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Analysis of the Dracula novel
bram stokers dracula essay
a brief summary of the dracula by bram stoker
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Recommended: Analysis of the Dracula novel
Bram Stoker was born into a lower-class Irish family in late 1847. He grew up with six siblings, at least four of which were brothers. Throughout his childhood, Stoker was an invalid, sickened with an unknown disease. Many days were spent listening to his mother tell stories of Ireland. It is thought that her stories played a large role in his writing (Stoker 5). Perhaps due to Stoker’s childhood illness and relationship with his brothers, his writing in Dracula exhibited a great deal of homosociality, the idea of same-sex relationships on a social level, rather than romantically. In the novel, Stoker introduces the idea of homosociality by creating a friendship and camaraderie between the main male characters.
Dracula begins with a diary entry from Jonathan Harker, a real estate agent from England. Mr. Harker is traveling to Transylvania, where he is to confirm a business deal between Count Dracula and his mentor Peter Hawkins. En route to Transylvania, Jonathan comes across many people who caution him about his trip and his host. They cower at the thought of him going into the land, and give him gifts of garlic and a crucifix. At the time, Mr. Harker is unaware of the severity of his troubles. Although these people are friendly and reach out to help Jonathan, it is not considered homosociality, since they do not form the tight, same-sex friendship that is required of the term. For Jonathan, these early helpers are simply companions on a train.
Once Jonathan arrives at the castle, he is met by the mysterious Count Dracula, a man described as strong and pale, with bright ruby lips and sharp white teeth. Although Jonathan is unaware of what Dracula truly is, he can already sense that something is amiss, and he gets worr...
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...or party. The men are going out together to accomplish something without a female presence. Fighting is the ultimate male bonding, a real-life definition of homosociality.
Over the course of the novel, there were many instances of the male characters bonding together to accomplish a variety of tasks. In the beginning, Dracula attempts to befriend Jonathan Harker as a way to allay his fears. Further along, we find the relationship between Quincey, Arthur and Jack Seward to be friendly and close. Van Helsing and Jonathan add to that mix to create the ultimate male friendship; the group of men who go out to fight battles together and achieve a victory. Although there are many other themes in the novel, homosociality is the most prominent and well evidenced by the words and actions of the characters.
Works Cited
Stoker, Bram. Dracula. Boston: Bedford, 2002. Print.
Bram Stoker’s Dracula includes themes of death, love, and sex. Stoker’s use of empiricism utilizes the idea that everything is happening “now”. The book offers clear insight into who is evil without explicitly saying it. Stoker’s interest in empiricism uses British womanhood as a way to distinguish between good and evil.
Birge, Barbara. "Bram Stoker's DRACULA: The Quest for Female Potency in Transgressive Relationships." Psychological Perspectives. 1994. 22-36.
First off, in Stoker’s Dracula the reader’s suspension of disbelief is lower as compared to folklore tales. He is a tall creepy old person when first revealed, but later on in the novel he is shown to be more sinister. This creates a sense of mystery and confusion. Another reason is that he is a well developed antagonist. Often times he outsmarts the main characters creating a sense of suspense and irony because the readers know what is going to happen but the characters do not. But the most important reason of them all is the fact that Count Dracula takes elements from folklore and builds upon it. Stoker uses classic folklore to create a foundation for Dracula, for example; Dracula’s powers give him the ability to live forever, or shapeshift into other creatures as well. They also give him weaknesses such as: holy objects and daylight which mitigates his powers. These powers regularly add to the mysterious tone in the book. Count Dracula climbing down the castle wall upside down or moving slowly across a yard as a cloud of vapor makes the reader question what is happening. He has the ability to control the weather and animals as well. Stoker gives him powers from legend to make him a formidable force in the story. Although his appearance is unpleasant, he is quite the seductive character. He uses this to his advantage when trying to turn Mina and Lucy into vampires. Dracula preys on ‘weaker’ beings in a hierarchical system where he feasts on the women and once the women have turned to vampires, they feed on children. He can also use telepathy to tell where other vampires are, however, this works against him in the final chase of the book. In short his powers are unique and interesting and help to make the Count a powerful
The novel Dracula by Bram Stoker has plentiful examples of key concepts we have examined in class including: Purity and impurity, magical thinking, strong emotions such as disgust and shame, , formalization, and myth. In this essay I will summarize events that take place within the novel when the protagonists deal with Dracula and then relate these events to the key concepts to demonstrate why the characters view him as dangerous, and therefore something to be avoided completely.
Bram Stoker and Sheridan Le Fanu’s texts, Dracula (1898) and “Carmilla” (1872), use gothic tropes in similar ways to captivate readers with horror and terror. This essay will illustrate how, in comparison, both texts include gothic tropes: the New Woman, sexuality and setting, in order to provoke emotions and reactions from the readers. To achieve this, this essay will focus on the women that challenge traditional gender roles and stereotypes, and deconstruct each text in regards to the very strong undertones of homosexuality; specifically between Carmilla and Laura, and Dracula and Harker. By discussing the harshness and darkness of the environments described, including ruined castles and isolated landscapes; this essay will also explore the
In the novel by Mark Twain, The Adventures of Huckleberry Finn, the two main characters, Huck and Jim, are strongly linked. Their relation is portrayed by various sides, some of them good and some others bad. But the essential interest of that relation is the way that uses the author to describe it. Even if he had often been misunderstood, Twain always implied a message behind the themes developed around Huck and Jim.
Under the telescope of The Adventures of Huckleberry Finn , Mark Twain brings his audience a play of a boy, Huck, in search of freedom along with developing an innocence true friendship with a runaway slave Jim in a time of racial discrimination. He employs a critical tone demonstrated the social problems in the 19th century American society, yet expresses the idea that unconditional love and instincts prove to have better outcomes than what society demands. Throughout Huck and Jim's story struggles, fallbacks, and advances within their friendship, Mark Twain proves that the choice to do what one feels is right and what society teaches us are not always easy to make. I was truly impressed by the unconditional trust and bond between Huck and Jim; the love beyond age, race and family, it is uncommon in society, not in 19th century, not today’s society. However, Twain uses the beautiful, flawless relationship to ironically criticize the discrimination against black people and demonstrates the true friendship, human bond exists despite of everything else.
Stoker uses phenomenal imagery to produce a late nineteenth century setting, located somewhere within eastern Europe. Transylvania, the infamous home to Dracula himself, is described in great detail in Harker’s journal. There, Stoker purposely and meticulously outlines Dracula’s castle and the surrounding town. Stoker manages to do this with a very gothic tone, immediately lowering the societal status of women. In conjunction with Dracula’s gothic tone comes the understanding of male and female traditional roles of the era. The reader sees that there is no hesitation differentiating between the two, as Stoker “ cast[s] men as rational, strong, protective and decisive…[and] women as emotional (irrational), weak, nurturing and submissive.” (Tyson, 82).
There is much criticism of Dracula. There is so much symbolism depicted in the novel that many argue as to what exactly Bram Stoker was trying to get across to his audience. Some believe that his suppressed feelings of homosexuality were shows in the novel, as well as other things such as the fear of the anti-Victorian beliefs of that time. Broker did not survive to see how popular his novel became, so no one will ever truly know what bottled up feelings Stoker had while writing Dracula.
Podonsky, Amanda M. "Bram Stoker's Dracula: A Reflection and Rebuke of Victorian Society." Student Pulse: The International Student Journal. N.p., 2010. Web. 25 Mar. 2014.
The story begins as Jonathan Harker, a lawyer, goes to Castle Dracula in Transylvania to conclude a real estate transaction with the great Count Dracula. During his travels he experiences newfound foods, sight seeing, and some unusual behaviors expressed by others. In the midst of his journey, an old lady approaches Harker in a very hysterical way asking, “Mu...
Dracula’s peculiar actions begin when Johnathan Harker takes a Journey to help Dracula with some business. When Harker was getting
The late nineteenth century Irish novelist, Bram Stoker is most famous for creating Dracula, one of the most popular and well-known vampire stories ever written. Dracula is a gothic, “horror novel about a vampire named Count Dracula who is looking to move from his native country of Transylvania to England” (Shmoop Editorial Team). Unbeknownst of Dracula’s plans, Jonathan Harker, a young English lawyer, traveled to Castle Dracula to help the count with his plans and talk to him about all his options. At first Jonathan was surprised by the Count’s knowledge, politeness, and overall hospitality. However, the longer Jonathan remained in the castle the more uneasy and suspicious he became as he began to realize just how strange and different Dracula was. As the story unfolded, Jonathan realized he is not just a guest, but a prisoner as well. The horror in the novel not only focuses on the “vampiric nature” (Soyokaze), but also on the fear and threat of female sexual expression and aggression in such a conservative Victorian society.
In Bram Stoker’s novel Dracula, Stoker’s use of inverted gender roles allows readers to grasp the sense of obscureness throughout, eventually leading to the reader’s realization that these characters are rather similar to the “monster” which they call Dracula. Despite being in the Victorian era, Stoker’s use of sexuality in the novel contributes to the reasoning of obscureness going against the Victorian morals and values. Throughout the novel the stereotypical roles of the Victorian man and woman are inverted to draw attention to the similarities between Dracula and the characters. Vague to a majority of readers, Bram Stoker uses Dracula as a negative connotation on society being that the values of the Victorian culture are inverted amongst the sexes of characters, thus pointing out the similarities of the characters and the so called “monster” which they call Dracula.
Bram Stoker’s novel Dracula, written in 1897 during the Victorian era depicts and delves through the historical context of what society was like in the past. His extraordinary piece places a strong emphasis on sexuality by contrasting it with the conventional and stereotypical views towards sexuality that was once embellished during his life time. By painting an elaborate picture of the conservative society Stoker once grew up in, I contend that through his main female characters, he pursues to epitomize and challenge the Victorian notion of sexuality by incorporating female characters with strong sexual desires. This essay is primarily set forth to bring into light key ideas that may alter the way one perceives this novel by highlighting that Dracula is a seditious novel that embraces female sexuality in a time where “society sought to suppress woman sexuality” (Catherine J. Rose, 2).