Within Edgar A. Poe’s stories, there is often a duality of emotions or sentiments, often in direct conflict with each other. Such is the case with two of his short stories focused at the motif of life versus death. “Masque of the Red Death” and “Hop-Frog” are two stories that exemplify the contrast between the two themes vividly.
In the short story, “Hop-Frog”, the main character is driven to find a way out of his prison. To escape, he believes that he needs to kill his captor, the king. In the instant that he creates the connection between the king being death and his death being freedom, he has created the grey effect. The connection between life and death is established and cannot be driven apart...
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...o, CA: Greenhaven, 1998. 160-68. Print.
Roth, Martin. "Inside "Masque of the Red Death"" SubStance 13.43 (1984): 50-53. JSTOR. Web. 8 May 2012.
Sova, Dawn B. "Masque of the Red Death." Critical Companion to Edgar Allan Poe: A Literary Reference to His Life and Work. New York: Facts on File, 2007. 109-13. Print.
SparkNotes Editors. "Poe’s Short Stories." SparkNotes. SparkNotes, 25 Apr. 2012. Web. 11 May 2012.
Templar, Aldwin. "Literary Analysis: The Black Cat, by Edgar Allan Poe." Helium.com. Helium, 25 Mar. 2008. Web. 9 May 2012.
Womack, Martha. "Edgar Allan Poe's "The Tell-Tale Heart"" The Poe Decoder. Web. 09 May 2012.
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