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now and then character analysis
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With Boredom Comes Self-Entertainment and Life Changing Decisions
In John Updike’s fictional story A & P, the main character and protagonist of the story, 19 year old Sammy, is in a state of boredom during his developmental growth during his time at his dead-end job, The A & P, Such state of mind can be seen in three different main points within the story: judging the customers of the A & P through internal dialogue, Sammy’s observations of the young female customers, and Sammy ultimately leaving his job.
One example of how boredom is the central theme of this story is when Sammy starts judging customers through internal dialogue, such insults can be seen on the first paragraph of the story when Sammy is ringing up a customer, “I ring it
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She’s one of the cash register watchers, a witch in her fifties with rouge on her cheekbones and no eyebrows, and I know it made her day to trip me up. She’d been watching cash registers for fifty years and probably never seen a mistake before.” (Updike pg.32) Sammy begins by mentioning that she is a “cash register watcher[s]” meaning that this customer constantly tries to look for imperfections in the way that a cashier, in this case Sammy, goes about providing customer service. Sammy then continues by comparing the customer to “a witch in her fifties” and begins to describe her disfigured face. Sammy then goes on to describe her as someone who in fifty years of watching cashiers, her pent up aggression was let loose on the first cashier to slip up and make a mistake, which happened to be Sammy. Although the customer was not impressed by his service, Sammy doesn’t necessarily say how severe the encounter was and what “giving me hell” truly meant, thus leaving the possibility that it could have been a situation that was overdramatized in Sammy’s thoughts as a way to entertain himself from boredom. Another example of Sammy’s boredom induced judgements can be seen in the first sentence of the second …show more content…
Sammy then has an internal dialogue that takes sides with the girls and in a rebellion against the “policy” Lengel mentioned, regardless if the girls really had the same sort of rebellious spirit of Sammy or if they just stopped in to or from a beach and trying to avoid confrontation and hoping to leave soon. As the girls leave the convenience store Sammy yells “I quit” as if the girls symbolized freedom from his boring dead-end job, hoping that the girls will take him with them and help him run away from the day to day “cash register watcher” routine; feeling that he was too young to work that hard, too young to die that fast. While Sammy was preparing to leave the store “Lengel sighs and begins to look very patient and old and gray. He’s been a friend of my parents for years. ‘Sammy you don’t want to do this to your mom and dad,’ he tells me. It’s true, I don’t. But it seems to me that once you start a gesture, it’s fatal not to go through with it. I fold the apron, ‘Sammy’ stitched on the red pocket, and put it on the counter, and drop the bow tie on top of it.” (pg. 432) at this point Sammy is threatened by Lengel’s blackmail, but isn’t faced by it and proceeds to drop his uniform, symbolizing his growth from the small convenience store. As Sammy walks through the door of the A & P he turns around and sees Lengel’s face, “His face was dark gray
In the short story “A&P” by John Updike, a young store clerk named Sammy observes three young girls walking into the store, and in great detail describes the appearance of each girl. He obsesses over these girl’s every move throughout the story. Eventually the girls go to cash out only to be halted by the manager who tells them they need to be “decently dressed” when shopping at his store. After Sammy rings the three girls up he tells the manager he quits in order to impress the girls. Unfortunately they don’t notice and when he leaves the store he realizes the girls are gone, and that he has made mistake. The author paints the protagonist as an individual who despises his job, and as a very cynical person who loathes the average customer at
Sammy’s point of view of conformity changes from passive to active which shows the growth of his character. Updike chooses a 19-year-old teenager as the first narrator. As a teenager, Sammy’s personal value is still developing and he is not fully shaped by the conformity, which suggests his quitting later in the story. Although Sammy’s perspective is unreliable since his thoughts are limited by his age, he gives readers a naiver perspective of the society. He simply considers the customers as “sheep” or followers when he works in A&P, such as: “The sheep pushing their carts down the aisle” (748). However, before he saw the girls, he was part of the conformity. He silently mocks the people being conservative, but does not show any rebuke against
Lengel, the manager of the store, spots the girls and gives them a hard time about their dress in the store. He tells them, “Girls, this isn’t the beach.” He says that they are not dressed appropriately to come into this grocery store. Lengel’s words cause Queenie to get embarrassed and start to blush. Sammy cannot believe this and gets frustrated at his boss. He doesn’t believe that it is right to prosecute these innocent girls for the way they are dressed. He also states at this point that the sheep are piling up over in Stokesie line trying to avoid all the commotion the scene has caused. I believe Sammy takes this as the last straw in a long string of aggravations.
At first glance, Sammy, the first-person narrator of John Updike's "A & P," would seem to present us with a simple and plausible explanation as to why he quits his job at the grocery store mentioned in the title: he is standing up for the girls that his boss, Lengel, has insulted. He even tries to sell us on this explanation by mentioning how the girls' embarrassment at the hands of the manager makes him feel "scrunchy" inside and by referring to himself as their "unsuspected hero" after he goes through with his "gesture." Upon closer examination, though, it does not seem plausible that Sammy would have quit in defense of girls whom he quite evidently despises, despite the lustful desires they invoke, and that more likely explanations of his action lie in his boredom with his menial job and his desire to rebel against his parents.
Sammy is stuck in that difficult transition between childhood and adulthood. He is a nineteen-year-old cashier at an A&P, the protagonist in a story with the same name. John Updike, the author of "A&P," writes from Sammy's point of view, making him not only the main character but also the first person narrator. The tone of the story is set by Sammy's attitude, which is nonchalant but frank--he calls things as he sees them. There is a hint of sarcasm in Sammy's thoughts, for he tends to make crude references to everything he observes. Updike uses this motif to develop the character of Sammy, as many of these references relate to the idea of "play."
In John Updike’s short story, A&P the writer takes you on a youths memory that involves the choices and consequences that life can deal to anyone who has not had time to test a rash decision. The narrator is an immature nineteen-year-old cashier who is about to make a giant leap from adolescence to manhood. Sammy narrates with opinions of not only his life, but also the people in the town. Sammy opposes with the way these people live their lives, and is determined to set a different course for his future. The author uses characterization, symbolism, and setting to explain Sammy's life issues such as decision-making, result of action, and responsibility. The story illustrates that part of growing up is about making choices and a willingness to accept consequences of one’s own choices.
Lust makes people do crazy things. John Updike’s short story “A&P” provides a perfect example of how lust made a boy quit his job. In this short story, a boy, named Sammy, catches a glimpse of three under-dressed, attractive girls as they enter his workplace. The manager asks the three girls to leave. As a result, Sammy is outraged by the mistreatment of the girls and quits his job in protest. Sammy’s stand against the mistreatment of the girls makes him feel like a hero. Updike’s use of descriptive words and dramatic irony in “A&P” leads the reader to believe that Sammy’s heroic acts were not actions with rebellious intentions, but actions due to his lust for the three under-dressed girls.
Sammy is a 19-year-old boy conveying a cocky but cute male attitude. He describes three girls entering the A & P, setting the tone of the story. "In walk these three girls in nothing but bathing suits. There was this chunky one, with the two piece-it was bright green and the seams on the bra were still sharp and her belly was still pretty pale...there was this one, with one of those chubby berry-faces, the lips all bunched together under her nose, this one, and a tall one, with black hair that hadn't quite frizzed righ...
In, “A&P,” Updike depicts an unusual day for Sammy working in the A&P store. Sammy’s days are usually mundane but his day is changed when a group of scantily dressed girls walk into the store and they leave an everlasting influence on his life. Updike’s demonstrates these events through colloquial language and symbolism, allowing the reader to connect with Sammy and see his growth as a character.
On the other hand Sammy feels that Lengel was wrong for his actions and tells him that he is quitting. In this he is trying to take up for the girls.
The story unfolds when, “Lengel, the store’s manager” (2191) confronts the girls because they are dressed inappropriately. To Sammy, it is a moment of embarrassment and in defiance he quits his job. The student suggests that in quitting, “Sammy challenges social inequality and is a person who is trying to
This story represents a coming-of-age for Sammy. Though it takes place over the period of a few minutes, it represents a much larger process of maturation. From the time the girls enter the grocery store, to the moment they leave, you can see changes in Sammy. At first, he sees only the physicality of the girls: how they look and what they are wearing, seem to be his only observations. As the story progresses, he notices the interactions between the girls, and he even determines the hierarchy of the small dynamic. He observes their actions and how they affect the other patrons of the business. Rather, how the other people view the girl's actions. His thought process is maturing and he starts to see things as an adult might see them.
“Sammy wishes to quit, but he resists doing so because his parents would regard his decision as 'the sad part of the story'” (Thompson 215). Sammy points out that he thinks of quitting his job many times during the story, subtle as they are, he begins with the observation of quitting during the summer rather the winter and the part where he has mentioned “the sad part of the story” (Up...
Sammy starts the story seeming as an ordinary grocery cashier in a small store, but it seems as if he has a little something to say about every person he sees or talks to, although he does not say anything out loud to the customers (or his boss for that matter). When three girls walk in the store wearing
...up on Stokesie like sheep, Engel explains that policy insists that shoulders must be covered. Policy is what the kingpins want. What others want is juvenile delinquency. Like a champ Sammy throws in the towel. He watched as 3 girls bucked the norm and alternately was confident enough to quit altogether. They get away from him and his feet are carrying him to the place of his residence rather than a car, reserved for higher classes. He ends with the thought how hard the world was to be to me hereafter. Sammy?s variety of verbal simulations and creations for the reader reveal the social and economic classes of basic society. The adults like animals, the attractive women- analyzed on a pedestal in full description and personification, employees get harped on too. Stoksie was a little to ambitious for a bagger, and management was regarded like the rest of the animals.