The Effects Of Commercialization Of Hip-Hop Music

In this essay I will discuss how Hip hop music applies on the statement “commercialisation does not preclude an artist from contributing to a culture of resistance”. Commercialization refers to the procedure of introducing the new hip-hop elements and essentially separating the culture with the purpose of dominating for profit (George-Graves, 2015). Culture of resistance defines “the use of culture consciously or unconsciously, effectively or not, to resist and/ or change the dominant political economic and/ or social structure” (Barnard, 2003, p.115). First of all, how graffiti generates youth subculture through the commercialization of hip-hop music. Besides, how advertised rapping motivates the substance and alcohol use in hip-hop style. Finally, the commercialized hip-hop culture has been produced the uprising number of women break-dancers in hip-hop culture. To begin with, the way of graffiti creates youth subculture by means of the commercialization of hip-hop music. Graffiti defines the broad array of mark, ciphers, and

Firstly, the way of graffiti creates youth subculture through the commercialization of hip-hop style. Graffiti are especially perceived as unlawful or officially illegal communal markings which associated with the individualistic or group delinquency of youth against the mainstream society. Also, the process of how commercialized rapping encourages drug and alcohol use in hip-hop music. The deficiency of the following probabilities for employment mobility are the main determining factors beyond the drug and alochol abuse. Lastly, the way of break dancing creates the uprising female dance-breakers by the means of the commercialized hip-hop culture. Some female dance-breaker attempted to challenge the strong movements which requires for the agility and