Essay on The Imagery And Evolution Of Death

Essay on The Imagery And Evolution Of Death

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The Imagery and Evolution of Death in Hamlet
“The very conveyances of his lands will scarcely lie in this box, and must th’ inheritor himself have no more, ha?” Hamlet’s realization in 5.1.88 is one of great weight and resulted in more deep thought on the concept of death. Throughout Shakespeare’s “Hamlet” the subject is deeply considered and consistent breakthroughs and new realizations are revealed through Hamlet’s character. The primary evolution of Hamlet’s understanding stands with the coping, dealing with the finality of death, conflicts with morality and revenge in its intimate relationship with death as it applies to Hamlet.
Making light of dire situations has been a common human coping mechanism to deal with tragedy likely since humans began dealing with tragedy. Peter Bray suggests that Hamlet was a reflection of his own spiritual crisis for he too had not only lost his father, but also he son Hamnet. Bray concludes that the projection of Hamlet did not necessarily have a macho lead, contrarily he was more “reflective than action oriented” (Bray 104). While Hamlet’s character did not possess an overtly masculine role he often compared himself to other males. In the play Hamlet grieves in a manner customary of both male and female grievers, “Hamlet is typical in the way that he ‘blends’ both genders’ grieving styles. However, his responses are unique and individual.” (Bray 104). Saroglou and Lydwine emphasize that different types of humor are used by different types of people in different situations; for example, a person who has experienced a more severe trauma is more likely to attempt to use dark or “black” humor as a coping method to try to detach himself from the reality of the situation.
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...ntually succumbed to it himself. Revenge as noted before is, like life and death itself, a circular, repetitive cycle and can be expected to end in death; all life ends in death. Essentially, the more knowledge Hamlet gained about the subject of death the more his condition deteriorated, up until the point that he himself was not clear on the moral lines that seemed so clear when his father first died. The more he learned, the less he understood; the vast unjustness of life did not line up with anything he had known before and none of it made sense. Ultimately Hamlet realized that there were things beyond understanding which made his initial attempts in rationalizing his father’s death completely futile. Additionally this can be compared in contrast to Shakespeare’s acceptance of his son and father’s death and his eventual ability to move on from it.
















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