By executing my earlier proposal on the “text” Inception, a science fiction thriller by Christopher Nolan, I was able to delve deeper into the actual proposal. Inception argues how the mind can be influenced and changed with the smallest thing. The movie as a whole rests on the idea of invading dreams and the mind, hence the name, Inception. The text argues that implanting an idea into someone's mind is the greatest power, since they will believe they generated the idea themselves and act on it. This takes place within both reality and in dreams of the person the “inception” group wishes to invade. A charcoal drawing was created in order to try and represent and argue the idea of Inception.
Inception explores dreams as something that can be changed at will, whether at the owner's will or someone elses. One scene takes place in Cobb's (the main character) mind. He is training a recruit, Ariadne, as “The Architect”, so she could become the one who would build a dream for the victim, Fisher. The invader needs to create a realistic world that is based on what the victim normally does every day so as to allow the victim to think that everything is not a dream. This one scene appeals mostly to our emotions and is incorporated into my project the most. Ariadne starts to playfully change the scenery within Cobb's mind. The setting is originally a small cafe in a busy urban town. She skews reality and twists the streets around themselves until one layer of buildings is folded up and around to stack upon each other roof to roof. Cobb and Ariadne can now walk on “walls” which are actually the ground, but at the same time “walls”. The visual effects of this scene made the text really engaging and was one of the aspects I liked the mo...
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...project. It might seem repetitive, but everything that was put into this project was purposely done to lead up to a look of reality and fantasy, which is why charcoal was used.
I believe that charcoal was a very successful media to portray what I wanted. I say this because I have tried other medias (watercolor, colored pencils) in a smaller scale experiment and they weren't able to argue as well as charcoal had. The charcoal gives the final product a more enigmatic feel to it (although I might have taken it one step too far and given it a theme more like horror). All in all, I believe that this project has argued the main points of Inception that I wanted it to argue. Dreams and reality can look and feel the same as one another. The mind can keep secrets locked up, but (at least in the setting Inception is in) can be easily invaded and succumb to outside pressure.
Have you ever experienced a dream or a nightmare that seemed like reality? Most people in the world today would say that they have. Although this realistic dream experience does not occur often, when it does, clear distinctions are hard to make between the dream and reality. Theories exist that explain dreams as our subconscious
Dreams are a place in one’s mind where there is freedom to believe, say, or do what ever one chooses. Whether it be a place where one can compose a fantasy to escape reality or a place to establish a new real life. Dreams or illusions can often be perceived incorrectly and thought to be part of real life until one is awaken from the fantasy and runs straight into the harsh reality of one’s own life. The idea that dreams and illusions remove the characters from their actuality to a fantasy can be noticed in the stories Araby by James Joyce and Where Are You Going, Where Have You Been by Joyce Carol Oates. Within these two short stories, both authors portray the theme that what is imagined in ones head can be shattered by a harsh reality through
The main action of the cognitive behavioural therapist is to recognise the client’s problems in a cognitive way (Curwen, Ruddell, and Palmer, 2000).
Various people have different beliefs on the importance of having dreams The speaker in “Kitchenette Building,” by Gwendolyn Brooks and Beneatha in A Raisin in the Sun by Lorraine Hansberry both have contrasting views on the significance of dreams. In the poem “Kitchenette Building,” the speaker discusses how arduous it is for a dream to survive the hardships and harsh realities of life in a cramped kitchenette
In efforts to find truth, Descartes used only his logic to identify his existence. He also proved that there is some type of knowledge that we are born with. “Some of our ideas seem to be “born with me,” some “invented” by me, whereas others “come from without” (Descartes, 2008, p. 211). Which means Descartes believed that we enter this world with some innate ideas that overtime helps us to develop understanding of our sense (invented by me) and through our experiences (comes from without). Descartes was a dualist; he stated that there existed something outside of our bodies. Descartes suggested that at the “ghost in the machine” theory developed by Gilbert Ryle, which states that there is some mystical being, which we understand is the mind, that is primary to the machine (or the body). Which leads me to believe, innate ideas are active within our minds.
...heory, reverse learning theory, and activation synthesis model, others focus on the mental exercise and simulations that dreams bring to us in the evolutionary theory of sleep. While many of the theories agree that dreams are a representation of ideas and thoughts from the unconscious mind, no single theory has been formed as the single primary authority on the matter of dreams despite more support for some of the theories. The fact of the matter is that despite the rampant research and discourse on the concept behind dreaming, these theories are merely speculations. But these speculations feed the curiosity on dreams and will hopefully lead to the expansion of dream analysis to not only better develop the current understanding of dreams, but also to help people around the world by possibly expanding dream analysis to become an early identifier of mental illness.
dreams; who looks inside, awakes.” This quote by Carl Jung provides a brilliant overview of his concept
One dynamic of Sigmund Freud’s psychoanalytical practice of study is dreams and the implicit meanings they may hold. He even wrote a book on this fascination called, The Interpretation of Dreams, where he strategically dissected each of the mind’s processes while in the resting state, that are commonly referred to as dreams (Cervone & Pervin, 2013). He distinctively linked dreams with workings by the unconscious mind, which is the deepest level of thinking, where it possesses thoughts and processes that the individual may not even be aware of their existence. Sometimes these containments can be accessed, but not usually, only in special circumstances like hypnosis. The unconscious is also significant because it contains symbols, which may be
The unconscious has a huge part in shaping human behavior, yet many overlook the idea behind it. This is an idea that maybe these unconscious behaviors can be used to alter the future or the past mistakes or anything in between for that matter. Everyone dreams at some point in their life and what many people don’t realize is that dreams usually develop from past experiences or from actual occurrences and thoughts. This means that if someone happened to see a guy wearing a cowboy hat with a feather in it, in one of their dreams, they most likely saw this person at some point in their life and may not have even realized it. It is impossible to create a new face in a dream. In Inception (2009), Christopher Nolan portrays Dom Cobb as a special operative whose life mirrors a Freudian psychological reality in which his repressed guilt leads to self-destructive behavior.
Condensation and displacement are two types of transformation, which connect to the different structure level of the dreams (the manifest contents and the latent dream-thoughts). They are used to “encode” the dreams and “repress” the consciousness. Condensation is one or more common elements that are packed together forming a composite picture with contradictory details when constructing a dream-situation. Condensation, as Freud describes, “is the most important and peculiar characteristics of the dream-work” (154). Besides condensation, displacement has its own significance. The dream content seems to have a different centre from its dream-thoughts (155) within displacement. The latent dream-thoughts are pr...
Throughout the passage of time, philosophers have written and discussed many topics in philosophy. Sometimes, these philosophers agree on ideas or sometimes they make their own assumptions. There are two philosophers who had different ideas concerning where innate ideas come from and how we get these types of ideas. Rene Descartes and John Locke were these two philosophers with the opposing argument on innate ideas. The place where Descartes discusses his views were in the Meditations on First Philosophy and Locke's argument is located in An Essay Concerning Human Understanding. By using these sources I will be able to describe the difference between these two arguments on innate ideas.
...n messages by design” and leans more towards the Jungian theory where “dreams reveal more than they conceal, and can be quite transparent in significance” (Hurd).
II. (Introduce Topic) Since the beginning of time, people have been trying to understand the different functions of the human body, how we move, talk, and even act. Many of these physiological behaviors have been explained to some extent. However, one area of the human body that has baffled researchers, is that of the mind. Many things that go on inside the mind that don’t make sense, and serves no real explanation as to why or how things happen. One of the most fascinating and mysterious sections of psychology is that of dreaming. Even though there are numerous theories about dreams; whomever you are, wherever you live, you will dream. Whether it's a good dream or a nightmare is up to your mind, but there must be some reasoning behind dreams, right?
Oprah Winfrey once said, “The best thing about dreams is that fleeting moment, when you are between asleep and awake, when you don't know the difference between reality and fantasy, when for just that one moment you feel with your entire soul that the dream is reality, and it really happened.” But, what actually is a dream and what do dreams really have to do with one’s everyday life? In essence, a dream is a series of mental images and emotions occurring during slumber. Dreams can also deal with one’s personal aspirations, goals, ambitions, and even one’s emotions, such as love and hardship. However, dreams can also give rise to uneasy and terrible emotions; these dreams are essentially known as nightmares. In today’s society, the concept of dreaming and dreams, in general, has been featured in a variety of different mediums, such as literature, film and even music. While the mediums of film and music are both prime examples of this concept, the medium of literature, on the other hand, contains a much more diverse set of examples pertaining to dreams and dreaming. One key example is William Shakespeare’s A Midsummer Night’s Dream. While the portrayal of dreams, in general, plays a prominent role in Shakespeare’s play, the exploration of many aspects of nature, allows readers to believe that dreams are merely connected to somewhat unconventional occurrences.
In 2004–2005, the Penn Humanities Forum will focus on the topic of “Sleep and Dreams.” Proposals are invited from researchers in all humanistic fields concerned with representations of sleep, metaphors used to describe sleep, and sleep as a metaphor in itself. In addition, we solicit applications from those who study dreams, visions, and nightmares in art or in life, and the approaches taken to their interpretation. We also welcome proposals about the effects of dreaming on the dreamer, and the resulting emotions, behaviors, and actions taken or foregone in response to dreams. In this Forum on Sleep and Dreams, we will see how the diversity of academic disciplines can help answer important questions about sleep and dreaming—questions that may touch the basis of human intellect.