The relationship between Janie and her grandmother is full of love and compassion. Nanny was born directly into slavery, and lived a very depressing life. The daughter of nanny, Leafy, also lived a gruesome life, at the age of seventeen she was raped by her schoolteacher, then after giving birth to Janie, she became an alcoholic and quickly abandoned her family. Janie and Nanny then proceed to live with the Washburn family, along with four other white kids, and did not realize she was black until she sports a photograph of herself, and out of shock she says " Aw,aw! Ah'm colored"(9). Because of the families past, all Nanny wants is for Janie to feel treasured and secure. Nanny wants Janie to immediately get married, and she tells her that by saying " Yeah, Janie, youse got yo' womanhood on yuh. So ah mout ez well tell yuh whut Ah been savin' up for uh spell. Ah wants to see you married right away" (12). Janie immediately responds by saying " Me, married? Naw, Nanny, no ma'am "(12). Logan Killicks, an old, unattractive farmer is the person that Nanny hopes so desperately for Jani...
Finding one’s soul mate is a difficult and lengthy process for most, as it is for Janie in the novel Their Eyes Were Watching God by Zora Neale Hurston. She marries Logan Killicks, Joe Starks, and Tea Cake Woods who seem to be alike; however, the motives for the actions they each take are completely different.
As Janie is growing up she has to learn to accept her Nanny’s belief of how a woman is supposed to live in society. Nanny grew up in slavery so she believes that the role of men is to support his wife financially. Nanny thinks Janie should marry a man according to how successful he is and Janie should keep up the household responsibilities. Janie’s grandmother said, “Ah been waitin’ a long time, Janie, but nothin’ Ah I
It’s no wonder that “[t]he hurricane scene in Zora Neale Hurston’s novel, Their Eyes Were Watching God, is a famous one and [that] other writers have used it in an effort to signify on Hurston” (Mills, “Hurston”). The final, climactic portion of this scene acts as the central metaphor of the novel and illustrates the pivotal interactions that Janie, the protagonist, has with her Nanny and each of her three husbands. In each relationship, Janie tries to “’go tuh God, and…find out about livin’ fuh [herself]’” (192). She does this by approaching each surrogate parental figure as one would go to God, the Father; she offers her faith and obedience to them and receives their definitions of love and protection in return. When they threaten to annihilate and hush her with these definitions, however, she uses her voice and fights to save her dream and her life. Hurston shows how Janie’s parental figures transform into metaphorical hurricanes, how a literal hurricane transforms into a metaphorical representation of Janie’s parental figures, and how Janie survives all five hurricanes.
Janie's outlook on life stems from the system of beliefs that her grandmother, Nanny instills in her during life. These beliefs include how women should act in a society and in a marriage. Nanny and her daughter, Janie's mother, were both raped and left with bastard children, this experience is the catalyst for Nanny’s desire to see Janie be married of to a well-to-do gentleman. She desires to see Janie married off to a well to do gentleman because she wants to see that Janie is well cared for throughout her life.
deserved to slap her around. Janie soon realizes that she is living in Nanny’s dreams rather than
The late first lady Eleanor Roosevelt once said, "Hate and force cannot be in just a part of the world without having an effect on the rest of it." Mrs. Roosevelt means that although one person may feel alone through the hardships one faces, one has millions beside oneself who can relate to and understand what one may feel. Zora Neale Hurston shows that even though Janie's family and spouses continue to be abusive and harsh toward Janie, their hate and control left her stronger than before, preparing her for the next challenges thrown at her. In Their Eyes Were Watching God, the deaths' of close relatives and family positively affect Janie because she tends to become more educated and wiser with each death she overcomes in the obstacles she calls her life.
From the beginning of society, men and women have always been looked at as having different positions in life. Even in the modern advanced world we live in today, there are still many people who believe men and women should be looked at differently. In the work field, on average women are paid amounts lower than men who may be doing the exact same thing. Throughout the novel, Their Eyes Were Watching God, Zora Neale Hurston brings about controversy on a mans roles. Janie Crawford relationships with Logan, Joe and Tea Cake each bring out the mens feelings on masculine roles in marital life.
Once a slave, Nanny tells of being raped by her master, an act from which Janie’s mother was brought into the world. With a
"Janie saw her life like a great tree in leaf with the things suffered, things enjoyed, things done and undone. Dawn and doom was in the branches" (8). When Janie was a teenager, she used to sit under the pear tree and dream about being a tree in bloom. She longs for something more. When she is 16, she kisses Johnny Taylor to see if this is what she looks for. Nanny sees her kiss him, and says that Janie is now a woman. In Their Eyes Were Watching God, Janie, the main character, is involved in three very different relationships. Zora Neale Hurston, the author, explains how Janie learns some valuable lessons about marriage, integrity, and love and happiness from her relationships with Logan Killicks, Joe Starks, and Tea Cake.
In the novel Their Eyes Were Watching God by Zora Neale Hurston, Janie Crawford, the protagonist, constantly faces the inner conflicts she has against herself. Throughout a lot of her life, Janie is controlled, whether it be by her Nanny or by her husbands, Logan Killicks and Joe Starks. Her outspoken attitude is quickly silenced and soon she becomes nothing more than a trophy, only meant to help her second husband, Joe Starks, achieve power. With time, she no longer attempts to stand up to Joe and make her own decisions. Janie changes a lot from the young girl laying underneath a cotton tree at the beginning of her story. Not only is she not herself, she finds herself aging and unhappy with her life. Joe’s death become the turning point it takes to lead to the resolution of her story which illustrates that others cannot determine who you are, it takes finding your own voice and gaining independence to become yourself and find those who accept you.
Zora Hurston was an African American proto-feminist author who lived during a time when both African Americans and women were not treated equally. Hurston channeled her thirst for women’s dependence from men into her book Their Eyes Were Watching God. One of the many underlying themes in her book is feminism. Zora Hurston, the author of the book, uses Janie to represent aspects of feminism in her book as well as each relationship Janie had to represent her moving closer towards her independence.
The first two people Janie depended on were her Grandmother, whom she called Nanny, and Logan Killicks. Janie’s marriage to Logan Killicks was partially arranged by Nanny. Nanny had felt the need to find someone for Janie to depend on before she died and Janie could no longer depend on her. At first, Janie was very opposed to the marriage. Nanny responded with, “’Tain’t Logan Killicks Ah wants you to have, baby, it’s protection. ...He (God) done spared me...a few days longer till Ah see you safe in life.”(p.14) Nanny instilled the sense of needing a man for safety on Janie that Janie keeps with her throughout her life. After Nanny’s death, Janie continued to stay with Logan despite her dislike for him. She would have left immediately, however, if she did not need to depend on him.
Janie and the Pear Tree in Their Eyes Were Watching God by Zora Neale Hurston
On Janie's journey towards self discovery and expression, progress is suddenly halted when she encounters controlling men. In respect for Nanny, Janie attempts to live her life through her nanny's expectations and desires. Nanny has taken the hard road in life, and tries her best to help Janie avoid life's unnecessary turmoils: “Yo' Nanny wouldn't harm a hair uh yo' head. She don't want nobody else to do it neither if she kin help it” (Hurston 14). Nanny has all the best intentions by setting Janie up with Logan Killicks, an older man who owns sixty acres of land. The man of Nanny's dreams does not match up with Janie's expectations, for Janie wants to be in a blossoming relationship that she is comfortable being a part of. Logan turns out to be a man of labor and “refuses to hear the real meaning behind [Janie'...
Nanny Janie’s grandmother disapprove the kiss between Janie and Johnny Taylor under the pear tree (11). Janie was only sixteen years old and naïve to think that was love. Nanny knew Johnny Taylor did not mean to cause no harm, but she felt Johnny was trying to mislead Janie to hurt and humiliate her by being sexual that can be dangerous (Hurston 12-15). Likewise, Janie was forced into marrying Logan an older man, Nanny approved of because Janie will have a husband that will love her. Same as, Hurston describe Janie emotions of unhappiness within the marriage not having affection and desire for Logan, Hurston implies, “Ah ain’t got nothin’ tuh live for.” (118) Hurston also describes Janie as confident that caught men attention as well as her physique, the women were jealous of Janie implying “Janie will never fit in the upper class of white men because of her appearance.” (Hurston 41) The women try to make Janie feel worthless and unattractive of not having enough sexually appeal. . Hurston writing engage the character from love to lust in a unhappy marriage that lead to a prolonged period of difficulty