The three paintings all underline the way humans impact the vast amount of nature. Although man-made structures are present, nature dominates in the paintings as the artists portray the landscape to be the central idea to analyze. The scenery provides a glimpse of the artists’ sights during their depiction of the locations, allowing the audience to view the setting through the eyes of the artists. In the works, the geography and setting are towering over man-made objects. For example, it is ambiguous whether Signac has his focal point on the house or the two trees in the yard. As the audience views the painting, it is difficult to consider if the naturalistic features are the key figures to observe. Regardless, the two trees’ in the painting are closer to the viewer with their placement in the foreground. This leads them to tower over the chateau and emphasize the outweighing role nature has with people and the creations. Likewise, Ruisdael highlights nature with the overbearing presence of the sky. In the Bleaching Grou...
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... mountain squeezes the atmosphere in the little space available. Unlike Monet’s and Ruisdael’s work, Signac’s has a larger presence of a building as the chateau takes up about half of the painting. The placement of the building leads the eye in a diagonal direction as the eye follows the roof at an angle and onto the trail that’s behind the fence. The difference in composition is prevalent as the layout of each painting differs. When referencing technique and composition, the three paintings underscore clear distinctions between them.
In conclusion, art has tendencies to connect with other works. Although the three paintings share a common idea of natures powering presence over humans and their innovations, they do so in different styles and compositions. Regardless, art can speak in meaningful ways and can impact the way patrons of art view and relate to the world.
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