The Imposter's Accomplice

1768 Words4 Pages

Medieval women are typically portrayed as being submissive and compliant, but is this portrayal true and unanimous? Is it possible that some women may have had more influence over their social circumstances? Natalie Davis’s “The Return of Martin Guerre” certainly seems to indicate that women were capable of more than housework and childbearing. The woman in question of such behavior is Bertrande de Rols, a peasant woman who allows an imposter to replace her missing husband for her own benefit. Yet in contrast to this account, Robert Finlay, author of “The Refashioning of Martin Guerre, claims that Bertrande had no real intent in her actions and that she was simply mislead by the imposter. Davis responds to this criticism in “Of the Lame,” where she further clarifies her reasoning behind her assertions. Using accounts of the historical trial, Davis provides multiple sources of evidence and a motive for her claim that Bertrande was, in fact, a collaborator of the imposter and that she deliberately took advantage of him to improve her quality of life.

In her rebuttal against Finlay, Davis explores how the imposter assimilated himself into becoming Martin Guerre with the implicit aid of Bertrande. When the imposter, Arnuad du Tilh, presented himself to Bertrande, “she recoiled in surprise. Not until he had spoken to her affectionately, reminding her of things they had done and talked

about…did she fall upon his neck and kiss him”. Clearly, Arnaud had some prior information to initially capture the attention of the Guerre family. Yet the question remains as to how Arnaud could have gained the information to continue and maintain his facade. Finlay claims that “[Arnaud] had gathered information about the Guerres’ marriage before hi...

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...., 1983), 42.

Robert Finlay, The Refashioning of Martin Guerre, 588.

Natalie Zemon Davis, On the Lame, 577.

Natalie Zemon Davis, The Return of Martin Guerre,44.

Robert Finlay, The Refashioning of Martin Guerre,588.

Natalie Zemon Davis, On the Lame, 578.

Jean de Coras, Arrest Memorable du Parlement de Tolose (Lyon: Antoine Vincent, 1561), 52.

Jean de Coras, Arrest Memorable, 74.

Natalie Zemon Davis, On the Lame, 578.

Jean de Coras, Arrest Memorable, 86.

Natalie Zemon Davis, On the Lame, 580.

Jean de Coras, Arrest Memorable, 66-67.

Jean de Coras, Arrest Memorable, 66-67.

Jean de Coras, Arrest Memorable, 135.

Natalie Zemon Davis, On the Lame, 593.

Natalie Zemon Davis, On the Lame, 580.

Natalie Zemon Davis, The Return of Martin Guerre, 30-31.

Natalie Zemon Davis, On the Lame, 585.

Jean de Coras, Arrest Memorable, 12.

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