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Analysis of the character of othello
Othello character development
Iago, character analysis
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Recommended: Analysis of the character of othello
over the play’s course. It appears to all start off with jealousy over “a Florentine” (1.1.19) who had “never set a squadron in the field” (1.1.21) being chosen for Othello’s new lieutenant over Iago. However, jealousy over this appears not to be his only motive as he makes claims of Othello sleeping with his wife (“he’s done my office” 1.3.376) and repeatedly uses derogatorily racist terms (“Barbary horse” 1.1.111) to seemingly add to his cause. Regardless of whatever his motives are, Iago uses language and his ability to fashion alternative truths to allow him to achieve his desires. The whole plot, more or less, is derived around the “odious damned lie[s]” (5.2.178) he which he concocts and tells, and yet he is though of as “most honest” (2.3.6). The language others use to describe him (“O brave Iago, honest and just” 5.1.32) indicates the success of his fashioning, as does the tragic end brought about by his lies, yet his final description is that of a “hellish villain” (5.2.367). Is his error in his fashioning of the self, or is it something more. Fred West (South Atlantic Bulle...
“I am not what I am,” proclaims one of Shakespeare’s darkest and most enigmatic villains, Iago, in the tragedy Othello. Iago’s journey for revenge enables him to become capable of immoral acts, and whilst his malevolence excites us, we are no more intrigued by his attributes than we are of the play’s tragic hero, Othellos’. Rather, both characters’ confrontation with jealousy and their subsequent moral demise as a result of failing to control such an emotion provides the true excitement for audiences. Iago’s spiteful manipulation of Othello makes him a multifaceted character — whose corrupt attributes make the audience examine their own morality. However, the same can be said of Othello; his failure to withstand Iago’s ‘pouring of pestilence’
In Othello, Iago is Shakespeare’s most malicious character and serves as a vehicle to these two themes. Iago despises Othello; he has a strong will to destroy Othello’s life, yet the motive behind his plan goes unexplained. Iago is a great manipulator of the tongue and lies to everyone in order to advance his plan; however, every character in the play considers Iago an honest character, and Othello even associates Iago with light and eyesight. Othello continuously asks Iago to explain or make something clearer. Until the very end, Iago appears to be honest and helpful to the other characters, but underneath this seemingly harmless façade, Iago is a demon with the strongest will; he will stop at nothing until he ruins Othello’s life. Iago uses a positive appearance to enact his
Have you ever met a devil who does evil for his own sake? Iago in William Shakespeare's Othello could seem like he has good motives, but I feel that he uses them as his excuses. The first thing that I did was uncovered Iago's motives. Iago is the most controversial character in Othello. He is able to keep his true thoughts and motives from everyone. Are his motives only excuses for his actions? Iago pretends to have so many motives that they seem more like excuses. Iago then uses these excuses to justify his actions, which are pure evil. I also feel that Iago has motives and actions that cause his actions. Does Iago have many different excuses, or does he only have one? This paper will prove that Iago has one clear motive and reason for his madness. Iago is not looking for justification that causes him to act the way he does. There is much more though to Iago. He is not a man of only excuses, he has goals with his motives, which causes him to act the way he does.
Iago is a twenty- eight years old Caucasian married man and he is soldier in the Venetian army. Iago is viewed as modest, honest, and a good friend to people in public. People refer to him as “honest Iago” which lead them to trust him. Iago plans to destroy Othello by manipulating him to believe that his wife is being unfaithful to him with his promoted lieutenant Cassio, a position Iago wanted to have. Although the scandal that Iago came up with is a complete lie, Othello ends up believing him. Iago uses his ability to talk to people in order to accomplish his plan of destroying Othello because he wasn’t granted the position of the Venice army. (Sorto 1)
In Othello, we are first introduced to Iago, a military officer under the command of the Othello, a well-respected Moorish captain. Iago’s hatred for Othello is revealed in the very first lines of the play, when it is revealed that he has been...
Iago is one of the most complex characters in William Shakespeare’s Othello. To most of the characters, he is “Honest Iago” (Shakespeare, 5.2.73). however, the audience knows that Iago is the furthest thing from honest. Iago is a devil bent on destroying the lives of everyone around him. At the beginning of the play, the audience learns that Iago is determined to ruin Othello’s marriage to Desdemona. He has appointed a new lieutenant, Michael Cassio. This angers Iago because he feels that he has much more military experience and should be the lieutenant. Iago has also heard rumours that both Othello and Cassio have slept with his wife Emilia. He concocts a malicious plan to ruin the lives of all who have wronged him, and consequently establishing
Language and imagination are among the most dangerous weapons Iago has at his disposal in Othello. Jealous and angered by Othello’s - his commanding officer - passing over him for a promotion, Iago develops a fierce, antagonistic perspective the aforementioned character; this sentiment quickly corrupts his volition, and he subsequently concocts a plot bent on destroying Othello. He renders this revenge scheme credible by concealing his true feelings behind a facade of loyalty and trustworthiness, and fabricating a fictitious story concerning the infidelity of Desdemona, Othello’s wife. Until the play concludes, Iago utilizes purposeful rhetoric to drive his agenda, and also a mastery of deception to mislead the minds of his targets.
Everyone at some point in their lives attempts to convince someone to behave certain ways and to do specific things that ultimately will only benefit the person doing the convincing. Throughout the entire book, Othello, Iago attempts to convince numerous people in order to in the end only benefit and help himself. In this scene, Roderigo is explaining to Iago how he no longer wants to love because he is without Desdemona’s love. Iago then focuses on convincing Roderigo not only out of suicide, but also into getting Desdemona back. If Iago was unable to encourage Roderigo to go back after Desdemona, his plans would have been ruined. In lines 296-395, Iago uses many different uses of language in order to convince Roderigo to do what he wants him to do.
Shakespeare develops the character Iago into an instigator and evil man. Iago attempts and succeeds to convince Othello that his wife has had an affair with his friend Cassio. We see Iago beginning his plans at the very start of the play. “But I will wear my heart upon my sleeve for daws to peck at, I am not what I am.”(Oth 1:1:64-65) He immediately tries to start trouble with Brabantio and Othello over the marriage to Desdemona. Iago want to get in Othello’s way because he was passed over for general and Cassio was chosen instead. We see from the start how he plots against Othello and he involves several characters in his plans. “And what’s he then that says I play the villain? When this advice is free. I give and honest, probal to thinking, and indeed the course to win the Moor again? For tis easy Th’ inclining Desdemona to subdue in any honest suit; she’s framed as fruitful…”(2:3:295-300).
In Shakespeare’s Othello, Iago is the antagonist and villain who causes all the trouble and disorder. Othello is the protagonist, and is the main person Iago’s destruction and revenge is aimed towards. Othello is naïve and gives everybody his trust even though he may not know them or they haven’t earned his trust yet. He often refers to Iago has “Honest” Iago, which is a direct showing of irony because Iago is not honest at all (Shakespeare, I, iii. 289). Iago is so angry that Othello didn’t give him the promotion that was given to Cassio that he plans to seek revenge against Othello. He seeks his revenge against Othello by manipulating and lying to all of the people around him including his closest friend Roderigo, Cassio, Othello’s wife Desdemona and even his own wife Emilia. In the end, Iago’s lies and manipulation led to the deaths of Roderigo, Emilia, Othello and Desdemona. This isn’t the first time many of these individual characteristics have shown up in one of Shakespeare’s plays.
Iago has been excellent at saying the what is needed to get to people, he misleads them to get a reaction he wants out of them. He is clever with his words to avoid confrontation that can easily happen. “Othello 's confusion is the human experience of language. In other words, language itself, not the outside world, determines meaning” (Christofides 2). Iago uses his words against Othello to get him to do Iago’s doings. Iago has an eloquence with
Throughout the play, the audience is amazed by just how well Iago’s destructive plan worked. He changed Othello’s emotional state, from a man who holds himself well to a man driven to murder by jealousy, destroying not only the friendship between Othello and Cassio, but also Othello’s marriage to Desdemona. The audience again, may feel a varying degree of repulsion to Iago for the damage he had caused, but deep down the audience is satisfied with the mould of a villain matching Iago so well, and Iago bringing much more to the table. A reason behind the success of his plan, Iago is manipulative to everyone around him. Othello praises Iago as “a man he is of honesty and trust”, giving Iago the nickname, “Honest Iago”. He keeps his ‘friend’ Roderigo close, but his enemy closer, manipulating Othello to believe Desdemona did deceive him as “she did deceive her father marrying you.” His two-faced personality and ability to manipulate everyone around him allows his plan to be even with Othello “wife for wife” to work, while he fits the villainous mould well. He brings more to the table by hiding this behind a ‘heroic’ and ‘trustworthy’ mask, another factor that makes his attributes of a villain more
In Shakespeare’s play Othello, Iago is the character that causes most of the problems in the play, and can be classified as the villain of the story. Iago is a character that is very jealous of Cassio and Othello because they hold positions that he believes he should have. He also believes that his wife has cheated on him with Othello. “Iago represents evil and cruelty for its own sake. He is deeply unpleasant and this is revealed to the audience in no uncertain terms in his numerous asides.” (Jameson) Iago is a character who acts different depending on what people he is around, obviously he is not going to say some of the same things when Othello or Cassio are around as he does when they are not there. “Even now, now, very now, an old black ram Is tupping your white ewe.”(1.1.91-92) Iago was very manipulative throughout the course of the play, and often got what he wanted by being this way. “Iago is consumed with envy and plots to steal the position he feels he most justly deserves. Iago deceives, steals, and kills to gain that position.” (Jarret) Iago is a classical type of villain that is the root of all probl...
In their conversations together, Iago seems to pity Roderigo, claiming to “have professed me thy friend,” yet he advises Roderigo into a position which would only help him further drive his plot forward, simultaneously leading Roderigo to believe that he is helping him (I.iii.379). When Iago is alone, he is less likely to brag about these ideas and more likely to run the audience through his thought process in a stream-of-consciousness. Through these monologues, the audience is able to see the more manipulative side of Iago that he disguises when around Othello. Iago carefully manipulates each character to the position that is most advantageous to him, yet still asks himself, “And what’s he, then, that says I play the villain,/When this advice is free I give and honest” (II.iii.356-57). Almost seeming to be proud of himself, Iago views his planning as nothing more than a game, “[his] sport and profit” (I.iii.429). Iago has no moral qualms about exploiting others’ weaknesses, a situation which ultimately gives him the upper hand against Othello when controlling
Iago can be viewed as the narrator of this play. He is left alone on stage several times trough out the play to more or less speak to the audience. One such instance is the last part of the first act where Iago devisee’s his plan of attack on every character in the play. At this point the only reason we have seen for his anger is that he has not been appointed Othello’s lieutenant, despite his recommendations. “But for my sport and profit, I hate the moor…”(1.3.365). It is obvious that Iago is the villain in the play. But this line is very important. Iago hates Othello it seems because of his unapointed position. This line asks us, the audience, a good question: does Iago hate Othello enough to go trough all the trouble creating enemies of the entire cast? There could have been much simpler ways to get at Othello without dragging everyone else into the picture. Also after Rodrigo lost his luetiency it would have been simple for Iago to fill the newly vacant position. I believe, as the line says, Iago hates Othello only for amusement. “But for my sport and profit…” (1.3.365) Iago engages in the act of hating not because he has a disregard for Othello. Iago engages in the act of hating only to hate, whether it be Othello or his own mother. Iago hates for his own “sport and profit.” thus understand this concept of Iago puts a whole new spin on the evil which consumes him.