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hip hop's effect on popular culture
hip hop's effect on popular culture
hip hop's effect on popular culture
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Boyd, Todd. 2004. "Intergenerational Culture Wars: Civil Rights Vs. Hip Hop." Socialism and Democracy 18(2):51-69 This article is about an interview between Yusuf Nuruddin with Todd Boyd discussing his book “The H.N.I.C: The Death of Civil Rights and the Reign of Hip Hop”. Boyd argues that the hip-hop replaced the African-Americans in the civil right area. He explains that society has evolved to the point where the issues related to African-Americans in the civil rights area have changed quite a bit that their ideas are outdated. He believes hip-hop bonded a generation of people that under making hip-hop part of their life it has given them a better sense of black people and African American culture. The hip-hop culture is slowing …show more content…
Eminem was known to the underground hip-hop but in order to achieve commercial success he needed a label behind him. Aftermath Records decided to sign him since the music industry would profit if white audience could further identify themselves with hip-hop culture instead of seeing it as something foreign and so in order to boost sales needed a white rapper and there was Eminem who had both industry respect and street-credibility. Even Eminem recognizes that the color on his skin is what helped him get where he was. In the song White America he …show more content…
Eminem 's career success has allowed many middle class white fans to look at hip-hop as something they can relate to due to the fact that they look the same and this has let to many of them to appropriate different aspects of hip-hop culture. Eminem’s white participation in the hip-hop culture has given entrance to white rappers that lack talent to become somewhat successful under the name of hip-hop culture marginalizes black artists and the origins of the hip-hop culture. What people have to think about are Eminem 's financial conditions and proximity to the African-American communities when growing up was. Even if black artists are able to get mainstream success their sales are not as profitable in comparison to white artists. This marginalizes many aspects in the hip-hop culture that were needed to their
The Hip-Hop Generation is a book written by the famous Bakari Kitwana in his mission to evaluate the shift that is evident between the current and past generations. He reveals several social and political aspects that have affected the black people in America. It is evident that this book has been praised by many who feel that Kitwana was successful in highlighting the major problems that black Americans face in their daily lives. Through this book, any reader will admit that the journey has been long for the blacks in their mission to find their place in the society. Racism is the main theme in this book where the author recalls the need of a supportive plan in eradicating its roots all over the globe. He defines the black Americans born between 1965 and 1984 as the ‘hip hop generationers’. This essay paper explores the major points revealed in his book. It analyses the whole book and summaries it in
Watkins, S. Craig. 2005. Hip hop matters: politics, pop culture, and the struggle for the soul of a movement. Boston: Beacon Press.
Hip-hop culture has been a global phenomenon for more than twenty years. When introduced into the American culture, the black culture felt that hip-hop had originated from the African American community. The black community was being denied their cultural rights by the supremacy of the white people, but hip-hop gave the community the encouragement to show their black pride and televise the struggles they were facing in the world. The failure and declining of the movements, the influential, rebellious, and powerful music is what reshaped Black Nationalism, unity and to signify the struggle. The African Americans who suffered from social and political problems found that they similar relations to the political movements, which allowed the blacks to be able to voice their opinions and to acknowledge their culture openly.
Yes, I can identify a cultural link with this type of music. As well as rock and roll this genre created its own culture. Just like rock and roll it also brought with it a fashion and hair styles and rides. It started within the black community and spread along. Rap took longer than rock and roll to actually link different cultures and social classes together because it originated in a minority social class. To some people listening to rap was downgrading and vulgar, due to the slang and offensive language. However it was a huge movement for the black community as they expressed their feelings towards the way they were being treated. Later on there was a merge when Eminem came along, as he was a white man that also wanted to become a rapper. Not seen or accepted well by the white or the black communities. He was white acting like a black man and a lot of people did not agree with that. It took time for the black community to accept him. But once they did he began to gain popularity. He is now one of the biggest rappers in rap history. He then became a key for the rap music to become popular among the white community. Now more people openly started to listen to rap and brought those two cultures
George covers much familiar ground: how B-beats became hip hop; how technology changed popular music, which helped to create new technologies; how professional basketball was influenced by hip hop styles; how gangsta rap emerged out of the crack epidemic of the 1980s; how many elements of hip hop culture managed to celebrate, and/or condemn black-on-black violence; how that black-on-black violence was somewhat encouraged by white people scheming on black males to show their foolishness, which often created a huge mess; and finally, how hip hop used and continues to use its art to express black frustration and ambition to blacks while, at the same time, refering that frustration and ambition to millions of whites.
In the words of rapper Busta Rhymes, “hip-hop reflects the truth, and the problem is that hip-hop exposes a lot of the negative truth that society tries to conceal. It’s a platform where we could offer information, but it’s also an escape” Hip-hop is a culture that emerged from the Bronx, New York, during the early 1970s. Hip-Hop was a result of African American and Latino youth redirecting their hardships brought by marginalization from society to creativity in the forms of MCing, DJing, aerosol art, and breakdancing. Hip-hop serves as a vehicle for empowerment while transcending borders, skin color, and age. However, the paper will focus on hip-hop from the Chican@-Latin@ population in the United States. In the face of oppression, the Chican@-Latin@ population utilized hip hop music as a means to voice the community’s various issues, desires, and in the process empower its people.
Hip-Hop is a cultural movement that emerged from the dilapidated South Bronx, New York in the early 1970’s. The area’s mostly African American and Puerto Rican residents originated this uniquely American musical genre and culture that over the past four decades has developed into a global sensation impacting the formation of youth culture around the world. The South Bronx was a whirlpool of political, social, and economic upheaval in the years leading up to the inception of Hip-Hop. The early part of the 1970’s found many African American and Hispanic communities desperately seeking relief from the poverty, drug, and crime epidemics engulfing the gang dominated neighborhoods. Hip-Hop proved to be successful as both a creative outlet for expressing the struggles of life amidst the prevailing crime and violence as well as an enjoyable and cheap form of recreation.
These articles depict the controversies of the hip hop industry and how that makes it difficult for one to succeed. Many of these complications and disputes may be invisible to the population, but these articles take the time to reveal them.
“Hip hop has been named the most influential musical genre to emerge since 1960, beating the British invasion of the Rolling Stones and The Beatles, soul, punk, prog rock, heavy metal, disco and many more in a new study” (Von Radowitz and Webb).
Many white rappers have had a difficult time making it in the black industry of rap. Eminem, the most recent white rapper to hit the mainstream has had his own share of difficulties in this industry and in his life as well. The poem written my Marshall Mathers, now known as Eminem, entitled "Life," displays Eminem's views on his life, and just life in general. Eminem has continued on the legacy of the contact zone between the white men in the black man's industry, this being rap.
Hip hop has multiple branches of style and is a culture of these. This essay will examine Hip Hop from the point of view of the following three popular music scholars, Johnson, Jeffries and Smitherman. It will delve deeper into their understanding of what hip hop is and its relation to the different people that identify with its message and contents. It will also identify the history of Hip hop and its transition into popular music. In particular this essay will focus on what hip hop represents in the black community and how it can be used as a social movement against inequalities faced by them. This will then open up the discussion for the how this has influenced society, and the impact it has had in terms of race issues which hip hop itself often represents through music.
Hip hop has permeated popular culture in an unprecedented fashion. Because of its crossover appeal, it is a great unifier of diverse populations. Although created by black youth on the streets, hip hop's influence has become well received by a number of different races in this country. A large number of the rap and hip hop audience is non-black. It has gone from the fringes, to the suburbs, and into the corporate boardrooms. Because it has become the fastest growing music genre in the U.S., companies and corporate giants have used its appeal to capitalize on it. Although critics of rap music and hip hop seem to be fixated on the messages of sex, violence, and harsh language, this genre offers a new paradigm of what can be (Lewis, 1998.) The potential of this art form to mend ethnic relations is substantial. Hip hop has challenged the system in ways that have unified individuals across a rich ethnic spectrum. This art form was once considered a fad has kept going strong for more than three decades. Generations consisting of Blacks, Whites, Latinos, and Asians have grown up immersed in hip-hop. Hip hop represents a realignment of America?s cultural aesthetics. Rap songs deliver a message, again and again, to keep it real. It has influenced young people of all races to search for excitement, artistic fulfillment, and a sense of identity by exploring the black underclass (Foreman, 2002). Though it is music, many people do not realize that it is much more than that. Hip hop is a form of art and culture, style, and language, and extension of commerce, and for many, a natural means of living. The purpose of this paper is to examine hip hop and its effect on American culture. Different aspects of hip hop will also be examined to shed some light that helps readers to what hip hop actually is. In order to see hip hop as a cultural influence we need to take a look at its history.
Black culture in our society has come to the point where it is allied with pop culture. The most popular music genres, slang terms, to dance forms it all comes from black culture. Hip hop emerged from black culture, becoming the soul of it that is seen in the media. Hip hop helped the black community by creating new ways of expressing themselves, from breakdance, graffiti, rap and other music, to slang. This culture was rooted in their tradition and created from something new. Hip hop created a new form of music that required the use of turn tables, ‘cuts’, loops, rhythm, rhyme, stories, and deep-rooted emotions, but also incorporated black oral forms of storytelling using communal authors.
In Total Chaos, Jeff Chang references Harry Allen, a hip hop critic and self-proclaimed hip hop activist. Harry Allen compares the hip hop movement to the Big Bang and poses this complex question: “whether hip-hop is, in fact a closed universe-bound to recollapse, ultimately, in a fireball akin to its birth-or an open one, destined to expand forever, until it is cold, dark, and dead” (9). An often heard phase, “hip hop is dead,” refers to the high occurrence of gangster rap in mainstream hip hop. Today’s hip hop regularly features black youths posturing as rich thugs and indulging in expensive merchandise. The “hip hop is dead” perspective is based on the belief that hip hop was destined to become the model of youth resistance and social change. However, its political ambitions have yet to emerge, thus giving rise to hip hops’ criticisms. This essay will examine the past and present of hip hop in o...
At the same time, he is rapping about his success. The video, which is directed by Dr. Dre himself and Philip G. Atwell, is also showing the impressive collection of awards for gold and platinum albums1. The clip starts with Dr. Dre walking on the street, he is rapping while behind him there is a small local shop selling newspapers and cold drinks. Later from one of such periodicals the singing head of Eminem will appear and the black man, who is reading this newspaper, seems to be disgusted. The reason might be the color of the skin of young MC – Eminem was very often criticized, especially at the beginning of his career, for being a cultural pirate meddling with Black culture to which he did not belong2. However, from the start, he is very