Jack Worthing’s, the main character, animalism impairs his prestigious morality. Jack creates a fictional character called Ernest Worthing, to act as a rowdy brother that is portrayed as a burdensome sibling. However, he created this fictional personage so he could be as frivolous as he pleased without his ward Cecily knowing of his obstreperous ways. Jack’s acquaintance, Algernon Moncrieff, establishes that Jack’s brother does not actuality exist, and his thoughts are reaffirmed when he finds a cigarette case. He asks “This cigarette case is a present from some one of the name of Cecily, and you said you didn't know any one of that name…” Jack stutters “Well, if you want to know, Cecily happens to be my aunt…” (Wilde 4). Jack’s reasoning has become so tainted that his animalism seems to counterpoise his intellectual character. However, to no avail Algernon still inquires unremittingly “But why does she call herself little Cecily if she is your aunt and lives at Tunbridge Wells? [Readi...
... middle of paper ...
... personages in The Importance of Being Earnest possess a carnal feature which seems to disfigure their cerebral self. Jack Worthing grasped the idea of being an “animal.” He lies and he pleases himself which maims his sophisticated persona. The characters that Wilde has
created maintain an overly pleasurable relation with food. This passion for food proves how if one accepts their hidden desires, their psychological self may soon be tinted. The lustful relationships presented to us shows how beloved characters may soon be damaged by their obsessive corporeal traits. This theme enormously important to the play, for it proves Wilde’s intention that if people begin to accept animalism instead of appeasing it, their cerebral persona will soon be tinted.
Wilde, Oscar. The Importance of Being Earnest. New York: Dover Publications, 1990. Print.
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