Kevin Young’s For the Confederate Dead

719 Words2 Pages
bulb-icon

Recommended: Negro poetry

As I gazed across the book isles and leaned over carefully to pick one up out of the old dusty vaults of the library, a familiar object caught my eye in the poetry section. A picture in time stood still on this book, of two African American men both holding guitars. I immediately was attracted to this book of poems. For the Confederate Dead, by Kevin Young, is what it read on the front in cursive lettering. I turned to the back of the book and “Jazz“, and “blues” popped out of the paper back book and into my brain. Sometimes you can judge a book by it’s cover, I thought. Kevin Young’s For the Confederate Dead is a book of poems influenced by blues and jazz in the deep rural parts of the south.

This Book was pretty much an easy read for me. His poems are not very long and cut to the chase. While reading them I noticed there was always something exciting that caught my attention to keep me reading on. In the first couple pages of “For the Confederate Dead”, the poems names are very organic. This is one of the reasons I was drawn into this book. With names like Flame, Water, Ai...

Show More
Related

  • Chandra Manning's What This Cruel War Was Over

    1292 Words  | 3 Pages

    What This Cruel War Was Over evaluates the American Civil War through the eyes of both northern and southern soldiers. By examining the conflict through this lens, Chandra Manning delivers a narrative with intricacies that explore an in-depth perspective to a greater degree than other authors have in the past. Revealing how men thought about slavery and the Civil War frames her book, and the examples she utilizes to fulfill her goal in arguing her thesis conveys an original body of work. Additionally, several of the concepts established in the author’s book are also discussed through various methods in other books.

    Read More

  • Analysis Of John Reekie's The Burial Party

    1929 Words  | 4 Pages

    There are many different ways in which the war was represented to the public, including drawings, newspaper articles, and detailed stereographs. Stereographs such as John Reekie’s “The Burial Party” invoked mixed feelings from all of those who viewed it. It confronts the deaths caused by the Civil War as well as touches upon the controversial issue over what would happen to the slaves once they had been emancipated. This picture represents the Civil War as a trade-off of lives- fallen soldiers gave their lives so that enslaved black men and women could be given back their own, even if that life wasn’t that different from slavery. In his carefully constructed stereograph “The Burial Party,” John Reekie confronts the uncertainty behind the newly

    Read More

  • The Influential Work of Paul Laurence Dunbar

    1032 Words  | 3 Pages

    Many writers begin writing and showing literary talent when they are young. Paul Laurence Dunbar, born and raised in Dayton, Ohio, was already editor of a newspaper and had had two of his poems published in the local newspaper before he’d graduated from high school. His classmate, Orville Wright, printed The Tattler which Dunbar edited and published for the local African American community. After graduating from high school, he was forced to get a job as an elevator operator which allowed him spare time for writing. He finally gained recognition outside of Dayton when, in 1892, he was invited to address the Western Association of Writers and met James Newton Matthews who praised his work in a letter to an Illinois newspaper. In 1892, he decided to publish his first book of poems entitled Oak and Ivy and four years later his second book of poems Majors and Minors was published. People began to see him as a symbol for his race, and he was thought of artistically as “a happy-go-lucky, singing, shuffling, banjo-picking being… in a log cabin amid fields of cotton” (Dunbar, AAW 2). Dunbar’s poems, written alternately in literary and dialect English, are about love, death, music, laughter, human frailty, and though Dunbar tried to mute themes of social protest, social commentary on racial themes is present in his poetry.

    Read More

  • A Women's Perspective of the Civil War

    3298 Words  | 7 Pages

    For a long time, the Civil War was the most glorified and “cleaned for the purpose of propaganda” conflict in world history. The war was fought between celebrated generals Robert E. Lee and Ulysses S. Grant, whose armies fought for grand and noble principles and were never guilty of any of the heinous war crimes perpetrated by other armies. The inclination to depict the Civil War in this glorified manner strengthened over time until the process of converting the Civil War from hell on earth to a sacred cause systematically destroyed the anguish that the war created. The war the women on both sides of the conflict experienced underwent a comparable change because it reminded the victims of their suffering. Unfortunately, some historians have been too worried about correcting the evils committed against women during the Civil War to look at the reasons why the war and its suffering have been sanitized. Focusing on the woman’s point of view during the Civil War, especially the African American woman’s point of view, meant focusing on misery. By removing women from the overall picture of the Civil War, historians could ignore the misery and create a more affirmative representation of the Civil War.

    Read More

  • Final Research Essay

    1357 Words  | 3 Pages

    ...is presented in a way that “blacks or whites can draw admonition from the subject” (1) . Another perspective from Revell is that the poem presents itself in terms of passionate personal regret. Revell believes that Dunbar felt guilty because he allowed himself to be bound to the “ plantation lifestyle” (1). The plantation life style internal anguish and agony the blacks went through as slaves. Some blacks have moved on from it, but some continue to use slavery as an excuse to not progress in life. It should be noted that Revell draws the most attention to the middle of the poem. The poem itself is masked because it never specifically says who its linked too, even though most would infer that it is linked to the black race. Revell concludes that Dunbar left aside the preconceived image of what it meant to be black in America, and spoke “only from his heart” (1) .

    Read More

  • Desertion During the American Civil War

    1398 Words  | 3 Pages

    Williams, David. Bitterly Divided: The South’s Inner Civil War. New York: The New Press, 2008.

    Read More

  • The Poetry in Harlem Renaissance

    1966 Words  | 4 Pages

    When discussing the poetry of the Harlem Renaissance, due to the strength of their relationship, one must look at Blues and Jazz. Many viewed this genre as a voice for the black communities and as “the New Negro poets expressed a deep pride in being Black” (Smith, 1983, p. 37) it is easy to see how this influenced their poetry. The main theme of Blues were the troubles of life and finding an escape, and this underlying dissatisfaction was incorporated into poetry as a response to many of the injustices present. For example, a clear example of this is Langston Hughes’ Homesick Blues which uses many of the key techniques from Blues songs, such as short lines to create urgency. The poem discusses the effect of prejudices and injustices on the black communities, especially when it comes to finding a home and an identity. There is a subtle, irregular rhyme scheme from words such as “sun… done” (Ramazani, 1994, pp. 152-3) which strengthens the influence. The dull, full rhymes create a sense of dissatisfaction and boredom, as if the speaker has given up on life. Hughes similarly uses many colloquialism and phonetics, which were common in Blues songs, such as “De Railroad Bridge/ a sad song in de air” (Ramazani, 1994, pp. 152-3), which furthers racial pride and identity, present in Blues and Harlem Renaissance poetry. However, perhaps the strongest example of how the Blues genre infl...

    Read More

  • Percival Everett's The Appropriation Of Cultures

    524 Words  | 2 Pages

    Percival Everett’s “The Appropriation of Cultures” (2004), demonstrates the power of a symbol and the meanings that it can carry. In the story, Daniel Barkley is a highly accomplished African American man who graduated from Brown and frequently plays guitar near the campus of The University of South Carolina. From the beginning of the story, Barkley exposes a distinct independent personality that isn’t afraid to break stereotypes or labels. The first scene describes an instance in a bar where white fraternity boys were challenging Barkley to play ‘Dixie’ for them. Instead of refusing, like most would have done, he instead begins to play and take ownership of the song. Later in the story, Barkley decides to purchase a truck with a giant confederate flag decal in the back. Despite the strange stares and confusion

    Read More

  • What Is Evidence By Natasha Trethewey

    1016 Words  | 3 Pages

    A person cannot change their body; therefore, they cannot change the color of their skin. Trethewey uses phrases like “cold lips stitched shut”, “expression of grief”, “language of blood”, and “muck of ancestry” in order to describe the constant verbal abuse and ignorant insults she received due to the nature of her genetics. The words of the body, which describe her physical features, are paired with the negatively connotated words to compare racism in the 70s and 80s with current racism in America. In comparison, Trethewey dissects the issue of racism by describing the lack of monuments for black soldiers as disrespect. In the poem “Pilgrimage”, Trethewey describes the lack of memorials for the Native Guard in Mississippi as a clear sign of Southern racism. Mississippi is “a graveyard for skeletons of sunken riverboats”, “hollowed by a web of caves . . . like catacombs.” The city floods with the soldiers from the Civil War, but the bodies are “stone, white marble, on Confederate Avenue.” The soldiers honored in Mississippi are Confederate generals and colonels. Mississippi distinctly decided against recognizing and celebrating one of the first all-Black regiments for the Union, the Native

    Read More

  • Sound And The Fury Benjy

    1016 Words  | 3 Pages

    On Easter Sunday in 1928, Luster drives Benjy to the cemetery, after much convincing of his grandmother Dilsey. As the carriage approaches the Confederate soldier monument on the courthouse square, Luster attempts to show off in front of a “group of negroes,” and decides to change the route that Benjy is accustomed to, which proves to be utterly disastrous (Faulkner 319). Luster only alters the route slightly, and ...

    Read More

  • Lucille Clifton Research Paper

    518 Words  | 2 Pages

    My 1st book of poetry – Good Times, published in 1969 was names as one of the 10 best books of the year by the New York times in 1969, and talked about the small joys of being an African-American family in poverty. In this selection, I had a special writing style, and I removed all punctuation and Capitalization from my poems while only using simple words and short phrases. I used this style to write my poems to focus the reader’s attention on the importance of the words that I used and their meaning.

    Read More

  • Diane Fisher's Tragic Poetry

    94 Words  | 1 Pages

    Finally the coal mine war ended in 1933, many dead bodies were buried of innocent people, with many untold stories. The emotions Diane fisher used in her lyrical poetry can be relate to any of the culture, not only to the people of West Virginia. It’s a responsibility of the poet to give his readers entertainment, but at the same time the information about what they are talking. She did a great job in this. She not only told us the situation of miserable people, but also helped us to heard the untold stories.

    Read More

  • Langston Hughes And Bob Dylan

    963 Words  | 2 Pages

    Langston Hughes and Bob Dylan are two poets from different eras in modern American poetry. Although Bob Dylan is more characterized as a songwriter, I see much of his work as poetry. In this essay, I will discuss Hughes’ poem “Harlem [1]” and Dylan’s “Times They Are A-Changin”’ as commentaries on are culture, but from different backgrounds.

    Read More

  • Comparing Poems 'I, Too And' Theme For English B

    973 Words  | 2 Pages

    The civil rights movement may have technically ended in the nineteen sixties, but America is still feeling the adverse effects of this dark time in history today. African Americans were the group of people most affected by the Civil Rights Act and continue to be today. Great pain and suffering, though, usually amounts to great literature. This period in American history was no exception. Langston Hughes was a prolific writer before, during, and after the Civil Rights Act and produced many classic poems for African American literature. Hughes uses theme, point of view, and historical context in his poems “I, Too” and “Theme for English B” to expand the views on African American culture to his audience members.

    Read More

  • Black Poetry

    2173 Words  | 5 Pages

    Over the course of the century chronicling the helm of slavery, the emancipation, and the push for civil, equal, and human rights, black literary scholars have pressed to have their voice heard in the midst a country that would dare classify a black as a second class citizen. Often, literary modes of communication were employed to accomplish just that. Black scholars used the often little education they received to produce a body of works that would seek to beckon the cause of freedom and help blacks tarry through the cruelties, inadequacies, and inconveniences of their oppressed condition. To capture the black experience in America was one of the sole aims of black literature. However, we as scholars of these bodies of works today are often unsure as to whether or not we can indeed coin the phrase “Black Literature” or, in this case, “Black poetry”. Is there such a thing? If so, how do we define the term, and what body of writing can we use to determine the validity of the definition. Such is the aim of this essay because we can indeed call a poem “Black”. We can define “Black poetry” as a body of writing written by an African-American in the United States that formulates a concentrated imaginative awareness of an experience or set of experiences inextricably linked to black people, characterizes a furious call or pursuit of freedom, and attempts to capture the black condition in a language chosen and arranged to create a specific emotional response through meaning, sound, and rhythm. An examination of several works of poetry by various Black scholars should suffice to prove that the definition does hold and that “Black Poetry” is a term that we can use.

    Read More

More about Kevin Young’s For the Confederate Dead

Open Document