“Husband and children one by one, by sword
And scourge of fiery fever: every tear
Dried up, despairing, desolate, on board
A British ship I waked as from a trance restored”7 (lines 321-324)
The woman is detached from reality, having lost everything she once knew and is left wandering Salisbury Plain, finding solace in a decaying spital. As within many of his poems, Wordsworth reverts back to nature as a symbol of purity and hope, presenting the morning sunlight as...
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...land”, which adds a further layer of anonymity and obscurity from the reader, rendering the “king” as no more significant than a traveller’s myth. This distancing of the narrator dilutes Ozymandias’ power and authority even further. The stark contrast between the inscription on the statue “…king of kings. Look on my works, ye mighty, and despair”, and the ruins in which the “colossal wreck” sit, highlight the impermanence of power. Once again the notion nature appears, on this occasion in a temporal sense, as Shelley’s moral message is clear: dictators are finite and will perish with time, but the notion of repression is something that remains and needs to be fought against. The belittlement of the great Ozymandias perhaps acts as motivation for those who see their social superiors as too powerful to overcome, encouraging them to revolt against any form of tyranny.
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