The world lies on a thick plate of morality, love, sympathy, opinion, and vitality – all of which are contributions to what shapes humanity. Humanity overtime has strengthened in fluctuating wavelengths through infinite trials and tribulations. In ‘The Metamorphosis,’ the protagonist of the novel, Gregor Samsa, transforms into a vile, repulsive insect: a cockroach. This occurrence strikes a test for the Samsa household, playing a role on their behaviors and the meaning of “humanity” itself. Even before Gregor Samsa’s random transformation, Gregor was practically dehumanized by his family members. They did not see him as a family member but rather as a source of income. Each member seemed to have a scarce to almost zero amount of interest or …show more content…
Before the transformation, Gregor was a human form of nonchalant reclusiveness. It’s almost as if it was crucial for him to go through the conversion so he could become more emotionally aware despite the irony of him not even being human but a bug. For someone who has been human for about 20 years with absolutely no experience of being an insect, then suddenly become more humane as a creature is odd and outlandish. Gregor’s care for his family increases and begins to worry about their loss of financial and emotional security. He fears that what “if all the peace, the comfort, the contentment were to come to a horrible end?” Gregor’s attitude towards his transformation is hopelessly mundane: he does not question why he has been transformed into a cockroach. Significantly, he fails to find the horror and the absurdity in the situation. Right before his death, Gregor feels all kinds of warm and fuzzy feelings about his family members. Despite his pathetic condition, he seems more humane than the rest of the characters. In a way, Gregor’s transformation and all of the events after that day illustrates both the rewards and sacrifices of defying social convention and living the extraordinary
Franz Kafka's The Metamorphosis is so strikingly absurd that it has engendered countless essays dissecting every possible rational and irrational aspect of the book. One such essay is entitled "Kafka's Obscurity" by Ralph Freedman in which he delves down into the pages of The Metamorphosis and ferrets out the esoteric aspects of Kafka's writing. Freedman postulates that Gregor Samsa progresses through several transformations: a transformation of spatial relations, a transformation of time, and a transformation of self consciousness, with his conscious mutation having an antithetical effect on the family opposite to that of Gregor. His conjectures are, for the most part, fairly accurate; Gregor devolves in both his spatial awareness and his consciousness. However, Freedman also asserts that after Gregor's father throws the wounding apple, Gregor loses his sense of time. While his hypothesis certainly appears erudite and insightful, there really is no evidence within the book itself to determine whether if Gregor has a deteriorating sense of time. If Freedman had only written about Gregor's spatial and conscious degradation, then his entire thesis would be accurate.
One morning, Gregor wakes up from his dream to realize he has completely mutated into a bug. Due to this physical change in his life, he phases out different experiences with each of his family members. In which he alienates himself and his family because of his new appearance. In fact, he has a lot of care towards his family. He actually works hard to support them, pay off their debt, and tries to keep them as comfortable as possible.
Gregor Samsa awakes one morning to discover that he has been transformed into a repugnant vermin. One may never know what initiated this makeover, but the simple truth is that Gregor is now a bug, and everyone must learn to live and move on in this strenuous situation. In Franz Kafka’s The Metamorphosis, the characters that interact with Gregor, including his mother, his father, and his sister Grete, must come to terms with his unfortunate metamorphosis, and each does so by reacting in a unique way. Gregor’s family members are constantly strained by this unusual event, and all three of them are pressed to their breaking point.
When comparing Franz Kafka and his personal life to The Metamorphosis it is obvious in more ways than one that he was writing a twisted story of his life. The emotional and physical abuse Gregor goes through are similar to what Kafka went through in real life. They were both abused and neglected by their fathers when they were disappointed with them. Kafka uses Gregor transforming into a bug as a way of exaggerating himself, trying to express his feelings and point of view. When writing, Kafka felt as if he was trapped in his room which he referred to as "the noise headquarters of the apartment". Gregor was an exaggeration of this because he could not leave the house to escape the noises and abuse.
Many views of existentialism are exposed in Kafka's Metamorphosis. One of these main views is alienation or estrangement which is demonstrated by Gregor's relationship with his family, his social life, and the way he lives his life after the metamorphosis. Namely, it suggests that man is reduced to an insect by the modern world and his family; human nature is completely self absorbed. Kafka reflects a belief that the more generous and selfless one is, the worse one is treated. This view is in direct conflict with the way things should be; man, specifically Gregor should be treated in accordance to his actions. Gregor should be greatly beloved by his family regardless of his state. This idea is displayed in three separate themes. First, Gregor's family is only concerned with the effect Gregor's change will have on them, specifically the effect it will have on their finances and reputation. They are more than willing to take completely gratuitous advantage of Gregor; he works to pay their debt and they are happy to indulge themselves with luxury. Gregor is the soul employed member of his family and this is their primary interest when Gregor is transformed. Secondly, Gregor is penalized for his efforts to be a good son, and a good worker; his toils are completely taken for granted by his family. The Samsa family is not interested in Gregor beyond their own needs, outsiders are reverentially treated. Thirdly, it is displayed by the positive changes that occur in the Samsa family as Gregor descends into tragedy and insignificance. As Gregor's life becomes more painful, isolated, and worthless the Samsa family becomes more functional and self-reliant.
There is a theory that dream and myth are related which is conveyed through the writing of Douglas Angus’ Kafka's Metamorphosis and "The Beauty and the Beast" Tale and supported by Franz Kafka’s Metamorphosis. The stories are very symbolic when conveying the metamorphosis of a human being. Unlike Beauty and the Beast, in the Metamorphosis some suggest love is received through acts of cruelty yet in actuality it appears that cruelty results in heartache. Due to being a beast, the repulsiveness requires genuine love which can achieve the “magical transformation.” This “magical transformation” is not achieved and creates a twist in the plot derived from the concepts in the “Beauty and the Beast.”
Gregor’s relationship with his father shows resemblance to the relationship between Kafka and his father. Kafka, as a child, suffered abuse from his father. Kafka viewed his father as a forceful monster, which resembles Gregor’s father. Gregor wanted nothing more than the love of his family, especially his father, just as Kafka had wanted. His reason for writing “The Metamorphosis” could also relate to the situation which he lived in. He was a Jew raised in Austro-Hungarian Empire, modern day Czech Republic. He was a Jew in an area of the world which Jews were not well accepted. Gregor was described as cockroach, something that Jew were often equated to during this time period. Jews were treated like vermin, they were thought of a creature that was to be rid of. Gregor experienced similar treatment from his family. They discussed leaving or getting rid of Gregor during the story. Experiences of Gregor are similar to those that Jews would have experienced during Kafka’s life. “The Metamorphosis” could also demonstrate the issues that normal people face every day. People face trials and tribulations every day that change their lives dramatically, nobody has ever been transformed into a bug, but it does represent the extreme circumstances that may
Gregor as a human loved and would do anything to help his family, even if the same affection was not reciprocated to him. As a bug, he attempted to stay true to his human values, even if he was no longer human. This can be seen in the very beginning of the story, when Gregor was anxious to get to work to support his family, even though he was a bug. But, as the story progresses, Gregor becomes less human and more buglike, as seen in this quote: “‘I hereby declare,’ the middle lodger said, raising his hand and casting his glance both on the mother and the sister, ‘that considering the disgraceful conditions prevailing in this apartment and family,’ with this he spat decisively on the floor, ‘I immediately cancel my room. I will, of course, pay nothing at all for the days which I have lived here;.’
His family used to care about him but after the transformation, they were no longer concerned for him. Every time the family talks about money, Gregor feels guilty and embarrassed because he can no longer provide for them. When he was able to work before, he had brought money home and “They had simply got used to it, both the family and Gregor; the money was gratefully accepted and gladly given, but there was no special uprush of warm feeling” (Kafka Ch 2 pg 6). Now that he can no longer provide, the family had to come up with ways to keep up with finances. Gregor is dehumanized each time his sister Grete walks into the room to look after him because she cannot bear the sight of him so he hides each time. Each day following Gregor’s transformation, the family’s behavior towards him became more cynical and resentful towards him. They do not allow him to leave his room and worry about how they can go on living with him. They think of him as being a creature, losing their view of him as a human being and no longer important. When Grete decided to take his furniture out of his room, Gregor feels he is dehumanized because they are taking away the link to his humanity. When it came to Gregor’s father, Gregor would “run before his father, stopping when he stopped and scuttling forward again when his father made any kind of move.” His father then threw at apple at him which ‘landed right on his back and sank in; Gregor wanted to drag himself forward, as if this startling, incredible pain could be left behind him” (Kafka Ch 2 pg
...haracter, Gregor, transforms into a cockroach in the beginning. Throughout the story, Gregor is portrayed as a “helpless bug” and is treated unfairly and poorly by his own family. His parents are more astonished than pitiful when they first see Gregor. Later on, his mother faints at the sight of him. His father throws apples at him because his mother fainted from the way he looks. Grete, in the beginning of the transformation, is nice and takes care of him. Later, she changes her mind about Gregor, quits taking care of him, and comes up with the idea to get rid of it. ‘If it was Gregor, he would have long ago seen that it’s impossible for human beings to live together with an animal like that,’ (139). Kafka, throughout the story, tries to get the reader to feel sympathy towards Gregor in many scenes, and it works because his family doesn’t show sympathy towards him.
house. This way of narrating it is very opened to us, and makes us feel like we
In The Metamorphosis, by Franz Kafka, Gregor’s evolution to an insect symbolizes the loss of thorough communication, representing the disconnection of the individual from his family and his surroundings. Through this metamorphosis, the once loving family begins to remove itself from any past interactions with Gregor. In addition, the setting and surroundings of Gregor completely overcome him and persuade him to lose hope. The family and surroundings, not the change to an insect, lead Gregor towards death. Not only do the uncontrollable surroundings change Gregor, but so does the family.
In final consideration the character Gregor was not a narcissistic man as we mostly assumed from his attitude in The Metamorphosis. He accepted his fate of becoming one of the misted hated and annoying insects known to man. As supported by scholarly journals, academic websites, and books I have verified my belief that the story The Metamorphosis was a true autobiographical piece of writing, and parts of the story reflected Kafka's own life. The protagonist of the story The Metamorphosis is a mirrored reflection of the author Franz Kafka's life experiences and encounters. Secondly the analysis of the story is addressed to all general population.
... The complete lack of help from his parents, and the mild disgust with which his sister took care of Gregor’s even the most basic needs might also point to emotional neglect, and could have been the main reason for his issues with identity in the first place. In conclusion, because Gregor’s identity in his insect form was entirely based on his memory of having once been a human, and because of a lack of any physical proof of his past, he struggled with accepting his own humanness. During this stage of doubt and self-questioning, he went through a mental and physical metamorphosis, turning insane and drowning in depression and anxiety. However, the last straw for him was his family’s refusal to accept him as a human, contributing to him finally breaking up and giving up.
Indeed, it is only the premise, only the beginning of the tragedy. The true metamorphosis happens internally, and within the world around him (Corngold). As Gregor loses his humanity and his family loses their empathy, the metaphor takes a new form. If Gregor becoming a bug is the starting point, the new reality the reader is forced to accept, then his dwindling sense of self is the true meat of the metaphor. Although Gregor reacts with little to no shock to his transformation, he is almost painfully aware of his fading human consciousness. Within the context of the metaphor (a literalization of how society perceives him), this loss of humanity is an extremely menacing prospective effect of alienation. He is regarded as a bug and thus takes the shape of one, and in the face of his family’s isolation and antipathy, mentally becomes a bug himself. Gregor’s family, and even his own consciousness, begins to forget Gregor’s humanity. This raises a question of human existence—how much of a person’s Self is influenced by the world around them? Gregor knows that he is still human, it is evidenced in his compassion and the room around him, and yet his family’s fear—their insistent belief that a monster is living under their roof—makes him question his own mind. If a person is continually called a monster, would they not begin to believe it