Chopin consistently employs irony in her short story. The title specifically describes the baby as Desiree’s, not his. After Desiree leaves with their baby Armand takes no ownership for either his son or his wife when asked about his family. He does not want to acknowledge them for the very fact that ...
... middle of paper ...
...mportantly, he learns that there is no difference between white people and black people. He finally understood this when he realized that he had no knowledge of his own black heritage and that he had lived his whole life as a white man. Chopin effectively illustrated the dangers of making presumptions and used irony as a tool to accomplish this.
Chopin, Kate. "Desiree's Baby." In An Introduction to Literature Fiction, Poetry, and Drama, by Sylvan Barnet, William Burto and William E. Cain, edited by Joseph Terry, 82-86. New York, NY: Pearson Longman, 2006.
Mayer, Gary H. "A Matter of Behavior: A Semantic Analysis of Five Kate Chopin Stories." et Catera, 2010: 94-96.
Pegues, Dagmar. "Fear and Desire: Rgional Aesthetics and Colonial Desire in Kate Chopin's Portrayals of the Tragic Mulatta Stereotype." The University of North Carolina Press, 2010: 1-12.
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