Essay on The Joy Luck Club, by Amy Tan

Essay on The Joy Luck Club, by Amy Tan

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The movie, The Joy Luck Club, focuses around the lives of four Chinese mothers and their Chinese-American daughters. The story takes place a few months after Junes mother, Suyuan has died. The mothers and daughters hold very different principles, where the mothers are still very traditional to their Chinese upbringings the daughters are much more “American.” The movie can be viewed from the Feminist Literary Theory, since the 8 main characters are female. The women’s life stories are told through a series of flashback scenes that deal heavily with female gender roles and the expectations of women. While the mothers and their daughter grew up in vastly different worlds, some of their experiences and circumstances correlate solely due to that fact that they experienced them because they are females.
The first mother/ daughter pair whose experiences were shown are Lindo and Waverly. Lindo was born and raised in China, were women have very little rights, and no say in their futures. At a very young age Lindo was promised by a “matchmaker” to be married to a man when she was 15. She was told from the time she was a toddler that he “belonged” to her future husband, and was already his property and that she needed to act accordingly. At 15 she was forced to go marry a man she had very met, whose face she had never seen and whose age she didn’t know. She was expected to be subservient, obedient and dutiful wife who would produce a son for the Huang family. After her marriage her very, very young husband made it clear to her that he “was the husband and he made the rules” (The Joy Luck Club). When, through no fault of her own, she didn’t not produce a child with him all of the blame was placed on her and she was told if she continued to ...


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...f divorce knocks Rose out of her servile manner and brings about her old, strong personality.
Lastly, June and her mother Suyuan relationship is a culmination of all of the mothers and daughters relationships. Growing up they never saw eye to eye, they were blinded by what they assumed the other wanted of them. Each woman thought she had a role she needed to play in order to make everyone happy. The mothers felt as if their daughters were ashamed of them and the daughters felt as if they couldn’t measure up as perfect Chinese daughters and were thus a disappointment to their moms. All of the women were lost within what they thought was their feminine place in society.




Works Cited

The Joy Luck Club. Dir. By Wayne Wang. Perf. Ming-NaWen, Tamlyn Tomita, Lauren Tom, Rosalind Chao, Tsai Chin, France Nguyen, Lisa Lu, and Kieu Chinh. Hollywood Pictures. Film.

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