Many people have different views on who is to blame for the Allens’ marital problems in John Steinbeck’s “The Chrysanthemums.” However, author Gregory J. Palmerino, author of the article “Steinbeck 's The Chrysanthemums,” writes that the blame for the failing marriage is shared by both the wife and husband. Main characters Elisa and Henry seem to have an ideal marriage, complete with a domestic wife and a husband who compliments his wife and takes care of their finances. However, a deeper look reveals that both parties are desperately denying their personal desires in order to avoid conflict. For example, “Both Elisa and Henry equally suffer from conflict avoidance and appear to habitually withdraw from each other spiritually, intellectually, …show more content…
One technique was the control of power. In the story, Henry is head of the household, even if he may not be the best equipped. While Elisa is headstrong, independent and not afraid to confront total strangers, Henry seems to be pushed around and lack any sense of dominance. For example, readers see Henry delighted that he almost got his way in a business deal: “I sold those thirty head of three-year-old steers. Got nearly my own price, too” (Steinbeck 2). However, Elisa is more than capable of expressing herself when she wanted the Tinker to leave: “‘I 'm sorry,’ Elisa said irritably. ‘I haven 't anything for you to do’” (Steinbeck 5). The story “The Chrysanthemums” goes along with the Doctrine of Separate Spheres. USlegal.com defines the Doctrine of Separate Spheres as “an old common law principle that wives are limited to the personal or domestic sphere and that husbands had control of the public sphere..” In the Doctrine of Separate Spheres, women are to be in the private sphere and men in the public sphere. Women should only be involved in the house, children and taking care of domestic chores; while men should be involved with the outside world- politics and the economy. That is shown in by Elisa doing her gardening and keeping the house clean: “Behind her stood the neat, white farm house with red geraniums close-banked around it as high as the windows. It was a hard-swept …show more content…
The irony of the case was how Mr. Wright was murdered and the incentive behind it. Before his murder, Mr. Wright strangled his wife’s pet canary; this, added on to years of unhappiness and possible abuse, caused Mrs. Wright to snap. After her bird was strangled, Mrs. Wright murdered her own husband by strangling him in his sleep. The rope signifies that the death of Mrs. Wright’s only happiness is what threw her over the edge, because there was a gun in the house. The irony of the evidence was about who found it and solved the case. Due to the Doctrine of Separate Spheres, the men were in charge of finding evidence due to being in the public sphere of politics. The women were there to only get items for Mrs. Wright from the private sphere of her home. However, it was the women who found the evidence, not the
In the opening of the story Elisa is emasculated by the description of her clothing. She wears "a man’s black hat pulled low down over her eyes, clodhopper shoes, a figured print dress almost completely covered by a big corduroy apron…" (paragraph 5). When Elisa’s husband Henry comes over and compliments her garden and ability to grow things Elisa is smug with him and very proud of her skill with the flowers. Her "green thumb" makes her an equal in her own eyes. When Elisa’s husband asks her if she would like to go to dinner her feminine side comes out. She is excited to go eat at a restaurant and states that she would much rather go to the movies than go see the fights, she "wouldn’t like the fight’s" at all (paragraph 21). Elisa is taken aback with her own submissiveness and quickly becomes preoccupied with her flowers as soon as her husband leaves. When the drifter comes and asks Elisa for work to do she is stern with him and refuses him a job. She acts as a man would to another strange man and becomes irritated. When he persists in asking her she reply’s "I tell you I have nothing like that for you to do" (paragraph 46). The drifter mentions Elisa’s chrysanthemums and she immediately loosens up as "the irritation and resistance melt(ed) from her face" (paragraph 51). The drifter feigns great interest in Elisa’s chrysanthemums and asks her many questions about them. He tells her he knows a lady who said to him "if you ever come across some nice chrysanthemums I wish you’d try to get me a few seeds" (paragraph 56). Elisa is overjoyed by any interest in her flowers and gives the man chrysanthemum sprouts to take to his friend.
Mrs. Ames from “The Astronomer’s Wife” and Elisa Allen from “The Chrysanthemums”, two women in their best ages, did share similar lives. They were loyal wives, of decent beauty and good manners. They were married for some time, without any children and they were fighting the dullness of their marriages. At first, it looked like they were just caught in marriage monotony, but after the surface has been scratched deeper, it was clear that these two women were crying for attention: but they had different reasons.
It solidified the truth unacknowledged to them earlier--their friendships among each other were valued above their less than satisfactory marriages in their minds, something that if uncovered by their husbands would have surely placed them under detrimental suspicion. Throughout the story, after surviving the odds and preserving a dangerously unsteady life, the female characters proved that their devotion to each other could conquer the power struggle against the forced commitments they lived in. Society deemed their marriages to be untouchable and unable to be disputed in any way, but with the sturdy connections among them, wives found a way to tamper with the stereotypes and secure a better future for their fellow struggling
"The Chrysanthemums," written by John Steinbeck, captures one day in the life of a woman who yearns for a more fulfilling life. Elisa is first portrayed as a woman whose tasks are exceeded by her abilities. As the day continues, a stranger briefly enters her life and, through manipulative words, fills her heart with hopes of change and excitement. We learn that these newly-found hopes are crushed when Elisa eventually realizes that she has been used. A stranger manages to break Elisa's heart, not because of who Elisa appears to be, but because of who Elisa really is. To understand "The Chrysanthemums," we must first know the "real" Elisa.
Within Steinbeck's story, "Chrysanthemums," the main character, Elisa Allen, is confronted with many instances of conflict. Steinbeck uses chrysanthemums to symbolize this conflict and Elisa's self-worth. By examining these points of conflict and the symbolism presented by the chrysanthemums, the meaning of the story can be better determined.
The two short stories have different characters, plot and setting and yet they have a common ground in which human beings are deeply involved. In short, the setting of each work powerfully suggests a rather calm, dull and peaceful mood at a superficial level; however, the main characters are struggling from the uncontrollable passions and exploding desire at heart. First of all, in "The Chrysanthemums" the Salinas Valley is depicted as somewhat dull, like "a closed pot." In addition, its geographical setting represents an isolated atmosphere, and, furthermore, Elisa's actions of handling chrysanthemums can be translated into a static, inactive one. However, when it comes to her concealed passion, the whole picture in this piece can be interpreted in a different way. In fact, Elisa is portrayed as "over-eager, over-powerful" in a sharp contrast to the unanimated space in which she lives. On top of that, Elisa expresses her volition to explore uncharted worlds like the peddler who happens to visit her farm house. Also, it must be noted that, even though Elisa does not reveal her desire openly largely due to the authoritative patriarchal system, Elisa's interior motive is directed toward the violent, bloody prizefights. In other words, the imbalance between the relatively restricted setting and Elisa's vaulting desire to wander into the unknown territory is chiefly designed to strengthen the overall imagery of Elisa, whose drive to experience the violent outer world. At the same time, it can be inferred that appearance (setting) and reality (Elisa's human nature) are hard to understand.
Elisa’s inner feelings are most apparent with the portrayal of her working in the garden, the conversation she has with the “Fixer-Guy”, and finally, when she and her husband are going out to dinner. Steinbeck offers an array of different details concerning the character of Elisa Allen. The main detail being that she is a strong woman on the inside although she seems to struggle in showing it throughout the story. Because of the "Pot Fixer," she is able to act, although for a short time, like that strong woman. Steinbeck unfortunately brings Elisa full-circle, back to where she started. She notices on the way to dinner her chrysanthemum sprouts at the roadside. This, along with her husband’s hesitation to allow her curiosity, puts her back where she started, canceling her emergence. One must ask after reading this short story if Elisa will continue this discontented lifestyle. Or will she be able to blossom beautifully for good, as do her chrysanthemums?
Initially, John Steinbeck’s short story, “The Chrysanthemums” illustrates the internal conflict a sorrowful housewife faces. The day-to-day life of character, Elisa, seems like a boring one and Steinbeck attempts to remind the reader to not give into temptation and cherish loved ones. During the dialogue, Elisa’s husband, Henry, offers an idea to go out to dinner and the less than enthusiastic response of, “I’ll have plenty of time to transplant some of these sets” (Steinbeck 435) proves that Elisa cares more about her garden than spending time with her husband. Rather than make an effort to bond with her spouse, she appears to be reluctant when asked to go out and enjoy a simple night on the town. Additionally, the failure of a connection between the couple gives the Tinker an opening to make an impact on Elisa’s mental state. Once the Tinker gives her the least bit of attention, Elisa’s entire demeanor starts to change. When Elisa is first described to us, she is unwomanly: “her figure looked blocked and heavy, and she wore a “man’s black hat pulled low down over her eyes” (Steinbeck 438). Although, she is not portrayed as a strong symbol of femininity, the Tinker has spiked an interest in her taboo ways. In the web article “Symbolism in ‘The Chrysanthemums’,” Elizabeth Kassim classifies the tinker as the “catalyst in Elisa’s life”(http://www.lonestar.edu). The admiration of the flowers leads the tinker to admire Elisa. Her sexuality is defined by the chrysanthemums and she “tears off the battered hat and shakes out her dark pretty hair” (Steinbeck 441). With a few kind and well-placed remarks by the Tinker, Elisa thinks there could be a new beginning all aspects of her life. Elisa’s marriage and the way she feels about herself ...
One day, when her husband Henry goes to work a traveling salesman stops by the house looking for some new work. There is a sense of slight flirtation at first, but that's just because Elisa is so excited to have conversation with someone else other than her husband. However, once he tries to reveal his sales pitch Elisa becomes irritated and short with the man. It wasn't until the salesman made mention of her chrysanthemum's that, " the irritation and resistance melted from Elisa...
...and ready to be rediscovered again. Early in the story Henry offers Elisa to a dinner in town and half heartedly suggests going to a local fight. Elisa not keen of fights refuses. In retrospect to her inner ambitions Steinbeck tactfully portrays the message that the only way to follow “the bright direction” Elisa strongly wants is to be willing to fight for it. Nonetheless, don’t be fooled to believe any such inspirations to be acquired will come to you. But Elisa verily on the edge at the end of the story asks Henry about the fights and he suggests if she wants to go. She refuses, Steinbeck again symbolically suggesting she is unwilling to fight for what she wants. So her chrysanthemums will remain out of reach until she decides to do so.
The story written by John Steinbeck called “The Chrysanthemums” could be named “The Story of an Afternoon” because of the time range it took the tragedy to occur is around the time of a few hours. John Steinbeck’s “The Chrysanthemums” is similar to Kate Chopin’s “The Story of an Hour” in the sense of tragic, irony, happening to women in a small amount of time. In both stories women are bamboozled by men, they become misguided and gain a desire. Aiming to achieve the desire causes them to see a false reality and in ruination.
When John Steinbeck's short story "The Chrysanthemums" first appeared in the October 1937 edition of Harper's Magazine (Osborne 479), Franklin D. Roosevelt had just been reelected president. The country was recovering from the Great Depression, unions were developing, and child labor in manufacturing was terminated (Jones 805-6). The first female cabinet member in American history, Frances Perkins, was appointed the Secretary of Labor (Jones 802). She was one of the few women in her time to gain equality in a male-dominated society. For most women, liberation was a bitter fight usually ending in defeat. In "The Chrysanthemums," this struggle for equality is portrayed through Steinbeck's character Elisa Allen. According to Stanley Renner, "The Chrysanthemums" shows "a strong, capable woman kept from personal, social, and sexual fulfillment by the prevailing conception of a woman's role in a world dominated by men" (306). Elisa's appearance, actions, and speech depict the frustration women felt in Steinbeck's masculine world of the 1930's. "Steinbeck's world," observes Charles A. Sweet, Jr., "is a man's world, a world that frustrates even minor league women's liberationists" (214).
In the story “A Jury of Her Peers” by Susan Glaspell, Mr. Lewis Hale arrived at the Wright house to find that his neighbor, John Wright, had been strangled in his sleep. Hale asked John’s wife, Millie Wright, a few questions about what had happened. Suspiciously, Mrs. Wright’s dry answers didn’t add up. Now the sheriff, the county attorney, Mr. and Mrs. Hale, and Mrs. Peters the sheriff’s wife, are investigating the house. Although Mrs. Wright claims to be asleep during her husband’s murder, the women conclude that she strangled her husband as evidenced by the broken bird cage, the slaughtered canary, and the errant quilt patch.
In “ A Jury of Her Peers”, when the county sheriff and attorney go to the Wright house to investigate a murder. They search for clues to incriminate Mrs. Wright but find nothing. They discover Mr. Wright strangled in his bedroom and saw Mrs. Wright completely unaffected. Although Mrs. Wright claims to have been asleep while the murder occurred, the women conclude she choked her husband, Mr. Wright, as evidenced by the broken bird cage, the strangled canary, and the errant quilt patch.
In the story, “The Chrysanthemums” John Steinbeck allows the readers to be put in Elisas shoes to demonstrate her frustrations and feelings in her life. From the very beginning Elisa is shown to be a character whose life is filled with confusion and lifelessness. She’s not only trapped in Salinas valley but also in her own marriage and life with the only thing to nurture is her chrysanthemums. Just when she thinks she may have a chance of her needs being fulfilled when a stranger comes by her hope is then crushed. John Steinbeck creates this short story to show woman's need for sexual fulfillment is astonishingly powerful. Steinbeck demonstrates that if their needs aren’t met then the result of it can lead people to act