Cassio, Emilia, Desdemona, and even Othello himself. I will only be looking at Cassio and Othello because the fate of Iago’s plans rest in their actions, therefore he controls and manipulates them more than any of the other characters like Roderigo who is also manipulated by Iago for a lot of the play but I found the relationship between Othello, Cassio, and Iago more interesting because they are both his superiors so Iago has to be more careful with how he manipulates them. When Iago speaks to Roderigo he can tell him a lot that may or may not be true but Roderigo will believe him no matter what. Iago manipulates the characters in ‘Othello’ because he knows that if they all do what he plans for them then he can become Othello's lieutenant instead of Cassio. Iago also has many other reasons for manipulating the other characters in the play like how he loves Othello so much that he is determined to get his wife killed even though Iago has no chance of ever being loved in the way that he wants to be by Othello. If all goes well he will also become even more trusted by the other characters especially Othello, who as I said before he loves. Iago does this successfully because every one is always calling him ‘honest Iago’ and trusting Iago. Iago is an extremely clever man, because of all the intricate ways that he has manipulated Othello and Cassio. Othello is an eloquent and physically powerful figure, respected by all those around him. In spite of his elevated
Iago plots with supreme cleverness, carefully manipulating Othello into believing that Desdemona is an adulteress. His understanding of the human psyche is impressive, as is his ability to orchestrate the deception throughout the play. Iago 's trickery is strong because of his patience; he has the ability to make people manifest ideas in their heads and just wait for his victims to go mad. Iago 's convincing rhetoric clearly reveals what a dominant device language can be, especially when used by an eloquent, but immoral, person. Once can see Iago being deceptive and devious when he pretends to warn Othello on the effects of jealousy by saying “O, beware, my lord, of jealousy!/ It is the green-eyed monster which doth mock/ The meat it feeds on (III. iii.195-197). Here, he pretends to warn Othello not to be a jealous man, by pointing out that jealousy ends up destroying the heart of the man who becomes a victim to it. Iago was the one who told Othello the lie and planted the evil seed in his mind. Iago’s vindictiveness is also revealed when he says “The Moor already changes with my poison;/Dangerous conceits are in their natures poisons,/Which at the first are scarce found to distaste,/But with a little act upon the blood/Burn like the mines of Sulphur.“ (III. Iii. 373-378). Iago realizes the unbelievable power of jealousy and claims that
It's not love that is blind, but jealousy. In this beautiful small town of Venice, there is moor and his beautiful wife Desdemona, and the evil Iago, Roderigo, and Cassio. Othello is married to the beautiful Desdemona. He is an honorable man he was loyal to Venice, he was the general of an army. All of a sudden he started to act different, he started to change because Iago had told him that his wife Desdemona was fooling around with Cassio. Othello believes Iago because he trusted Iago, the same way he trusted everyone. Rodrigo had found out about Iago's plan to try to ruin Othello's life, so the two started to work together because Rodrigo was jealous that Othello had Desdemona and he wants her, Iago was jealous of the fact that Othello was trusted too much with many things, he was jealous that everyone loved Othello. So Iago planned everything out He planted things and messed with people's minds to have everything go down. Jealous is everywhere because you might want something that someone else has, you might wanna be just like someone, you might just want something just for yourself that you believe anything
...of Othello who then resigns Cassio of his duty; he is also the main focus of Othello's temper by making it look like he is having an affair with Desdemona. Iago lies to Desdemona that Othello is only upset because of some state matter, however, knowing very well why Othello is behaving as such. Iago manipulates Roderigo by telling him to sell all of his possessions so that he can woo Desdemona and win her heart; he also takes advantage of Roderigo because Iago knows that he is a fool and will do anything for love. Iago the master puppeteer misleads his victims Othello, Cassio, Desdemona, and Roderigo by feeding lies to them and making them be suspicious on one another. These are some of the ways that Iago manipulates and deceives his victims which are stated in the play Othello.
William Shakespeare’s Othello is a tragedy about revenge through jealousy and deception. Throughout the play, Iago is constantly pitting characters against each other in order to satiate his anger from being denied the promotion to lieutenant that Cassio was granted. As a catalyst for all the conflicts that arise during the play, Iago merely uncovers the underlying insecurities characters such as Othello, a notable war general in Venice, are struggling with. Animal imagery as well as the use of light and dark to differentiate between race is very prominent and is used to drive a wedge between the newlyweds, Othello and Desdemona. Although Othello is a highly accomplished and well respected war hero, the notion that Venetians, including Desdemona, are a superior race, prevents him from ever feeling truly secure in his marriage, ultimately leading to the demise of several people close to him, and finally himself.
When many people decided to sit down and read a book or a play it is because the title or summary entices them. As the story comes to an end it is decided whether or not the person related to or understood the point of the literature. Great authors and playwrights know this and set in place concepts. Many different concepts, to catch different audiences attention and to deepen the understanding of the literature. In order to understand Shakespeare’s play Othello, it is necessary to examine the emotions of jealousy, manipulation, being consumed by something, and gender.
Iago wanted Othello’s position and used others to shame Othello and gain stature. Iago dressed himself up a trustworthy man and worked his way into Othello’s trust with tricks and lies. He wore a very convincing mask; often temporarily defending the person he was trying to ruin to further his honest visage. He says to Othello, “Men should be what they seem…” (3.3.127) through these methods, Iago convinces Othello that Cassio, an officer, was having an affair with Othello’s beautiful wife Desdemona. As a vicious result, Othello is driven mad with anger and sadness and throttles Desdemona in their bed. The death and want left by Iago’s deception is vast hurting everyone involved most frequently on a mortal level. When the truth finally comes out, Othello, in his grief and remorse, ends up stabbing himself with a dagger. In the end, many die due to Iago’s deception, through villainy or despair, and none gain what they truly want because of it. This just goes to show that the mask of deception that a man wears can cause an unbelievable amount of harm, bodily and worse,
Othello has many positive traits, including being a great leader and loyal. He also has one negative trait that ultimately leads to his death; jealousy. Iago provokes deep, strong emotions in Othello, jealousy being the strongest. Jealousy is a nasty little emotion. It causes people to do terrible things because once it is on a person’s conscience, it stays for quite some time. Because of these effects, jealousy can impact some of the strongest people such as Othello. The love between Desdemona and Othello was portrayed so elevated and pure and was filled with religious words and phrases that just added to the strength and sanctity of their love. Othello has such a strong mind, but jealousy caused by the manipulation of Iago, negatively impacts him. Iago convinces Othello that Desdemona is cheating on him with his friend Cassio. When Othello asks Iago for proof of Desdemona’s deceit, Iago describes scenes and events in which Othello has a reason to be jealous. In Act III, Scene I Iago is describing to Othello, Desdemona and Cassio’s imagined relationship, “It is impossible you should see this/ were they as prime as goats, as hot as monkeys, as salt as wolves in pride, and fools as gross as ignorance made drunk.” These images planted themselves inside Othello’s mind and haunted him until he did something about it. These images led to Othello believing Desdemona really did love
In the play Othello, there are many jealous and selfish characters. Each of the characters at one point or another let their jealousy take over. It seems like they all have these plots and plans on how to hurt another character in the play either physically or emotionally, as an act of selfishness, so that they can feel better about themselves. One main character who seems extremely jealous in this play is Iago. Infact, probably the most jealous. Many bad things happen because of Iago. The first bad thing that Iago did, was tell Barbantio (Desdamona's father) that Desdemona has married Othello, the Moore. Iago was mad at Othello, because Cassio had made Othello a higher position and not Iago. Iago thought that he was the one who qualified for the position as general, not Othello. Iago was jealous because of this, so he decided to tell Barbantio about Desdemona and Othello. This was bad, because Barbantio did not know yet, and something like that should have been said by his own daughter, not someone who was not part of the family. The way Iago went about telling him was also bad. He called to his house in the middle of the night. He yelled it to Barbantio from downstairs into his window in a rude manner. " quote from Othello here." He wanted Barbantio to be upset about what had happened, and most of all, he wanted Barbantio to be mad at Othello and do something bad to him.
Iago had tricked Othello into believing that Desdemona cheated on him with Cassio, thus causing him to become jealous. His jealousy overcame his usual respectable, noble personality and he became irrational and violent. His jealousy and rage lead him to kill his wife, something he would never have done if he had not been jealous.
When teenagers are going through certain problems in there lives, they tend to turn to certain things to help keep the...
William Shakespeare’s Othello is a play about the downfall of the Moor of Venice induced by evil villain Iago. The characters are put into focus by their moral virtue, all except Iago because he is a Vice. The English Oxford Dictionary defines Vice as immoral or wicked behavior (OED). The motive of being passed over for a promotion is not enough to pin the cause of Iago’s wickedness. It is Othello who needs to be scrutinized, in terms of passion. Leo Africanus describes the Moor as honest, trusting, but jealous and given to passionate vengeful rage when wronged. (Vitkus, 161) This is extremely evident in Shakespeare’s play. Othello causes his own downfall being blinded by jealously. William Shakespeare’s use of jealousy and deception are partnered with the themes of appearance versus reality. Othello’s greatest conquest in this play is not Iago but his own vice, Jealousy.