“When he lies, he speaks according to his own nature, for he is a liar and the father of all lies” (John 8:44). This excerpt from The New Oxford Annotated Bible identifies the devil as the root of deceit; in Shakespeare 's Othello, deceit is the tool antagonist Iago uses to corrupt his companions. The portrayal of Iago in Othello reflects that of Satan in The New Oxford Annotated Bible. Iago reflects Satan in that he deceives his victims, manipulates his victims ' actions, and causes his victims to harm and condemn themselves. Iago reflects Satan in that he deceives his victims. Iago, in his pursuit of a, takes advantage of the trust of his companions to deceive them: And what 's he, then, that says I play the villain, When this advice …show more content…
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Divinity of hell! When devils will the blackest sins put on, They do suggest at first with heavenly shows, As I do now. . . . (2.3.356-359, 370-373)
Iago revels in his treachery, after counseling Cassio to restore his reputation with Othello in such a way that he may further incriminate Cassio. Iago deceives his victims by giving them false guidance, much like Saul accuses one possessed by Satan of doing to those interested in the word of God: But the magician Elymas . . . opposed them and tried to turn the proconsul away from the faith. But Saul . . . filled him with the Holy Spirit, and looked intently at him and said, “You son of the devil, you enemy of all righteousness, full of all deceit and villainy, will you not stop making crooked the straight paths of the Lord?” (Acts 13:8-10)
Satan uses deception to compel his victims to commit sin, and leads them astray of the “paths of the Lord”. Iago, in a parallel manner, uses treachery to turn his companions against each other, and guides them to their tragic demises; and in this way, Iago reflects Satan 's deceptive
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Iago does not only cause his victims to harm others; he also uses his manipulative powers to cause them to injure themselves. In his plot, the actions he impels his victims to take are what facilitates their own demises. Cassio, for example, was forced to destroy his reputation by drunkenness, and then guided to put himself in a position to be accused of engaging in an affair with Othello 's wife, for which Othello would order for him to be killed. After his drunken misbehavior, Cassio identifies the self-destructive nature of intoxication: O God, that men should put an enemy in their mouths to steal away their brains! That we should with joy, pleasance, revel, and applause transform ourselves into beasts! (2.3.309-312)
Iago himself functions in a similar manner, turning feelings of friendship and love into mistrust and murder. Thus he caused Othello, who had been celebrating his marriage to his beloved, to turn hateful towards his closest friend and murderous towards the woman he so loved, culminating in his own suicide. Upon uncovering Iago 's plot, Othello faces what he has done: . . . Then must you speak Of one that loved not wisely, but too
In Othello, Iago is Shakespeare’s most malicious character and serves as a vehicle to these two themes. Iago despises Othello; he has a strong will to destroy Othello’s life, yet the motive behind his plan goes unexplained. Iago is a great manipulator of the tongue and lies to everyone in order to advance his plan; however, every character in the play considers Iago an honest character, and Othello even associates Iago with light and eyesight. Othello continuously asks Iago to explain or make something clearer. Until the very end, Iago appears to be honest and helpful to the other characters, but underneath this seemingly harmless façade, Iago is a demon with the strongest will; he will stop at nothing until he ruins Othello’s life. Iago uses a positive appearance to enact his
In the tragedy Othello there is a character named Iago, his main goal is to be at the top. Iago at this point is willing to anything to get to his goal of being lieutenant. So what he does to get where he wants to be is lie to everyone; Othello, Roderigo, Cassio. One should play close attention to how he deceives Cassio. It would be a fair assumption that one could compare Iago to Hitler; due to his way of getting what he wants. Iago is direct but not enough to make the character aware of what he is really up to. He is very good at deceiving people. Iago knows his way around people and uses that skill to get what he wants and where he wants to be.
Iago’s actions were caused by his greed and envy of Cassio and Othello. His greed motivated him to use his wife Emilia and Roderigo and his envy towards Cassio and Othello cause Othello to murder his wife as well as commit suicide. Roderigo’s envy allowed him to become of use towards Iago’s greed. Envy blinded Roderigo of Iago’s action and motivated him to believe in Iago. This made Roderigo almost into a potential killer. Othello’s vanity deprived him of judgment on Iago. He believed Iago upheld to his name of “Honest Iago” and disregarded the fact of someone betraying. However, that was a lie and Iago abused Othello’s pride in his servants, and confused him into believing his wife of cheating. Othello, now blinded by his wrath, kills his wife due to his vanity and wrath. His vanity also leads him to suicide. Shakespeare shows to the readers of this play that sins of the Seven Deadly Sins can manifest within
Iago wanted Othello’s position and used others to shame Othello and gain stature. Iago dressed himself up a trustworthy man and worked his way into Othello’s trust with tricks and lies. He wore a very convincing mask; often temporarily defending the person he was trying to ruin to further his honest visage. He says to Othello, “Men should be what they seem…” (3.3.127) through these methods, Iago convinces Othello that Cassio, an officer, was having an affair with Othello’s beautiful wife Desdemona. As a vicious result, Othello is driven mad with anger and sadness and throttles Desdemona in their bed. The death and want left by Iago’s deception is vast hurting everyone involved most frequently on a mortal level. When the truth finally comes out, Othello, in his grief and remorse, ends up stabbing himself with a dagger. In the end, many die due to Iago’s deception, through villainy or despair, and none gain what they truly want because of it. This just goes to show that the mask of deception that a man wears can cause an unbelievable amount of harm, bodily and worse,
Throughout the story, Iago portrays himself as a Satan figure. In many ways, Iago can compare with Satan. Iago, like Satan, has proved himself to be a master of deception. He lies to everyone taking great care to disguise his own thoughts. For example, in Act 1 scene 2, when he is speaking to Othello about his feelings toward Cassio, he uses very strong language, while at the same time, he lies throughout the whole speech faking loyalty to a fellow soldier and all the while implying that he is reluctantly holding back the full truth: "I had rather have this tongue cut from my mouth. Than it should do offense to Michael Cassio" (I.ii.21-22). This deception impresses and convinces Othello that his officer is a good and loyal soldier. Iago also succeeds in deceiving Cassio. After Cassio's drunken fight, Iago counsels him to speak to Desdemona about trying to convince Othello to reinstate him as lieutenant, all the while knowing that this will only prove helpful to his plan of having Othello see him with Desdemona. Cassio answers him: "You advise me well . . . Goodnight, honest Iago" (II.iii.332/340). Thus, even Cassio is capable of being deceived by Iago. With all of this deception, it is a wonder that Iago is not Satan himself. He even gives an account to his plan of deception, in a soliloquy, in Act II. In comparing himself with Satan, he says:
Have you ever met a devil who does evil for his own sake? Iago in William Shakespeare's Othello could seem like he has good motives, but I feel that he uses them as his excuses. The first thing that I did was uncovered Iago's motives. Iago is the most controversial character in Othello. He is able to keep his true thoughts and motives from everyone. Are his motives only excuses for his actions? Iago pretends to have so many motives that they seem more like excuses. Iago then uses these excuses to justify his actions, which are pure evil. I also feel that Iago has motives and actions that cause his actions. Does Iago have many different excuses, or does he only have one? This paper will prove that Iago has one clear motive and reason for his madness. Iago is not looking for justification that causes him to act the way he does. There is much more though to Iago. He is not a man of only excuses, he has goals with his motives, which causes him to act the way he does.
Fred West addresses the fact of Iago misrepresentation, “It is not sufficient to simply drape Iago in allegorical trappings and proclaim him Mister Evil or a Machiavel or a Vice. Such a limited view of Iago is an injustice to the complexity of his character, since Shakespeare’s studies in personality are acclaimed by psychologists for their accuracy and profundity” (27). West seems to be reminding us that just seeing Iago as the representation of evil within the play of “Othello” is the wrong way to paint him. Iago is a man wronged by Othello in the fact that he was not chosen to be Othello’s lieutenant, which is what put the dastardly idea into Iago’s head to trick them all and bring them to their knees. As Iago tells Roderigo within the first act and scene of “Othello”,
Honesty is one of the most important factors in Othello. And although there is very little honesty actually present in the play the term is most commonly applied to Iago, who also happens to be the most dishonest character in Othello. Due partly to the other characters naiveté, Iago is capable of manipulating, brainwashing, and molding the other characters to satisfy his need for revenge against Othello.
The play "Othello" by William Shakespeare is based on an Italian story in Giraldi Cinthio's Hecatommithi (Groliers). In "Othello" we encounter Iago, one of Shakespeare's most evil characters. Iago is an ensign in Othello's army and is jealous of Cassio's promotion to Lieutenant. Through deception and appearance, we see unfolded a plethora of lies and clever schemes. The astonishing thing about Iago is that he seems to make up his malicious schemes as he goes along without any forethought. Noted writer Samuel Taylor Coleridge describes Iago's plan as "motive-hunting of a motiveless malignity" (Scott 413). Iago seizes every opportunity to further advance his plan to his advantage. Greed plays a major role as a motive for his various schemes. Throughout the story, Iago portrays himself as a Satan figure. In many ways, Iago can compare with Satan.
The desires of Othello, Cassio, and Roderigo allowed Iago to develop his deceitful plots by either offering, in the cases of Roderigo and Cassio, or taking away, in the case of Othello, what they want most. Iago used the weaknesses of others to complete his horrifying mission of destroying those above him. Iago manipulates Roderigo by using him as a pawn in his game to gain power. He also manipulates Cassio by using his flaw of becoming angry when drunk against him, a secret Cassio believed he told to a trusting friend. Othello is most clearly blindsided by Iago’s plot and no longer desires to live when he realizes he has killed his truthful wife after being told a lie. These characters all shared the common fatal flaw of trust, which lead to their downfall.
Iago is one of the most complex characters in William Shakespeare’s Othello. To most of the characters, he is “Honest Iago” (Shakespeare, 5.2.73). however, the audience knows that Iago is the furthest thing from honest. Iago is a devil bent on destroying the lives of everyone around him. At the beginning of the play, the audience learns that Iago is determined to ruin Othello’s marriage to Desdemona. He has appointed a new lieutenant, Michael Cassio. This angers Iago because he feels that he has much more military experience and should be the lieutenant. Iago has also heard rumours that both Othello and Cassio have slept with his wife Emilia. He concocts a malicious plan to ruin the lives of all who have wronged him, and consequently establishing
In William Shakespeare’s The Tragedy of Othello, Iago demonstrates a mastery of manipulation over people who had previously trusted and confided in him. His sudden turn from Othello’s loyal ensign to rage-filled villain seems indicative of a man who can no longer accept his position in life. Iago’s plotting of Othello’s demise starts as idle talk of a disgruntled 28 year-old career military man passed over for promotion. Iago believes that such a promotion may never come after Othello rejects his candidacy and makes it clear that he did not believe him suitable. He sees Othello is only concerned with personal and political gain with his choice of Cassio as lieutenant. When Iago teams with love-scorned and desperate Roderigo, he begins to construct Othello’s downfall. Iago is declaring an all-out covert war on Othello, Cassio, and anyone else who gets in his way. In Iago’s first speech in Act I Scene II, he proclaims hatred for Othello and lays out his plan for seeking vengeance. “After some time, to abuse Othello’s ears that he is too familiar with his wife (Shakespeare 1473).”
In Shakespeare’s Othello, Iago is the antagonist and villain who causes all the trouble and disorder. Othello is the protagonist, and is the main person Iago’s destruction and revenge is aimed towards. Othello is naïve and gives everybody his trust even though he may not know them or they haven’t earned his trust yet. He often refers to Iago has “Honest” Iago, which is a direct showing of irony because Iago is not honest at all (Shakespeare, I, iii. 289). Iago is so angry that Othello didn’t give him the promotion that was given to Cassio that he plans to seek revenge against Othello. He seeks his revenge against Othello by manipulating and lying to all of the people around him including his closest friend Roderigo, Cassio, Othello’s wife Desdemona and even his own wife Emilia. In the end, Iago’s lies and manipulation led to the deaths of Roderigo, Emilia, Othello and Desdemona. This isn’t the first time many of these individual characteristics have shown up in one of Shakespeare’s plays.
Iago’s initial jealousy of Cassio led him to seek revenge, thus moving the entire plot. He also fuels his hatred of Othello by convincing himself that Othello slept with his wife. His jealousy initiated many of the other characters’ jealousy, which resulted in multiple negative consequences. This included the death of Brabantio, Roderigo, Desdemona, his wife Emilia, and finally Othello. He was also punished for his jealousy. He is arrested and it is implied in the passage that he not be killed, but instead, tortured until he talks.
The satanic character of Iago is depicted well though different types or imagery. His sadist intend is depicted through suffocating imagery “I’ll pour pestilence into his(Othello’s) ear” (II iii 356) says Iago in a soliloquy in as he is outlining his malicious intent and nature. This continues throughout the play with lines such as “The Moor already changes with my poison” (III iii 322) and “Not poppy nor mandragora, | Nor all the drowsy syrups of the world shall medicine thee to that sweet sleep | Which thou did owdest yesterday” (III iii 327-30). His malicious character is likened to a snake through this imagery of poisons like a snake has and then Lodovico calls him a “Viper” (V ii 281) which indicates how Iago’s character is that of a snake, and in those times a snake was considered a creature of pure evil. The Machiavellian persona of Iago can also be seen through his use of reputation imagery to Cassio and Othello. To Cassio he says “Reputation is an idle and most false imposition” (II iii 267-8) and as a paradox, to Othello, he says reputation is everything to a man and he is nothing with out it. Iago is also likened very much, though imagery, to the Devil.