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A film review on The Lord of the Rings
The lord of the rings analysis essay
Essay on lord of the rings
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“Well, what can I tell you? Life in the wide world goes on much as it has this past Age, full of its own comings and goings, scarcely aware of the existence of Hobbits, for which I am very thankful (Gandalf).” In the Lord of the Rings, there is a group that does not follow the same warring customs as the rest of the world called Hobbits, and as soon as a few of the bravest of the Hobbits set out on their journey, they change the outside world through word and deed. Word and deed are the most powerful tool humans possess, and the Lord of the Rings effectively wields both within its pages. Americans should watch or read the Lord of the Rings as soon as they are old enough, especially Christians.
The art of the Epic is almost lost in literary history. The Lord of the Rings is a throwback to the classic Epic style novel. An Epic is defined by its characters, the quest, and the way the quest plays out. The Lord of the Rings does not just contain character development and dynamics within the group of main characters (protagonists) but also with the evil ones (antagonists). The story is comprised of numerous mini-quests that flow together and form the overarching main quest that is the focal point of the entire Epic. The traditional Epic is structured the same way; it begins with an introduction of characters, moves on to the outset of the quest, then contains multiple side adventures that might be detours or might be more important than the audience first thinks. Moreover, the quest-line challenges and puts the characters through internal struggle. Both the book and movie adaptations of the Lord of the Rings contain all of these qualities and displays them to the world in a bold fashion.
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...ree that humbleness, mercy, justice, self-sacrifice, and loyalty are honorable characteristics, and all people should strive to have these traits. The Lord of the Rings shows us how we are supposed to act when faced with the dangers and cruelty that is in this world.
In conclusion, everyone can find something interesting, whether it be aspects, a quality Epic, or a moral lesson within the Lord of the Rings. The media world has seen so few masterpieces of late, and the Lord of the Rings is one of those few. Often viewers have difficulty finding interesting portions of movies and novels, whereas the Lord of the Rings contains a little something for every member of the audience to enjoy. Moreover, the celebrities and role models that exist in the world leave a lot to be desired, but the Lord of the Rings gives many shining examples of character and note-worthy traits.
In movies, novels, and life, people are named as heroes. The heroes we establish and the heroes we recognize, however, may not meet the criteria for a mythic hero. A mythic hero ventures forth on his journey, and comes forth from the hero’s path to greatness. Joseph Campbell, a mythologist who studied many of the great human myths and religious tales, realized, in studying these myths and tales, that there were certain steps that every hero went through. Campbell called this “The Hero’s Journey”; it is based on Carl Jung's idea that all human beings have an archetype. After Campbell studied a lot of the great myths and realized this pattern, he published his findings in his book The Hero with a Thousand Faces. Ever since then, authors have used “The Hero’s Journey” as an outline to tell their stories. “It is important to note that not all of these individual steps are present in every hero’s tale, nor is it important that they be in this exact order” (Vogler 20). The Hero with a Thousand Faces gives a sense of significance as it looks into the inner mind and soul. The author, Joseph Campbell, performs two extraordinary accomplishments: compelling his readers that myth and dream, those are the most effective and everlasting forces in life and a unification of mythology and psychoanalysis with a gripping narrative. One well-known example of “The Hero’s Journey” from popular culture is the Harry Potter and the Philosopher’s Stone, by J.K. Rowling. In the novel, Harry Potter, the main character, is the chosen one and “The Hero’s Journey” applies to his life from the moment he is attacked by He-Who-Must-Not-Be-Named as a baby.
Watching a film, one can easily recognize plot, theme, characterization, etc., but not many realize what basic principle lies behind nearly every story conceived: the hero’s journey. This concept allows for a comprehensive, logical flow throughout a movie. Once the hero’s journey is thoroughly understood, anyone can pick out the elements in nearly every piece. The hero’s journey follows a simple outline. First the hero in question must have a disadvantaged childhood. Next the hero will find a mentor who wisely lays out his/her prophecy. Third the hero will go on a journey, either literal or figurative, to find him/herself. On this journey the hero will be discouraged and nearly quit his/her quest. Finally, the hero will fulfill the prophecy and find his/herself, realizing his/her full potential. This rubric may be easy to spot in epic action films, but if upon close inspection is found in a wide array of genres, some of which are fully surprising.
...f this saga, the splendid portrayal of characters, the use of spiritual elements, and the historical
The Hobbit shows J.R.R. Tolkien’s belief in the ancient heroic tales of the Anglo-Saxon and Scandinavian epics. He asserts that a being goes through many adventures with the help of friends who believe that anything can happen. Tolkien reveals how bravery and courage make ordinary individuals succeed at ordinary tasks.
Honor is something men and women have fought for century after century. Even now, thousands of American and British men are fighting in Iraq, near to where the Trojan War was to have taken place. These men fight for the greater good. They fight for those in Iraq who are unable to fight for or otherwise defend themselves. They fight for honor. The characters in the Iliad are motivated by their own form of honor, or arete, known similarly as the Homeric Code. And it is because of this code that the Trojan War began. The characters in this story are shown to possess arete, but some have different ideas as to how vastly and to what rate it should be respected. And because of this, many a man’s honor is disturbed.
The Lord of the Rings: The Fellowship of the Ring. The Lord of the Rings: The Fellowship of the Ring, by J.R.R. Tolkien, is the first book in the fantasy-based trilogy of the Lord of the Rings. The book begins with Bilbo Baggins celebrating his one hundred and eleventh birthday. After his party, he then decides to leave everything behind and join a Fellowship, which has a task of destroying the ruling ring, which will give supreme power to whoever has possession of it.
Throughout, J.J.R Tolkien’s The Hobbit, many themes come into place to give a better understanding of the novel. The underlying theme of the struggle between good vs. evil while Gandalf and the dwarves fight the evils during their journey through middle earth. The battle is manifested in the goblins, Trolls, and spiders where good always triumphs evil. Even though the journey is about stealing the gold back from the dragon there is still some moral clarity to this, the dragon stole the gold and torched the city. The dwarves want to make this right and get back what was rightfully theirs.
Being one of the world’s most popular art forms, it was inevitable that these archetypes would find their way into film as well. In this essay I will argue that the films Pulp Fiction, Taxi Driver, Watership Down, and Trainspotting are all versions of The Hero’s Journey, consequently demonstrating just how prevalent these archetypes have become in modern cinema. And that mythology and storytelling are important parts of each culture because they prevent the darkness in our hearts from spreading.
...t religious undertone, like in the themes of redemption and forgiveness. Those that follow the example of Jesus by acting as a servant or sacrificing their own life, are the heroes of Tolkien’s epic.
J.R.R. Tolkien's concept of too much power is summed up by Lord Acton when he once said, "Power corrupts, but absolute power corrupts absolutely." In Tolkien's first book of his fantasy based trilogy, Lord of the Rings, the Fellowship of the Rings tells a story of a quest to destroy a powerful ring throughout Tolkien's created "Middle Earth". This quest was headed by a "Hobbit" named Frodo Baggins who, in the end, becomes corrupted by power himself. This corruption begins when Frodo uses his ring to become invisible over and over again to escape certain situations. The quest to destroy the powerful "Ruling Ring" forms the basis for this story.
William Golding’s book, The Lord of the Flies is a wonderful, fictional book about the struggle and survival of a group of boys trapped on an uninhabited island. This book kept me very interested and made me want to keep reading. The characters were very diverse and each had very appealing qualities in themselves. The setting is brilliantly described and the plot is surprisingly very well thought out. Many things like these make this book such a classic.
The saying “what doesn’t kill you makes you stronger” should give people motivation to continue on and face their problems. If you’re hurt at one point, but not killed, that shouldn’t stop you from moving forward. On the other hand, some people fear death, and they do everything to avoid being killed or hurt on their way to success. The different meanings of this saying are shown in The Odyssey by Homer and The Hobbit by J. R. R. Tolkien. The Odyssey is about the Greek hero Odysseus who hasn't returned to his home, Ithaca, for several years after the Trojan War. As Odysseus is determined to return back to Ithaca, he faces several obstacles throughout the years. As Odysseus faces his problems, such as monsters, he
An epic is an extended narrative poem in elevated or dignified language, celebrating the feats of a legendary or traditional hero. The main characteristics of an epic as a literary genre is that it is a long poem that tells a story, it contains an epic hero, its hero searches for immortality (but doesn't find it physically, only through fame), gods or other supernatural beings are interested and involved, and it delivers an historical message. The Epic of Gilgamesh is classified as an epic because it fits all the characteristics of an epic as a literary genre.
First of all, the The Lord of the Rings-trilogy contains the beautiful and is original, not for the present day, but for its literary standards of its time, when epic fantasy was not nearly as frequently written as in this day. Avid readers of fantasy claim the book to be unoriginal, since it follows the structure of Joseph Campbell’s monomyth or the Hero’s Journey. The Hero’s Journey is a predetermined structure, based on the typical epic fantasy adventure. It typically consists of a cycle of twelve stages, depending on which variant is used, (Campbell 391) and each story contains at least some the same standard archetypical characters. Examples of these are the hero, like Frodo, the magician, like Gandalf, and the trickster, a humorous sidekick like Sam. This trilogy concerns the journey of these heroes, as they se...
Murray, Roxane Farrell. "The Lord of the Rings as Myth." Unpublished thesis. The University of Georgia, Athens, GA, 1974.