In Cold Blood: Nature vs Nurture

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In Truman Capote’s famous non-fiction novel, In Cold Blood, there is evidence that supports the injustices of the trial: death penalty. The final outcome of the trail was never to be any different than death. “Of all the people in all the world, the Clutters were the least likely to be murdered” (Capote 85). We know the two men who killed the Clutter family, Perry Smith and Bill Hickock, preplanned the crime with malice and forethought. Although the actions were crul and grusome, does Death Row fit what they did if their pasts, childhood environments and situation, are bad. Capote shows the effect of childhood on the killers and if the death penalty is fair. Capote gives the killers a voice to show their humanity by giving childhood accounts of their lives. He questions the justice of is the death penalty fair, and if inherent evil is a product of childhood or society. Is it nature or nurture? Capote gives a look into the minds of the killers and the nature vs. nurture theory. The detailed account the killers’ childhoods makes the reader sympathize with the Clutter family’s killers Smith and Hickock. Should they reserve the death penalty? Did Truman Capote take a stand on the death penalty? By giving the readers a detailed accounting of Perry Smith’s and Dick Hickock’s childhood, Capote sets up the reader for nurture vs. nature debate on the death penalty. The question then becomes, do the effects (if any) caused by environment in childhood make for a trained killer or a natural born one? Capote uses different voices to tell the story, creating an intimacy between the readers and the murders, the readers and the victims, and all the other players in this event—townspeople, investigators, friends of the family. This intimacy lead... ... middle of paper ... ...ionship with Smith during his time on Death Row, making his unbiased writing biased. By the time Smith and Hickock are hanged Smith is portrayed in the role of misunderstood good guy in the good-guy/bad-guy literary device. Capote was not apposed the death penalty, he used the double handing as the dramatic ending to In Cold Blood. Thought out the third section of In Cold Blood whenever Hickock is contemplating or in gagging in a sexual act Smith reacts in an angry or jealous way. Capote repeatedly interprets Smith’s actions towards Hickock as showing his morality, where Hickock is voiced has having none. Capote voices that Smith prevents the rape of Nancy Clutter on Moral grounds. Capote shows this again in the scene in which Hickock has a prosttsuite in the room during their time in Mexico. Works Cited Capote, Truman. In Cold Blood. Random House. New York. 1965.

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