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analysis of iago from the beginning of the play
Character analyse of iago
charcter analysis of iago
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Iago’s Subconscious Motive
Iago, the antagonist of Shakespeare’s work, Othello, is often considered purely evil or sociopathic. At first glance, Iago appears to be a static, two-dimensional villain, but he is much more. Shakespeare, renown for his awareness of the human condition, leaves many important aspects of Iago’s life up to interpretation. In published works and critical interpretations, Iago is commonly attached to a myriad of mental illnesses and personality disorders. Because it seems that Iago’s life revolves around Othello and Desdemona, it is understandable how people may suggest that Iago is in love with Othello, or that he is a psychopath with no true motives. Shakespeare never discloses much about Iago’s past, raising the questions:
His behavior can be justified by a Stanford prison experiment, conducted by researcher Philip Zimbardo at a makeshift prison in Stanford University’s psychology basement. A test group of young men were enlisted to act either as prisoners or as guards in a makeshift prison. “Many of the guards, possessing authority based only on chance assignment to a role, treated the prisoners cruelly and subjected them to incredibly demeaning tasks. Many of the prisoners became passive and lashed out with great hostility toward the guards” (Holmes, Singh, Beins, 53). In relation to Othello, Iago assigns himself the role of antihero, lashing out against the honorable and valiant Moor. “This now famous study was one of many that helped to illustrate how easily we may adopt roles and behave accordingly -- even when it means treating others badly” (Holmes, Singh, Beins, 53). Are Iago’s actions the result of biological or environmental factors? Iago is not an irrational, mentally unstable sociopath who goes around killing people for pleasure. Yet, it also can’t be agreed upon that Iago is quite physiologically sound. He is an extremist who has reasons for his misdemeanors, though they aren’t necessarily the ones he claims. Some of his faults can be connected/traced to environmental factors, his life lived unloved and self-doubt as a
In conclusion, Iago is a psychopath because he meets all of the symptom criteria. He is an especially dangerous psychopath because he enjoys inflicting pain upon others, has no remorse or empathy, has a grandiose sense of self, is able to easily manipulate others for personal gain, and needs constant stimulation
This paragraph present a description of Iago Problems and Diagnosis. After close study of Iago case, Iago has been diagnosed with Antisocial Personality Disorder. This disorder where a person consistently shows no regard for right and wrong and ignores the right and feeling of others. People antisocial personality disorder often violate the law, becoming criminals. They show no guilt or remorse for their behavior (Legg). However, patients such as Iago who suffers from antisocial personality disorder, often violate the law, becoming criminals. They may lie, behave violently or impulsively and have a problems with drug and alcohol use. Symptoms of the condition include disregard for right and wrong, persistent lying or deceit to exploit others,
The fascinating intelligence of Shakespeare begins Othello, unlike other tragedies that begin with ancillary figures point out the character that will turn out to be at the center of the tragedy, with his genius creation of truly evil Iago instead of Othello. Shakespeare gave Iago the honor of being a main character, an antagonist too, in one of his blood soaked tragedies and made him survive the experience. Iago the genius villain whose intrigues and deception brought the downfall of the main hero Othello, is considered in today’s society a truly Sociopath. Sociopathy-as noted by Preston McAfee-is a personality disorder defined by certain characteristics such as manipulations, lack of empathy, sense of entitlement, and has a grandiose sense of his own importance. Those traits were manifestly shown by Iago in Shakespeare’s tragedy Othello.
Most readers see Iago as the simple “deceptive villain” while neglecting to see that Iago represents an unprecedented flair for deception and making others suffer or, as Schwartz describes Iago, “an embodiment of the ineradicable evil in Nature and of the malevolence in human nature.” Iago’s
In the play Othello (1603) by William Shakespeare, love and hate are two most critical far-reaching themes expressed throughout the play. There is no doubt that whether Othello loves Desdemona during the initial parts of the play and hence they get married. Then as the play progresses, Iago, the villain in the play manipulates Othello, by gaining his trust and injects him with the poisonous seeds of hate and jealousy. Thus, the great love between the couple fades away as hatred, jealously and revenge takes over Othello – which only ends after he murders his wife. Iago’s character was very diabolical from the very beginning of the play and it can be analyzed that Iago’s motivation for wrecking Othello’s happiness and his life arises solely from hatred. But, the real question that we need to focus, is that on whether Iago loved Othello at the same time? Can Iago’s evil actions be compromised if he wished that if he couldn’t be with Othello; Othello shouldn’t be with anyone - even if it included destroying
In Othello, Iago is Shakespeare’s most malicious character and serves as a vehicle to these two themes. Iago despises Othello; he has a strong will to destroy Othello’s life, yet the motive behind his plan goes unexplained. Iago is a great manipulator of the tongue and lies to everyone in order to advance his plan; however, every character in the play considers Iago an honest character, and Othello even associates Iago with light and eyesight. Othello continuously asks Iago to explain or make something clearer. Until the very end, Iago appears to be honest and helpful to the other characters, but underneath this seemingly harmless façade, Iago is a demon with the strongest will; he will stop at nothing until he ruins Othello’s life. Iago uses a positive appearance to enact his
As early as the first scene of the play Iago shows us strong motives for his actions. In this first scene we see Othello, a general of Venice, has made Cassio his new lieutant. Iago feels he truly deserves his promotion as he says "I know my price, I am worth more no worse a place."(l.i.12) Iago over here is confused why Othello has made such a stupid decision. Iago is a man with a tremendous ego who knows, sometimes overestimates, his worth. Roderigo, a Venetian gentleman, understands Iago when Iago said that he is "affined to love the Moor."(l.i.41-42) What Iago really means is "I follow him to serve my term upon him."(l.i.45) Iago wants to use Othello for his personal goals. We also must put ourselves into Iago's shoes. He is a man whose self-esteem and professional carrier have just been torn apart. Iago makes his actions of revenge toward Othello almost immediately by informing Brabantio, a Venetian senator and father of Desdemona, that "an old black ram (Othello) is tupping (his) white ewe (Desdemona)."(l.i.97)
Fred West addresses the fact of Iago misrepresentation, “It is not sufficient to simply drape Iago in allegorical trappings and proclaim him Mister Evil or a Machiavel or a Vice. Such a limited view of Iago is an injustice to the complexity of his character, since Shakespeare’s studies in personality are acclaimed by psychologists for their accuracy and profundity” (27). West seems to be reminding us that just seeing Iago as the representation of evil within the play of “Othello” is the wrong way to paint him. Iago is a man wronged by Othello in the fact that he was not chosen to be Othello’s lieutenant, which is what put the dastardly idea into Iago’s head to trick them all and bring them to their knees. As Iago tells Roderigo within the first act and scene of “Othello”,
“I am not what I am,” proclaims one of Shakespeare’s darkest and most enigmatic villains, Iago, in the tragedy Othello. Iago’s journey for revenge enables him to become capable of immoral acts, and whilst his malevolence excites us, we are no more intrigued by his attributes than we are of the play’s tragic hero, Othellos’. Rather, both characters’ confrontation with jealousy and their subsequent moral demise as a result of failing to control such an emotion provides the true excitement for audiences. Iago’s spiteful manipulation of Othello makes him a multifaceted character — whose corrupt attributes make the audience examine their own morality. However, the same can be said of Othello; his failure to withstand Iago’s ‘pouring of pestilence’
Iago is a powerful predator who exploits those around him by infecting their perceptions of truth with carefully chosen fallacy. His skill in finding the proverbial chinks in others' armor allows him to skillfully weave his machinations of destroying Othello into their minds and actions; by manipulating character's perceptions of Desdemona, Iago gains the leverage he needs to exploit each character. No one is impervious to Iago's seething purpose; even Othello falls prey to Iago's suggestions and insinuations about Desdemona. Iago's constant presence as the stager, as well as his ceaseless - but subtle - reinforcement of events through narration, allows him to be the pivotal force that directs Shakespeare's Othello.
Language and imagination are among the most dangerous weapons Iago has at his disposal in Othello. Jealous and angered by Othello’s - his commanding officer - passing over him for a promotion, Iago develops a fierce, antagonistic perspective the aforementioned character; this sentiment quickly corrupts his volition, and he subsequently concocts a plot bent on destroying Othello. He renders this revenge scheme credible by concealing his true feelings behind a facade of loyalty and trustworthiness, and fabricating a fictitious story concerning the infidelity of Desdemona, Othello’s wife. Until the play concludes, Iago utilizes purposeful rhetoric to drive his agenda, and also a mastery of deception to mislead the minds of his targets.
In William Shakespeare’s The Tragedy of Othello, Iago demonstrates a mastery of manipulation over people who had previously trusted and confided in him. His sudden turn from Othello’s loyal ensign to rage-filled villain seems indicative of a man who can no longer accept his position in life. Iago’s plotting of Othello’s demise starts as idle talk of a disgruntled 28 year-old career military man passed over for promotion. Iago believes that such a promotion may never come after Othello rejects his candidacy and makes it clear that he did not believe him suitable. He sees Othello is only concerned with personal and political gain with his choice of Cassio as lieutenant. When Iago teams with love-scorned and desperate Roderigo, he begins to construct Othello’s downfall. Iago is declaring an all-out covert war on Othello, Cassio, and anyone else who gets in his way. In Iago’s first speech in Act I Scene II, he proclaims hatred for Othello and lays out his plan for seeking vengeance. “After some time, to abuse Othello’s ears that he is too familiar with his wife (Shakespeare 1473).”
A psychopath easily demonstrates several discernible quirks. Iago, one of Shakespeare 's most notable characters from Othello, regularly displays unholy habits. Iago is a man who is determined to achieve his goals by manipulating and scheming plans to get what he wants. His shallow heart shows no mercy for those who oppose. A psychopath Iago undoubtedly fits the role of a psychopath because of his manipulative, emotionless and devious behavior throughout the entire play.
In Shakespeare’s Othello, Iago is the antagonist and villain who causes all the trouble and disorder. Othello is the protagonist, and is the main person Iago’s destruction and revenge is aimed towards. Othello is naïve and gives everybody his trust even though he may not know them or they haven’t earned his trust yet. He often refers to Iago has “Honest” Iago, which is a direct showing of irony because Iago is not honest at all (Shakespeare, I, iii. 289). Iago is so angry that Othello didn’t give him the promotion that was given to Cassio that he plans to seek revenge against Othello. He seeks his revenge against Othello by manipulating and lying to all of the people around him including his closest friend Roderigo, Cassio, Othello’s wife Desdemona and even his own wife Emilia. In the end, Iago’s lies and manipulation led to the deaths of Roderigo, Emilia, Othello and Desdemona. This isn’t the first time many of these individual characteristics have shown up in one of Shakespeare’s plays.
Shakespeare Othello was an act of many evil traits, including betrayal, manipulation and jealousy. Evil can be described as an act of someone who causes grievance, destruction, or impairment for one owns satisfaction; Iago, unquestionably, fits the description. Othello represented these traits through character, Iago, as he reveals his true nature of evil by diminishing people lives and becoming the downfall of many people around him. “Hell and night/ Must bring this monstrous birth to the world’s light” (I, iii, 394-396). Though Iago may not have a purpose of participating in many of his act of evil, he presents it as a self-obsessed driven supremacy. He plots to destroy Othello and to gain dominance by observing each weakness from Othello, and takes advantage of it. He uses his aid of human nature to help with his evil schemes and plots throughout the play. Because he identified Othello’s weaknesses and was able to use verbal persuasion to not only gain Othello’s trust, but to also use that as a benefit to what he wanted to accomplish. It is great importan...