Kafka’s ‘The Metamorphosis’ and Mishima’s ‘Sailor who fell from grace with the sea’ use introspection to communicate and to develop their protagonists. However, where Mishima’s Ryuji shows negative growth, Kafka’s Gregor shows positive growth. As ‘The Metamorphosis’ progresses, Gregor is raised to higher levels of heroism, opposed to ‘Sailor’, where Ryuji is reduced to lesser forms of heroism. Introspection is the interaction of one’s thoughts, it could be said it is a basis of human nature. This is because a characteristic of being human is to have feelings and thoughts that are concealed within. Introspection reveals what somebody is truly thinking.
Mishima establishes Ryuji’s desire for glory through introspection. This allows Ryuji to state that married officers are “throwing opportunity away, he implies that this opportunity is glory, which he describes as “a turgid cloud...laced with light”. Introspection shows how Ryuji believes he is destined for glory. In Ryuji’s dialogue he rarely expresses his true feelings. Therefore, when he is asked why he is not married, he responds with, “It’s not easy to find a woman willing to be a sailor’s wife”. This shows how Ryuji’s thoughts are different to his words. Without introspection Ryuji’s character would be shallow and he would not express he is waiting for “the poignant voice of glory.” This exemplifies Ryuji’s expressive monologues that expose his true character; these are juxtaposed against shallow spoken answers that do not portray his true feelings.
Conversely, Kafka uses introspection to portray Gregor’s guilt. Gregor thinks "What a strenuous career...I've chosen”. This is ironic because it was not chosen, Gregor felt guilty that his father was in debt, so he took his fa...
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...n. This is because introspection creates sympathy and understanding that gives the deaths their symbolism.
Mishima and Kafka show their protagonists progression and development through introspection. Kafka shows Gregor as truly selfless and inhuman; overburdened by guilt; alone and a true hero. However, Mishima shows Ryuji to be a traitor who was destined for glory but betrayed his cause. Ultimately his only redemption for this betrayal was death, this is because his glory of the sea and his death had become intertwined and were both “wailing his name”. In comparison, Kafka may have been showing how Gregor met a similar fate as himself, showing how people are unjustly punished. Kafka may have believed that he was treated similarly to Gregor. Kafka may also have been symbolising how human beings are naturally inclined to prosper off the suffering of others.
Franz Kafka’s clear isolation of Gregor underlines the families’ separation from society. In The Metamorphosis, Kafka emphasizes Gregor’s seclusion from his family. However, Gregor’s separation is involuntary unlike the family who isolates themselves by the choices they make. Each family member has characteristics separating them from society. These characteristics become more unraveling than Gregor, displaying the true isolation contained in The Metamorphosis.
... to do this every day Gregor would have had to have some sense of time. His dwindling human aspects are prominently marked in two places: the first when Gregor is incapable of communicating with his family and the sales manager and the second when he takes pleasure in rutting about in dirt and filth. Lastly, Gregor's loss of consciousness causes a polar change within his family. As Gregor is no longer able to earn money to support the family, everyone else is forced to take action to bring in capital. The most obvious change is in the father who transformed from a dead weight into a zealous worker. Despite Freedman's employment of flawed logic to formulate some of his theories, the majority of his conclusions are quite valid and probe deeply into the meaning behind Kafka's writing.
Guilt can be from many different situations. Gregor's guilt was from his obligation to work. Even Gregor's mother, a bystander, could see his dedication to his job. Life without amusement becomes stressful and unpleasant. Throughout the novel Gregor finds himself stressed out because of his dissatisfaction with his ability to provide for his family. Gregor, finally near the end of the novel, finds satisfaction in something: his sister's violin.
The Metamorphosis is said to be one of Franz Kafka's best works of literature. It shows the difficulties of living in a modern society and the struggle for acceptance of others when in a time of need. In this novel Kafka directly reflects upon many of the negative aspects of his personal life, both mentally and physically. The relationship between Gregor and his father is in many ways similar to Franz and his father Herrman. The Metamorphosis also shows resemblance to some of Kafka's diary entries that depict him imagining his own extinction by dozens of elaborated methods. This paper will look into the text to show how this is a story about the author's personal life portrayed through his dream-like fantasies.
Many views of existentialism are exposed in Kafka's Metamorphosis. One of these main views is alienation or estrangement which is demonstrated by Gregor's relationship with his family, his social life, and the way he lives his life after the metamorphosis. Namely, it suggests that man is reduced to an insect by the modern world and his family; human nature is completely self absorbed. Kafka reflects a belief that the more generous and selfless one is, the worse one is treated. This view is in direct conflict with the way things should be; man, specifically Gregor should be treated in accordance to his actions. Gregor should be greatly beloved by his family regardless of his state. This idea is displayed in three separate themes. First, Gregor's family is only concerned with the effect Gregor's change will have on them, specifically the effect it will have on their finances and reputation. They are more than willing to take completely gratuitous advantage of Gregor; he works to pay their debt and they are happy to indulge themselves with luxury. Gregor is the soul employed member of his family and this is their primary interest when Gregor is transformed. Secondly, Gregor is penalized for his efforts to be a good son, and a good worker; his toils are completely taken for granted by his family. The Samsa family is not interested in Gregor beyond their own needs, outsiders are reverentially treated. Thirdly, it is displayed by the positive changes that occur in the Samsa family as Gregor descends into tragedy and insignificance. As Gregor's life becomes more painful, isolated, and worthless the Samsa family becomes more functional and self-reliant.
his father incurred, Gregor has had to suppress his rebellious wish. Kafka alludes to the
Kafka’s The Metamorphosis takes on an wide variety of main themes. One of the most important of these is the collapse of morality and mercy, even among those people who are expected to be most fair and compassionate. Gregor’s metamorphosis is indeed terrible, but more terrible still is the psychological corruption of Gregor’s family. Their inability to adapt to the changes that have occurred signal a total breakdown in the family structure, and offer a cautionary tale about the fragility of notions of justice and mercy and how a certain change can change a persons perception of them.
...ally becomes so meager he starves to death. Upon hearing the news of Gregor's death, the family does not show sadness, but instead, relief. "Well... now we can thank God!" (Kafka 55). Gregor's father felt relief from the economic burden of supporting his son. Even though the exact story told in Kafka's The Metamorphosis could not occur outside the domain of fantasy, it represents the real course of events of a worker being abandoned by his employer and family, after becoming unable to work and support them financially. Examining the novella from a Marxist perspective, the underlying theme of the story shows a conflict between proletariat and bourgeoisie. Economics replace everything else in a capitalistic society, a citizen who is unable to labor and earn wages is quickly abandoned. The result of this abandonment is often, as it was in Gregor Samsa's case, death.
In his "Metamorphosis", Kafka utilizes an allegorical technique to compare Gregor's sacrifices to those of Jesus in the Bible. Ultimately, both Gregor and Jesus sacrifice their lives so that they can help their loved ones, despite betrayal. Kafka uses this biblical allegory to illustrate Gregor's Christ-like actions.
Both Gregor and Meursault have pivotal experiences with denial, the first stage of the grief process, in their respective novels. While Gregor refuses to accept his transformation in order to remain a part of society, Meursault denies God in the religious culture of Algeria, proving his individuality while isolating himself. Gregor’s denial takes place when he prepares for work, ignoring his transformation, “First of all he wanted to get up quietly, […] get dressed, […] have breakfast, and only then think about what to do next” (Kafka 6). By characterizing Gregor as determined, Kafka shows his protagonist’s resolve to remain firm in ignoring his transformation for his family’s sake. Typically, such a metamorphosis would warrant panic, but Gregor is so selfless that he denies his own emotions to be useful for his family. Through the sequential syntax employed in this quoate, Kafka shows that Gregor does not want to stray from his usual routine. This attribute, along with his physical transformation, separates Gregor from humanity. With his unfamiliar mindset, seen through the denial of his metamorphosis, and his lack of human physical charac...
In Franz Kafka's "The Metamorphosis," some might argue that Gregor was a terrible person and his metamorphosis was not real, but only an illustration of the terrible person he had become. However, it can much more strongly be argued that he was an extremely unselfish person and his actions were largely taken for granted by his family. Kafka was emphasizing the common practice of selfless actions being unappreciated through his story of Gregor and his family.
From the beginning of The Metamorphosis Kafka offers a comical depiction of Gregor’s “squirming legs” (Kafka 13) and a body in which “he could not control” (7). Gregor’s initial reaction to this situation was the fact he was late to his dissatisfying job as a salesman, but Gregor knows that he has to continue his job in order to keep the expectation his family holds upon him to pay of the family’s everlasting debt. When Gregor’s family eventually realizes that Gregor is still lying in his bed, they are confused because they have expectations on Gregor that he will hold the family together by working. They know if Gregor was to quit his job there would be a great catastrophe since he is the glue to keeping their family out of debt. The communication between his family is quickly identified as meager and by talking to each other from the adjacent walls shows their disconnection with each other. Kafka introduces the family as lacking social skills in order to offer the reader to criticize and sympathize for Gregor’s family dynamics. Gregor’s manager makes an appearance quickly after experiencing the dysfunction within the fami...
Conrad changes the environment to cause his protagonist struggles, and Kafka does the same but through internal contrasts. Kafka’s transformation of Gregor into a disgusting vermin causes doubt within him. These doubts place his family in a position where they lose any love and care they ever had in their son. On what should have been a normal morning, Gregor awoke and “found himself changed in his bed into a monstrous vermin” (Kafka 3). Gregor's surreal transformation forces him to doubt and deny anything happening around him.
In final consideration the character Gregor was not a narcissistic man as we mostly assumed from his attitude in The Metamorphosis. He accepted his fate of becoming one of the misted hated and annoying insects known to man. As supported by scholarly journals, academic websites, and books I have verified my belief that the story The Metamorphosis was a true autobiographical piece of writing, and parts of the story reflected Kafka's own life. The protagonist of the story The Metamorphosis is a mirrored reflection of the author Franz Kafka's life experiences and encounters. Secondly the analysis of the story is addressed to all general population.
In Franz Kafka’s short story, Metamorphosis, the idea of existentialism is brought out in a subtle, yet definite way. Existentialism is defined as a belief in which an individual is ultimately in charge of placing meaning into their life, and that life alone is meaningless. They do not believe in any sort of ultimate power and focus much of their attention on concepts such as dread, boredom, freedom and nothingness. This philosophical literary movement emerged in the twentieth-century, when Kafka was establishing his writing style in regards to alienation and distorted anxiety. A mirror to his own personal lifestyle, this story follows the short and sad life of a man unable to break out of the bonds society has placed on him. These bonds are not only evident in the work place, but at home too. Being constantly used and abused while in his human form, Gregor’s lifestyle becomes complicated once he becomes a giant insect and is deemed useless. Conflicts and confusion arise primarily between Gregor and his sister Grete, his parents, and his work. Each of these three relationships has different moral and ethical complications defining them. However, it is important for one to keep in mind that Gregor’s metamorphosis has placed him into a position of opposition, and that he has minimal control over the events to take place. Conflicts will also occur between family members as they struggle with the decision of what to do with Gregor. In the end they all come to the agreement that maintaining his uselessness is slowly draining them and they must get rid of him.