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Throughout the novel, The Hunchback of Notre Dame, many forms of love appear. There is true love that comes from the heart and is pure and on the other hand there is a lustful love which is not love at. Another love that is shown throughout the book, is love obsession, where one falls in love with someone and puts them before everything. In the Hunchback one can observe these loves and how they compare to one another as well as which one is best and why. In the end we will be able to see that even though there are many forms of love, many of them do not come from the right place and have the right intentions. As a result one will suffer from expressing the wrong types of love. The first love is a lustful love. This is where one is more attracted to the person’s body rather than the person themselves. Lust, according to the Webster dictionary, can be described as a very strong sexual desire. This is what Phoebus was feeling when he meets Esmeralda. He desires her looks, but not her heart. He was not really feeling love but just tricking her. As a result he was stabbed, almost died, and caused Esmeralda to be hopelessly in love with him even though he did not love her back. Another love that is presented in the Hunchback is a love that comes from desperation and/or frustration. It is when one falls in love with someone simply because they were the first person they ran into to get away from their problems. The problem with this love is that the person who expresses it is not truly feeling love. There are so many problems in their life that they think that by loving someone they will be able to escape their problems. That someone was Esmeralda for Claude Frollo. She happened to be there when he was frustrated and as a result became... ... middle of paper ... ...er way and never betrayed her. He did all this even though he knew she would never love him back. That is true love. From the things written above one can see the different forms of that were taken from the book, the Hunchback of Notre Dame. It can be observed how much one can about love from the books we read. One can also learn the greatest form of love and how to express it. One has learned that it is impossible to love without showing it. Out of all the loves mentioned above, true love is the best and the only real love. If one truly loves he/she will find themselves having room to love even more. For one can never love too much. Love is something that one should do every day and continue to do for the rest of one’s life. One needs to do whatever it takes to keep on loving. For in the words of William Shakespeare "If music be the food of love, then play on."
When we think about the force that holds the world together and what makes humans different from animals, one answer comes to our minds - that humans can love. Love is a state of mind that cannot be defined easily but can be experienced by everyone. Love is very complicated. In fact it is so complicated that a person in love may be misunderstood to be acting in an extremely foolish manner by other people. The complexity of love is displayed in Rostand’s masterpiece drama Cyrano de Bergerac. This is accomplished by two characters that love the same woman and in the course neither one achieves love in utter perfection.
Love is something that is so beautiful it brings people together, but at the same time it can be the most destructive thing and it can tear people apart. Edmond Rostand's play, Cyrano de Bergerac, is a tale of a love triangle between Cyrano, Christian, and Roxane. In the play, Cyrano helps Christian make a false identity about himself for Roxane to fall in love for. Christian had the looks while Cyrano had the personality, together they could make the perfect man. Throughout the play, you see similarities and differences between Christian and Cyrano’s personality, looks, and who they love.
Victor Hugo penned a fantastic, picturesque story of passion and the human spirit in The Hunchback of Notre Dame. The dramatic emotions of the characters play out on the stage of fifteenth century Paris, France. Quasimodo, a repugnant physical defect of nature, lived severed from human contact, excepting that of the solemnly aloof priest, Claude Frollo. For his part, Frollo strove for knowledge until he encountered the captivatingly gorgeous gypsy dancer, Esmeralda. She existed solely to adore an arrogant captain of the King's Archers, named Phoebus de Chateaupers, for saving her from being kidnapped. Enticed by Esmeralda's dancing to the depths of his being, Frollo outwardly denounced her as a sacrilegious sorceress, but his body raged for her out of lust, accounting for his repeated attempts at having her prohibited from dancing near the cathedral, or stolen away. Esmeralda, furiously in love with Phoebus, nearly sacrificed her virtue to gain his heart, before Frollo gravely wounded him. Tortured into confessing witchcraft and condemned to die by a court with church officials, the gypsy enchantress obtained sanctuary in Notre Dame cathedral, rescued from the hangman's noose by Quasimodo. At this point, Frollo attempted to claim Esmeralda's merciful and virtuous heartfelt forgiveness for his passion, failing miserably because his efforts appeared feeble and lascivious. Frollo and Esmeralda perished, however, after a storming of the cathedral and gruesome battle, dying sacrifices on the altar of human emotion.
...tion of both methods can be used to show France’s idea of what love is. Patrick John Ireland argued that France’s idea of love “is a human force controlled by man with great difficulty; it is a spontaneous, natural, and all-consuming power, the experience of which leads to an almost blind passion at times” (133). To be in love, one must be entirely devoted and passionate to one another to the point of blind passion. This is so for Yonec (the Princess jumps out of the tower) and Lanval (Lanval’s complete rejection of the human world until he is brought into the world of his lover). Not only does France portray love as natural and all-consuming, but also shows the private and unearthly nature of love that cannot be contained to the realm of the human world. Rather, love transcends the boundaries of the human world and enters into a world where love reigns supreme.
Since we are kids we are taught the importance and meaning of love. Obviously, when we are kids we don’t realize such a big felling, until we grow up. I would say that love isn’t the feeling of intense hormonal urges; it is much more than that. It’s a real genuine feeling. The intense connection of true love cannot be broken because true love is unconditional and it has no boundaries. I have read many books about love, but in this case this book I would talk about is special because it makes us ask many questions about ourselves. Gabriel Garcia Marquez without writing it in the book Love in the Time of Cholera sets the question how long could we will be willing to wait for love? Since the first moment we open the book we can see it is going to be about love, so after reading some chapters we can ask ourselves about this question, and that obviously traps us. Love in the Time of Cholera is a novel that has a very strong meaning of love, some types of love presented in this books focuses on pure, and innocent, passionate, interested, divided love and among others, but the good thing about these kinds of love is that it gives the readers a teaching.
Love is often misconstrued as an overwhelming force that characters have very little control over, but only because it is often mistaken for the sum of infatuation and greed. Love and greed tread a blurred line, with grey areas such as lust. In simplest terms, love is selfless and greed is selfish. From the agglomeration of mythological tales, people deduce that love overpowers characters, even that it drives them mad. However, they would be wrong as they would not have analyzed the instances in depth to discern whether or not the said instance revolves around true love. Alone, true love help characters to act with sound reasoning and logic, as shown by the tales of Zeus with his lovers Io and Europa in Edith Hamilton’s Mythology.
Love has the power to do anything. Love can heal and love can hurt. Love is something that is indescribable and difficult to understand. Love is a feeling that cannot be accurately expressed by a word. In the poem “The Rain” by Robert Creeley, the experience of love is painted and explored through a metaphor. The speaker in the poem compares love to rain and he explains how he wants love to be like rain. Love is a beautiful concept and through the abstract comparison to rain a person is assisted in developing a concrete understanding of what love is. True beauty is illuminated by true love and vice versa. In other words, the beauty of love and all that it entails is something true.
Love in its purest form is an unconditional selfless love like a mother’s love for her child, but what is love? Is love a feeling of deep affection of is it a burning desire for a companion? Love is wanting someone to be happy and putting their necessities and desires before one’s own needs. Throughout all the diverse cultures that have risen, fallen, and/or survived the test of time; love has been defined in such disparate ways which are shown in their cultures, literature, and history.
Love is a force that can overtake large adversities and can stumble over small challenges. Love is an intense feeling of deep affection. Love is eternal, but can be deflected. Different forms of love are expressed by Othello, Desdemona, and Iago in Shakespeare’s play Othello. As a result of romantic love, Desdemona splits from her family, and Othello slays his wife. Next, familial love, not as dominant as romantic love, is evidenced in Desdemona's choice to marry Othello against her family's requests. Lastly, Self-love is the basis for characters such as Iago and Othello to abandon moral reason. Love comes in different forms.
From the beginning of fiction, authors have constantly exploited the one topic that is sure to secure an audience: love. From the tragic romance of Tristan and Isolde to the satirical misadventures in A Midsummer Night’s Dream, literature seems obsessed with deciphering the mysteries of affection. The concept most debated is the question of where the line falls between lust and love and what occurs when the two are combined, and few portray it more clearly than Edmund Rostand in his French drama Cyrano de Bergerac. The influence of fickle physical attraction and deep romantic love on each other are explored by the interactions of the four main characters: De Guiche, Christian, Roxane, and Cyrano.
In The Lais of Marie de France, the theme of love is conceivably of the utmost importance. Particularly in the story of Guigemar, the love between a knight and a queen brings them seemingly true happiness. The lovers commit to each other an endless devotion and timeless affection. They are tested by distance and are in turn utterly depressed set apart from their better halves. Prior to their coupling the knight established a belief to never have interest in romantic love while the queen was set in a marriage that left her trapped and unhappy. Guigemar is cursed to have a wound only cured by a woman’s love; he is then sent by an apparent fate to the queen of a city across the shores. The attraction between them sparks quickly and is purely based on desire, but desire within romantic love is the selfishness of it. True love rests on a foundation that is above mere desire for another person. In truth, the selfishness of desire is the
Although love is interpreted as a wonderful thing it can also ruin someone's life, “Love is a trap. When is appears, we see only its light, not its shadows.” (Paulo Coelho) Love doesn’t fix people it breaks them asunder. It waits and waits for its next target to make a mistake and ruin everything they worked for. As seen in various works including; “The Raven” , Romeo and Juliet, and “The Gift of the Magi”. Romantic love is a force that inflicts pain upon those who believe in it or those who have been through it.
The Symposium, The Aeneid, and Confessions help demonstrate how the nature of love can be found in several places, whether it is in the mind, the body or the soul. These texts also provide with eye-opening views of love as they adjust our understanding of what love really is. By giving us reformed spectrum of love, one is able to engage in introspective thinking and determine if the things we love are truly worthy of our sentiment.
We are all initially searching for romantic love that will hold fast through a lifetime. Romantic love is defined as love that is unrealistic, fanciful, passionate and fabulous. In "Beginning of the Songs of Delight", Papyrus Harris 500 demonstrates fanciful love through "…apportioned to you is my heart,/ I do for you what it desires,/ when I am in your arms" (lines 1-3). In Shakespeare's "Othello", the Moor and Desdemona declare their love for one another, at the protest of her father and the disbelief of the councilmen (Act I, scene iii). Their romantic love was unrealistic because of their age difference, and fanciful because she was intrigued by the stories of heroism and daring that he imparted to her.
“I love you.” These three small words have such a powerful meaning. Love is something for which every human since the beginning of time has searched. From the quest for the perfect guy or girl, to yearning for acceptance, the search goes back to the individual’s desire for love. The dilemma is that love has become hackneyed and cliché. People fling around the word love as if it is nothing when in reality love is such a powerful word. People use the word love when in reality they should be using the word lust or infatuation. Society tries to replace a person’s need to be loved through sex, which does not work because that person just ends up getting hurt. Does true love really exist, or is it as bogus as a fairytale? The poems, “Let me not to the marriage of true minds,” “To My Dear and Loving Husband,” and “True Love” make the argument that true love is possible. True love is a very real thing, but people equate true love with romanticism. True love does not happen over night; it takes time and trust to build true love. True love is a powerful force which neither circumstances, time, nor any person can destroy. The reason for the twisted view of love is not because of Disney Princess movies, but instead is the result of the overuse of the word. People will say, “I love you” to someone they have only known a few days or to mere food. At times people treat loving others like admiring food; one cannot treat a person like food because food cannot actually return the affection. If a person commits to loving another, it is not right to leave if the significant other changes. This is not love, but rather a strong like or infatuation. True love is unconditional love and is not based on the lust or looks. The poems, “Let me not to the ma...