Kate Chopin 's The Yellow Wallpaper, By Charlotte Perkins Gilman

Kate Chopin 's The Yellow Wallpaper, By Charlotte Perkins Gilman

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Over the last couple of centuries, the way that relationships are viewed and treated has changed, drastically. In the present, most relationships are viewed as something amazing and something to be appreciated, even though there are a few outlying relationships that are still like they were centuries ago. Women in the nineteenth and twentieth-centuries were viewed as property. Therefore, when they got into relationships, they were treated just as that—her husband’s property. Specifically, during the nineteenth-century, men were the main focus of society, and usually women and their views were muffled. Women were expected to freely provide the nurturing services and emotions that men want. After marriage, men went back to work while women stayed at home to take care of the family and to be perfect wives. This particular view can cause a woman to lose her identity and feel trapped in her marriage. The loss of identity and feelings of being trapped are portrayed in Kate Chopin’s “The Story of an Hour,” Charlotte Perkins Gilman’s “The Yellow Wallpaper,” and John Steinbeck’s “The Chrysanthemums.” However, while they all portray relationships in the same light, they each have a different way of showing it, as well the outcomes are all different.
In Kate Chopin’s “The Story of an Hour,” Mrs. Mallard was carefully told of her husband’s death. She sobbed only for a brief moment then went to her room to be alone. The narrator then goes on to describe the scene she is viewing at that very moment and it all seems very peaceful and enjoyable. While staring at this scene, Mrs. Mallard repeats one word over and over again—“free, free, free!” (Chopin 100). Mrs. Mallard is free from the one thing she feels confined in—her marriage. However, the f...


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...iness. She worked carefully on her hair, penciled her eyebrows and roughed her lips” (Steinbeck 456). Elisa feels beautiful and wants her husband to notice her. Instead, when she asked him how she looked he said “nice” and then he continued with “strong and happy” (Steinbeck 457). Elisa realized then that she had lost herself along the way and both her and her husband had gotten used to the way things were. Elisa just wanted her husband to treat her like a woman and appreciate her just like the man on the wagon had. He made her feel pretty and passionate for once in a long time.
In conclusion, when “The Story of an Hour,” “The Yellow Wallpaper,” and “The Chrysanthemums” was written, women were expected to fill a role both society and their husbands wanted. All three women in these short stories either lost their identities or felt trapped in their marriages or both.

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Kate Chopin 's The Yellow Wallpaper, By Charlotte Perkins Gilman

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