The Impact Of Rock And Roll Music On The United States During The Vietnam War

The Impact Of Rock And Roll Music On The United States During The Vietnam War

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The changes in rock and roll music reflected the mood of the population in the United States during the Vietnam War. Rock and roll, written as rock ‘n’ roll, music was fully born in the 1950’s and formed from electric blues and gospel music. Rock and roll is characterized by electric guitars, a strong rhythm and youth-orientated music. This music became popular because of the children of the decade. Parents called this type of music “noise.” While parents were listening to calm music, their children were listening to rock n roll.
There were kids bumping and grinding to the sound of rock n roll music. The prosperity of the era gave them money to spend on records. The phenomenon of this music showed the difference between adults and children. The sound just attracted children when they heard this type of music. Children rebelled against the music their parents loved. Middle classes had the opinion that the music was tasteless, so it was banned from radio stations and schools.
Protest music began in the 1960’s. Bob Dylan was an artist that recorded protest music. He recorded “Times Are A-Changin” in 1963. The lines “There’s a battle outside and it’s ragin’. It’ll soon shake your windows, rattle your walls” are a reference to the Vietnam War. At first, you think he is trying to get the public to not try to understand the war. In all reality, he was talking about how confused and frustrated at how many parents sons’ and daughters were sent to war. Another song by him is “Blowin’ in the Wind” and it became an anthem for the civil rights era. “Chimes of Freedom” by Bob Dylan is another protest song. He uses imagery from wind, hurricanes, etc. to tell a bigger story.
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Another artist that recorded protest music was Tom ...

... middle of paper ...

...c. Public attention was concentrated on protest songs. The public got so focused on the genre because CBS television executives banned Pete Seeger from performing his anti-war allegory “Waist Deep in the big Muddy.” The executives thought that the term “big fool”, referring to Lyndon Johnson, was
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disrespectful and shouldn’t be broadcasted on the show. They finally caved in and allowed his performance.
Joan Baez was another protest singer and songwriter, and he was receiving a lot of attention for the song “Saigon Bride.” He was gaining attention because the song didn’t have the things a typical rock and roll song would. It was a gentle and poetic song. The song was about how a soldier is saying goodbye to his wife. Other protest singers that were a part of the anti-war movement were Arlo Guthrie, Woody Guthrie, Country Joe, and Jimi Hendrix.

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