Judaism, Christianity, Islam and Dante’s: What are we?
The Inferno is the first part of Dante Alighieri's epic three-part poem, The Divine Comedy. In this poem, Dante develops many themes throughout the adventures of his travelers from political to religious. The Inferno is a poem that Dante used to explain and show his ideas of God's divine justice. Throughout this story religion comes up and shows the comparison of the different Hells and beliefs. This paper develops the connections between Christianity, Islam, and Judaism religion and the message presented in Dante’s Inferno.
In the Inferno, Dante gives his audience the clear view as to what he believes as a Christian follower, that hell has to offer. He shows that worldly sin every single sin has a fair punishment. An example in Dante would be when Cocytus was frozen because he committed the cold crime of fraud. The deeper that Virgil and Dante go into hell, the greater volume of sin is committed. In each level of hell, the criminals are punished equally depending on what their crime was. Dante learns that God's punishment is just and that his power is divine. He sets forth one of the most fully developed Christian understanding of justice on this earth. He describes this justice as what we do as human beings will determine what happens to us when it is our time to go based on Gods judgment. An example of this divine power would be when the Furies will not let Dante and Virgil get past the Gate of Dis.
Also in the Inferno, Dante’s take on hell and Islamic view of hell can be different. The Qur'an never mentions a complete and distinctly actual physical Hell like Dante portrays, but the Islam used allegory like Dante to portray the subject that is far be...
... middle of paper ...
...l felt and talked about today. He gives us the most widely known version of how Hell is portrayed today and it is said that when most people picture Hell, they think of the image that Dante explained. For some people today, this book is still taken very literally. Dante’s Inferno is seen as a lesson on what happens when you lead an immortal life.
Work Cited
Alexander Lee (2012). Defending Dante. [ONLINE] Available at: http://www.project-syndicate.org/blog/defending-dante. [Last Accessed 10 December 13].
David Lummus. Dante’s Inferno: Critical reception and Influence. [ONLINE] Available at: https://www.stanford.edu/dept/DLCL/cgi-bin/web/files/lummus-inferno-influence.pdf. [Last Accessed e.g. 10 December 13].
(2008). Infernos Quotes. [ONLINE] Available at: http://www.goodreads.com/work/quotes/2377563-inferno. [Last Accessed 10 December 13].
Alighieri, Dante. The Divine Comedy of Dante Alighieri: Inferno. Trans. Allen Mandelbaum. Notes Allen Mandelbaum and Gabriel Marruzzo. New York: Bantam Books, 1980
God states that we treat each other with the love he gives to us as individuals; while us stating violent acts against love, fraud constituting a corruption and, greed becoming normal thing amongst people defines everything god had envisioned for mankind. Yet, while Inferno implies these moral arguments, it generally states very little about them. Dante discusses with each of the souls in the different circles of hell although it is not truly stated as to why they are specifically in that circle. Only because God justifies there sin belonged there. In the end, it declares that evil is evil, simply because it contradicts God’s will and justification, and since God is God, he thus does not need to be questioned about his morals. Dante’s journey of evil progressed as he winded down the depths of hell pitiless and was driven to make it to purgatory. Inferno is not the normal text that most people would read, then think about how it relates to todays morals; its intention is not to think about the evil discussed but, rather to emphasize the Christian beliefs that Dante followed through his journey.
In analyzing this gradient of morality, it is useful first to examine a work from early literature whose strong purity of morality is unwavering; for the purposes of this discussion, Dante’s Inferno provides this model. It is fairly straightforward to discover Dante’s dualistic construction of morality in his winding caverns of Hell; each stern, finite circle of Hell is associated with a clear sin that is both definable and directly punishable. As Dante moves downwards in this moral machination, he notes that
In Dante Alighieri’s Inferno, there is an abundant amount of violence shown in many ways. Literary critics say that violence does not appear in readings for its own sake, which is proven throughout The Inferno. As the levels of hell increase, the severity of violence does so as well. This violence occurs in many ways, sometimes mentally, sometimes physically, and many times both combined. Some people may not enjoy the book for its violence, however, the violence of Dante’s Inferno contributes to the dark theme and mood of the book, showing Alighieri’s
In the Inferno we follow the journey of Dante as he wanders off the path of moral truth and into Hell. The Virgin Mary and Santa Lucia ask Beatrice, Dante’s deceased love, to send some help. Thus, Virgil comes to the rescue and essentially guides Dante through Hell and back to the mortal world from which he came. However, things begin to seem kind of odd. When reading the Inferno one may begin to question the way Dante describes Hell and the things that occur within, or even the things we have always believed about Hell. Despite the way it is described and well known in western civilization, Hell is not at all how we expect it to be because of Dante's use of irony throughout this poetic masterpiece.
...ards monstrous figures and sympathy towards those who seem to be tortured unjustly. In his perverse education, with instruction from Virgil and the shades, Dante learns to replace mercy with brutality, because sympathy in Hell condones sin and denies divine justice. The ancient philosopher Plato, present in the first level of Hell, argues in The Allegory of the Cave that truth is possible via knowledge of the Form of the Good. Similarly, Dante acquires truth through a gradual understanding of contrapasso and the recognition of divine justice in the afterlife. Ultimately, Dante recognizes that the actions of the earthly fresh are important because the soul lives on afterwards to face the ramifications. By expressing his ideas on morality and righteousness, Dante writes a work worth reading, immortalizes his name, and exalts the beliefs of his Christian audience.
Our present culture persistently incorporates the themes from The Inferno because of Dante Alighieri’s exceptional knowledge about human reasoning. Although our technology-driven world suggests modification in human lives, the recurring sin of our generation debunks any advancement in human nature. The archetypes introduced by Dante Alighieri still relate to the modern world throughout our culture because human nature is unchanging.
Moreover, Dante, the narrator of the Inferno, has succeeded in not only telling the frightening story of the Inferno, but also pointing out the importance of the relationship between human’s sins and God’s retribution, using the monsters as the symbols for each kind of sin and its punishment throughout the progress of the story, which teaches his readers to be well aware of their sins through the literature – a part of humanities; the disciplines that teach a man to be a human.
In conclusion, we can see that Dante presents the reader with a potentially life-altering chance to participate in his journey through Hell. Not only are we allowed to follow Dante's own soul-searching journey, we ourselves are pressed to examine the state of our own souls in relation to the souls in Inferno. It is not just a story to entertain us; it is a display of human decision and the perpetual impact of those decisions.
As mentioned above, the structure of Hell is determined by the sins people commit during their lifetime (the specific morals people disobey) and how ‘bad’ these sins are considered to be (within their respective divisions). The sins being described in The Inferno abide by the rules written for the Catholic religion in The Bible, which is why The Inferno is often viewed as a religious text. This explains why Aristotle and Dante would disagree on a few key points of what it means to be virtuous. Aristotle is adamant about not having excess nor deficiency and rather finding a middle ground (mean), whereas Dante abides by the virtues laid out in The Bible. Hell usually personifies what would be considered excessive rather than deficiency in Aristotle’s code of ethics because of its background in the Catholic religion. One example of this exists with humility. In the Catholic context, humility stands a virtue that is praised in The Bible (and therefore Inferno) whereas in Nicomachean Ethics humility is a vice to be looked down on. This continues to be the case with many different excesses and virtues for
Despite the obvious flaws of Dante himself, he does give a clear vision of how punishments will be taken forth in the afterlife. He gives reason to fear and respect the law of God lest eternal punishment be your only promise in the afterlife. These punishments are as relevant as can be, so he offers a very vivid picture of hell. The men that he puts in hell give it a realistic twist, enhancing the fear that is felt upon reading this work
Dante’s Inferno presents the reader with many questions and thought provoking dialogue to interpret. These crossroads provide points of contemplation and thought. Dante’s graphic depiction of hell and its eternal punishment is filled with imagery and allegorical meanings. Examining one of these cruxes of why there is a rift in the pits of hell, can lead the reader to interpret why Dante used the language he did to relate the Idea of a Just and perfect punishment by God.
Dante's "Inferno" is full of themes. But the most frequent is that of the weakness of human nature. Dante's descent into hell is initially so that Dante can see how he can better live his life, free of weaknesses that may ultimately be his ticket to hell. Through the first ten cantos, Dante portrays how each level of his hell is a manifestation of human weakness and a loss of hope, which ultimately Dante uses to purge and learn from. Dante, himself, is about to fall into the weaknesses of humans, before there is some divine intervention on the part of his love Beatrice, who is in heaven. He is sent on a journey to hell in order for Dante to see, smell, and hear hell. As we see this experience brings out Dante's weakness' of cowardice, wrath and unworthiness. He is lead by Virgil, who is a representation of intellect. Through Dante's experiences he will purge his sins.
Inferno, the first part of Divina Commedia, or the Divine Comedy, by Dante Alighieri, is the story of a man's journey through Hell and the observance of punishments incurred as a result of the committance of sin. In all cases the severity of the punishment, and the punishment itself, has a direct correlation to the sin committed. The punishments are fitting in that they are symbolic of the actual sin; in other words, "They got what they wanted." (Literature of the Western World, p.1409) According to Dante, Hell has two divisions: Upper Hell, devoted to those who perpetrated sins of incontinence, and Lower Hell, devoted to those who perpetrated sins of malice. The divisions of Hell are likewise split into levels corresponding to sin. Each of the levels and the divisions within levels 7,8, and 9 have an analogous historical or mythological figure used to illustrate and exemplify the sin.
In Dante’s Inferno, Dante presents many circles of Hell, each with their own sins and with those sins, punishments. These sins go hand in hand with an idol. Idolatry plays a major role in Dante’s Hell as each sin corresponds with an idol and the souls in Hell refused to give up this idol. In Dante’s sense, idolatry is the worship or extreme admiration, love, or reverence for something or someone over God. This love for an object or action draws the soul away from God and they desire Hell rather than Heaven. In Dante’s Inferno, all of the sins have idols associated with them but this paper will focus on three of them: lust, gluttony, and wrath.