Some people become artists for the pleasure, but others might have an ability to perceive art in a deeper sense than what is being presented. Artists like Diego Velázquez, Michelangelo Buonarroti, and Sandro Botticelli could actually see the essence of art which motivated them to give the world a canvas of questionable knowledge. Later another artist emerged with the same ability, Frida Kahlo. She used her life as her canvas; allowed people to view the world from behind the surrealistic doors. In addition, she was able to present self-portraits in many forms, all influenced by a tragic bus accident which led to a broken spine that affected her whole life. Described mostly in the film Frida directed by Julie Taymor, and the book Frida: A Biography of Frida Kahlo written by Hayden Herrera, Kahlo’s portraits made viewers see not just her life, but into themselves as well. Motivated by tragic events such as her physical condition, an inability to bear children, and her life with Diego Rivera, Frida was the world of art in human flesh.
The scene of Frida’s tragic accident had a suspenseful atmosphere. The accident occurred on Sep. 17, 1925 while aboard a bus. She was eighteen and rushed to board a bus with her boyfriend, Alejandro Gomez Arias. They made it just in time, and boarded. The trolley took off turning curves with tremendous speed. Another bus was moving slowly in front. The two caught up together, and collided. Everything moved slowly, glass shattered, and she was implanted into the floor board with a pipe rail going through her pelvis, and out of the mid-section of her back.
Frida was operated on and confined to a bed for many months, and starts to painting. She would later paint one of her most famous paintin...
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...ahlo was phenomenal and continues to be an icon in her own right.
Works Cited
Ciabattari, Jane. "The Wages of Pain." The Threepenny Review 1.16 (1984): 20-21. JSTOR. The Threepenny Review. Web. 20 Mar. 2010. .
Comisarenco, Dina. "Frida Kahlo, Diego Rivera, and Tiazolteotl." Woman's Art Journal 25.2 (1996): 21-24. JSTOR. Woman's Art, Inc. Web. 20 Mar. 2010. .
Frida. Dir. Julie Taymor. Perf. . Salma Hayek, Alfred Molina, Antonio Banderas, and Valeria Golino. Miramax Home Entertainment, 2002. DVD.
Herrera, Hayden. Frida, a Biography of Frida Kahlo. New York: Perennial, 2002. Print.
Udall, Sharyn R. "Frida Kahlo's Body: History, Identity, and Artistic Aspiration." Woman's Art Journal 24.2 (2004): 10-14. JSTOR. Woman's Art, Inc. Web. 24 Feb. 2010. .
Ester Hernandez is a Chicana artist, best known for her works of Chicana women. Ester’s goal is to recreate women’s lives to produce positive images of women’s lifestyle and to create icons. Her piece, Frida y Yo, contains the iconic painter Frida Kahlo. Frida, after being in multiple accidents causing long-term pain and suffering, began painting, mostly self-portraits, to portray her reality and glorify the pain. Similar to how Hernandez's goals are a juxtaposition to Frida’s artwork, the art piece Frida y Yo creates a juxtaposition between life and suffering and death and fortune.
Thesis Statement: I want to share the Life of Frida Kahlo that led to her recognition as an Iconic artist even today.
Frida Kahlo nació el 6 de Julio 1907 en la ciudad de México. Ella les dijo a muchas personas que nació el 7 de Julio 1910 porque quiso parecer más joven a los otros. Aunque sus padres fueron judíos, Frida nació en México. Frida fue una artista surrealista y sus obras vió de sus emociones de la tristexa y la cólera de su vida. Ella le encantó decir los chistes, reír, y sonreír. Frida Kahlo llevó las ropas de la cultura tradicional de México porque pensó que las ropas fueran una forma del arte. Todo el mundo admiró mucho a Frida, a causa de sus obras y su actitud.
In this painting, The Broken Column, Frida expressed her pain and suffering in a most straight forward way. At the age of eighteen she was involved in a serious bus accident, which her life was marked by chronic pain and health problems. The broken column was painted shortly after her unwanted spinal surgery. The metal nails displayed in Frida Kahlo’s upper body and is hidden behind a cloth. Tears streaming down her fac.. At the beginning she painted herself nude but later covered her lower part with something that looks of a hospital sheet. A broken column is put in place of her spine. The column appears to be on the verge of collapsing into
Though the start of artistic expression cannot be pinpointed to a specific date, the growth of art and its complexity cannot be denied. Two complex pieces of art which will be compared and contrasted within this essay are Mary Cassatt’s Portrait of the Artist and Frida Kahlo’s Self Portrait with Monkey. Though Cassatt belonged the Impressionist movement (Streissguth 48) and Kahlo who was labeled as a member of the Surrealist movement, which she later denied (Stremmel, Kerstin, & Grosenick 1940), both paintings have an equal number of similarities as contrasting elements.
Works Cited Chin-Lee,Cynthia. Amelia to Zora: 26 Women Who Changed The World.Charles Bridge, 2005. Ergas, G. Aimee. Artists: From Michaelangelo to Maya Lin. UXL, 1995 Lin, May. Boundaries. Simon and Schuster New York, 2000. Cotter, Holland. “Where the Ocean Meets the Mountain”. New York Times May 8: C23.
One of them was the illness that she had. Frida was a famous painter. When she was 6 years old she had a disease called polio. When she was 18 years old she had a terrible bus accident that had a good effect in her future.Many people believe that Frida had more adversity in her life than the monster because of the illness and bus accident that she had. While they might have a point, I still think that the monster struggle the most because his life was all about suffering and tragedies. The text states “The kids in her neighborhood and at school teases her about her leg”.On page 2, the text states”Frida had to stay in bed for two months”. Also the text states”She didn’t feel comfortable in the United States and she missed mexico”. While it might be true that Frida had more adversity in her life than the monster, My overall position doesn’t change because the monster suffered all the time and he didn’t have nobody by his side to comforted him. A common argument about this position is that Frida also suffered in her life because of the disease that she had but she had a family that were supporting her to overcome her adversities however the monster never had nobody that cared about
Frida Kahlo is known for the most influential Latin American female artist. She is also known as a rebellious feminist. Kahlo was inspired to paint after her near-death bus incident when she was 17. After this horrendous incident that scarred her for life, she went under 35 different operations. These operations caused her extreme pain and she was no longer able to have kids. Kahlo’s art includes self portraits of her emotions, pain, and representations of her life. Frida Kahlo was an original individual, not only in her artwork but also in her
Throughout history art has played a major role in society. It started out with paintings and went to photography and eventually to films. Artistic interpretation depended on whom the artist was and what he or she wanted to present to the audience. When it came to portraiture, whether it was paintings or photography, the idea of mimesis was very important. However important this may have been, the portraits were mostly products of the media and fashions during that time period. Whatever was popular during the time was used such as columns or curtains in the background. The face was the main focus in the painting and there was little focus on the body. Later on during photography the body was focused on more. Even though photography was used much later after paintings were used, it allowed the artist even more artistic interpretation because of the ability to play a different role and not having to be ones self. The artists that will be focused on are Frida Kahlo and Cindy Sherman. They lived during different periods and their artistic intentions varied because of that. They also had similarities in that they thought outside of the conventional roles. These women were both self-portraiture artists and although they were considered that their interpretations did not always make their portraits self-portraits. Traditionally the artist was an outsider, but when it came to self-portraiture they became the subject and the audience became the outsider. The similarities and differences of Frida Kahlo and Cindy Sherman’s art were tied into the strength and also vulnerability they had because of their roles as women. They wanted the audience to see a background story to the portraits and not just an image of a beautiful face.
Fuentes, C. (1995). The Diary of Frida Kahlo An Intimate Self-Portrait. New York: A Times Mirror Company.
Born in 1910, Frida was a woman that was not about preserving young beauty. She loved to acquaint herself with Mexico, where she was born. Being a great painter, she loved to paint pictures of herself. A quote by her is as follows “I paint myself because I am so often alone and because I am the subject I know best”. In other words, she can paint and feel free, because she knows herself well and can paint the
Art is a very important part of humanity’s history, and it can be found anywhere from the walls of caves to the halls of museums. The artists that created these works of art were influenced by a multitude of factors including personal issues, politics, and other art movements. Frida Kahlo and Vincent van Gogh, two wildly popular artists, have left behind artwork, that to this day, influences and fascinates people around the world. Their painting styles and personal lives are vastly different, but both artists managed to capture the emotions that they were feeling and used them to create artwork.
Through Frida Kahlo’s extensive self-portrait pieces, audiences are able to view her life in an almost biographical way. Each portrait conveys deep emotion and meaning, and carry a story which Kahlo has experienced. Her self-portraits are very personal, and overall show just how tragic her life had been.
Excerpt from K. Conboy, N. Medina and S. Stanbury, eds. Writing on the Body: Female Embodiment and Feminist Theory (401-17). NY: Columbia University Press, 1997.
In this case analysis, I will be discussing the famous Mexican painter Frida Kahlo. In her film, Frida exhibits signs of post-traumatic stress disorder and alcoholism. I plan to explore her clinical difficulties through a cognitive-behavioral lens, as well as a psychodynamic lens. Frida Kahlo was born in 1907 in Mexico City, Mexico. Her father was a German photographer and artist that immigrated to Mexico to escape Nazi persecution, and her mother had indigenous roots in Mexico. Frida is one of four daughters, which meant she grew up primarily around women. When she was just six years old she contracted Polio, which left her right leg thinner than her left. She was often bullied for limping because of her leg; as a solution, Frida wore long